Jasmine™ UPC Regular is a Thai font designed by Unity Progress and offered under license from Microsoft. The Jasmine UPC Regular Font includes the Thai code page 874 and Latin 1 character sets. You should be familiar with the use of Thai fonts and multilingual fonts before purchasing Jasmine UPC.

Dillenia™ UPC Regular is a Thai font designed by Unity Progress and offered under license from Microsoft. The Dillenia UPC Regular Font includes the Thai code page 874 and Latin 1 character sets. You should be familiar with the use of Thai fonts and multilingual fonts before purchasing Dillenia UPC.

Lily™ UPC Regular is a Thai font designed by Unity Progress and offered under license from Microsoft. The Lily UPC Regular Font includes the Thai code page 874 and Latin 1 character sets. You should be familiar with the use of Thai fonts and multilingual fonts before purchasing Lily UPC.

Eucrosia™ UPC Regular is a Thai font designed by Unity Progress and offered under license from Microsoft. The Eucrosia UPC Regular Font includes the Thai code page 874 and Latin 1 character sets. You should be familiar with the use of Thai fonts and multilingual fonts before purchasing Eucrosia UPC.

Kodchiang™ UPC Regular is a Thai font designed by Unity Progress and offered under license from Microsoft. The Kodchiang UPC Regular Font includes the Thai code page 874 and Latin 1 character sets. You should be familiar with the use of Thai fonts and multilingual fonts before purchasing Kodchiang UPC.

The French lettering book Album de Lettres Arti (1949) displayed a number of examples of unique, stylized typefaces. One in particular features a multi-line sans serif in a classic Art Deco style with open-ended characters. This design is now available as Sign Studio JNL in both regular and oblique versions.

Hand-drawn by an architectural renderer's daughter, Plinth is an craftsman-inspired font that leaves a strong and lasting impression. Both capital and lowercase letters have been designed for impacting display, but are also easily read in large blocks of text. Plinth includes multi-language support as well as a variety of OpenType features including decorative alternate caps, double-letter ligatures, complete fractions, currency figures, and 4 stylistic sets. Set One replaces commonly used titles (Mr., Mrs., Miss, Ms., and Dr.) with complementary hand-drawn versions. Set Two replaces 8 commonly used prepositions (and, the, to, to the, or, of, for and at) with complementary wordforms. Set Three seats counting contractions (1st, 2nd, 3rd, etc.) in their proper superscript place. And Set Four provides a fancy alternate of both ampersand and asterisk. Plinth is perfect for the designer, architect or orderly list-maker in all of us.

The hand lettered title on the 1911 sheet music for “That Railroad Rag” was designed in a block style letter with spurred serifs. This simple typographic layout evokes the imagery of early rail transportation although the song itself is was a ‘modern’ composition of then-popular ragtime music. Railway Station JNL is available in both regular and oblique versions.

Presenting a condensed Art Deco sans serif font with rounded corners and squared inner lines, based on the hand lettered title on the cover of the sheet music for 1944’s “Just A Little Fond Affection”. Allerton JNL is available in both regular and oblique versions, and was named after a neighborhood in the Bronx, New York.

A 1963 issue of Billboard Magazine contained an ad for Jimmy Smith (along with some other artists on the same record label) that was hand-lettered in a free-form style similar to show-card ‘one-stroke’ typographic design. This was the inspiration for Top Forty JNL, which is available in both regular and oblique versions.

Miniver was inspired by a trip made to the library, looking for new ideas. Immediately gravitating towards the DVD for the 1942 film Mrs. Miniver, the hand-lettered title on the cover had a very contemporary look and feel so, there was the 'springboard' into a new font. First drawn were the inline forms and then they were traced, utilizing a playful 'cutout' effect.

Ledbury is a calligraphic display face, inspired by hand lettered specimens and combining Roman and Blackletter elements. It is designed with an extensive range of ligatures and stylistic alternate forms to preserve that hand written look. Use Ledbury for posters and banners, whether you need an Elizabethan touch or a hint of the Victorian Gothic Revival. A typeface Mr Augustus Welby Northmore Pugin would be proud to employ!

Created by Italian graphic designer and illustrator Lorenzo Lalatta, Orchestra brings a whimsical yet elegant spin to Latin typography. Every letterform is cleverly adapted from the shape of a musical instrument or musician. Mr. Lalatta has even disguised himself as the bullet glyph. Perfect for use as initial letters or in special invitations, these caricatures allow for delightful color embellishment as well. Don't be shy about wielding this baton!

Candy Bits was originally designed at Bitstream as a custom project for a large printer manufacturer. Released in 1997, Candy Bits was designed by Jim Lyles. The typographic characters were fashioned after a well known American candy. The balance of the characters in the font are designed to enhance the 3D illusion by appearing to recede into the page. Soon after its completion, Mr. Lyles joined a local health club.

This font set is the second in a series from P22 Type Foundry based on the lettering styles of Frank Lloyd Wright. Created in 1931, the Exhibition lettering was intended primarily to accompany Frank Lloyd Wright's exhibition drawings and models. Many of the 72 Extras were designed to form continuous linking borders. Combinations of these geometric forms can provide endless variations of decorative elements in the style of Frank Lloyd Wright. Many of these images were based on Mr Wright's "Saguaro Forms and Cactus Flowers" illustration for an unused Liberty magazine cover of 1926. Other imagery in this set was derived from assorted geometric designs by Wright. Exhibition Regular, Light, and Bold have been remastered and now contain almost 400 characters including support for Western and Central European languages.

A series of lettering guides called “Mimeostyle” for the A. B. Dick Company of Chicago (produced for use in making mimeograph machine printing stencils) were custom manufactured by the Wright-Regan Instrument Company (Wrico). One design featured a sans serif letter produced in Shadow relief, with a touch of Art Deco flair. This is now available as Template Shadow JNL, in both regular and oblique versions.

Many alphabet style examples from the Speedball Textbook on pen lettering have offered amateurs and professionals a source of inspiration since its first publication in 1915. A 1940s edition presented a simple sans serif design rendered with the style ‘B’ round nib pen point, and has been recreated as the digital type face Pen Sans Rounded JNL, which is available in both regular and oblique versions.

Miss McGee is equal parts Grotesque and Geometric, which gives here a no-nonsense, midcentury feel. Her letterforms are strong, wide in profile, and legible, making her a great choice for both text and display! She supports Western European, Cyrillic, and monotonic Greek, and has a full set of true small caps in each. She also has useful ligatures and alternates! Miss McGee is a companion typeface to Mr Chips, also from The Ampersand Forest!