Axeo is a freeform serif typeface. With more than 500 glyphs for each cut, Axeo supporting wide Latin Base Languages. The font structures is sans-serif typeface. Then, the fonts is made into serif (serifed) using rhombus and adapted/modified rhombus (before remove overlaps) placed on its appropriate positions. This fonts is released first, while the sans-serif is being in process. There are 10 fonts; 5 weight in normal width: Light, Regular, Medium, Bold, and Black; and 4 in semi-condensed: Light, Regular, Medium, Bold and Black, too. The fonts has some minor character variations, all are sets in SS01.There are also standard and discretionary ligatures, arrow, some geometric shapes and ornaments. With its sansserif structure, the Medium, Bold and Black fonts is playful with text effect in various applications such MS Word, CorelDraw or others to enhance the appearance. Its serif form will make unique enhancements. Thus, the fonts is suitable for Branding, logos, cards, advertisements, banners, display and more; for the main texts or its companions. While the light, regular and medium fonts can also be used as description text, card text, note, caption and longer non-formal texts or other usages.

A heavy font made by Minor Praxis. Inspired by blocks toy design. Ideal use for headlines, medium and large prints format, displays, and posters. Built by a quite heavy structure and dense kern which can make a hefty and solid impression. It can be matched with basic sans serif fonts as a body copy. Available in 4 styles with multi languages support.

This is a second edition of Deedee type family, originally designed in 2011. Deedee is a geometric sans serif typeface family of ten styles with extended support for most Latin languages plus Cyrillic. Revisions in this edition included minor adjustments to glyph shapes and improved kerning tables. The typeface is ideal for use in display sizes and is quite legible in the text.

Replay is a pure hymn to the classic typeface Caslon originally made by William Caslon (1692–1766). The typeface that bears his name, was made between 1720 and 1726. In 1739 he founded the Caslon Foundry which later become a property of Stephenson, Blake & Co., but remained an independent foundry until 1937. The typeface have been popular ever since it was made and still stand proud as a classic text face. MRF made detailed research, including versions from Adobe and Justin Howes. The end result is leaning more towards the original. Some minor »imperfections« are also incorporated in order to make the typeface more lively and old fashioned.

Laughter JNL is a deconstruction of the vintage sign painter's design Brushmark JNL. By flattening most of the curved lines and making other minor adjustments to the original font, the end result was a fun and playful sanserif that is great for lighthearted ads, party invitations, special events, point-of-sale signage and many other applications where a less-than-formal type style is required.

Squeezed is the result of exploring mid 20th Century sans serif typefaces. As the name suggest, the typeface is indeed condensed which is also a solid part of its personal and friendly charactar. It was first designed to fit for custom book cover projects, but now released for the public. Squeezed is best suited for display solutions, but could sometimes work in minor sizes.

Wild Fat Font - playful handwriting experimental display typeface inspired by classic old cartoons. Wild Fat Font is available in 3 styles: outline, outline distorted, and regular. The regular style imitates writing with a fat marker. The Wild Fat Font works perfectly for bold titles, Festival posters, a graphic element for bright T-shit or hoodies, designs for Kids, graffiti concepts, modern aesthetics, fashion, any visual design project, and even backgrounds! This bulging and chunky font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas!