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  1. Anko by Eko Bimantara, $22.00
    Anko is a mix of Old Style Roman Serif styles. The glyphs are formed in extend width, smooth strokes, moderate stem contrast and soft edges to pursue clarity, quick recognizable text and warm personality. The italics style is 8 degree low slanted with redrawned lowercase which shown in more organic and flowy forms. Anko contains 8 weights with more than 450 glyphs that support extended latin language and opentype features such as standard and discretionary ligature and a variation of numeral figures.
  2. Quebra by Vanarchiv, $55.00
    Quebra is an extend display sans-serif font family with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.
  3. Decima Mono Cyr by TipografiaRamis, $39.00
    Decima Mono Cyr is an upgraded edition of Decima Mono X fonts (released in 2014). The new version consists of the same (six) styles updated with larger character sets by extending number of Latin and Cyrillics Asian region languages. The typeface is intended for use in display sizes, but is also quite legible in text and is well suited for editorial and brand design.
  4. Bodebeck by Linotype, $29.99
    The Swedish designer/typographer Anders Bodebeck designed the Bodebeck type family in 2002. The family, which includes five different styles, is primarily intended for use as a titling, or display face, and belongs to the neo-transitional style of typefaces. Transitional style type first appeared in England during the late 1750s, when John Baskerville released his first sets of type. Bodeck bears similarities to another, later transitional style typeface as well - Eric Gill's Perpetua (originally released by the British Monotype Corporation in 1928). Like these two previous English stonecutters turned masters of typography, Anders Bodebeck has given us a modern re-interpretation of classic letterforms. Bodebeck, which is fitted with old style figures, is available in the following styles: Regular, Italic, Bold, Bold Italic, and Extra Bold."
  5. Gaffer by Typadelic, $9.95
    Gaffer is a simple little font! The backward slant, large x-height and short ascenders/descenders give the font a casual handwritten look. I’ve included some extra ligatures (ffi, ffl, ff, ks, tt, tf, ft, st) which will substitute automatically when used with OpenType savvy applications. Use Gaffer for projects where you need a casual look: on the web, scrapbooking, greeting cards, emails or a letter to a friend. Where would *you* use Gaffer?
  6. Utopia by Adobe, $29.00
    Utopia, created by Robert Slimbach and presented by Adobe in 1992, was intended to solve a number of typographic problems related to office correspondence. This demanded versatility, so Slimbach created a font family with cuts for text, for titles, extra bold for headlines, small caps, all caps with numerals, old face numerals, fractions, ligatures and scientific markings. Not just its forms, but also its aesthetics make the balanced, elegant Utopia suitable for any use.
  7. Vernyhora by Bohdan Hdal, $21.00
    The vintage display font family Vernyhora. The typeface is intended to be used in those places where the letters when it is necessary to transmit the strong character, stability and historicity. The font has got 6 weights. It contains extended Cyrillic and Latin alphabets. It also consists of the alternative set of characters from the old Ukrainian alphabet. It can be used for the state institutions names. It was planned to be a font of old cities and towns. From the very beginning the font was created in order to execute signboards at the entrance of towns. For the font creation the author was inspired by the graphic designers of the early 20th century, such as Georgiy Narbut and Fedir Krychevs'kyi. From the Ukrainian language the font name is translated into English as mountains mover.
  8. P22 Underground by P22 Type Foundry, $24.95
    Underground Pro expands on the historical design by Edward Johnston, licensed exclusively to P22 from the London Transport Museum. The overall design of Underground Pro is kept as intended by Johnston and remains within his system of proportions. Additional OpenType features, such as Small Caps and Petite Caps, are included in all 6 weights. A Titling option that mimics London Transport signage is offered in the medium weight. The addition of many Unicode ranges for unprecedented language support makes this the most expansive P22 font family ever. Each Pro font weight collectively contains over 5000 glyphs, covering most Latin based languages, with separate Greek (polytonic) and Cyrillic versions. The outlines of the original Regular and Bold have been subtly redrawn and expanded, they are now available as Medium and Heavy respectively.
  9. TD Fabrika by Tektov Dmitry Type, $20.00
    Font TD Fabrika. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...
  10. TD Empire by Tektov Dmitry Type, $28.00
    Font TD Empire Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...
  11. TD Stargorod by Tektov Dmitry Type, $34.00
    Font TD Stargorod. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...
  12. TD Kinoteatr by Tektov Dmitry Type, $28.00
    Font TD Kinoteatr. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...
  13. TD Skazka by Tektov Dmitry Type, $28.00
    Font TD Skazka. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...
  14. TD Kareliya by Tektov Dmitry Type, $28.00
    Font TD Kareliya. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...
  15. TD Pobeda by Tektov Dmitry Type, $28.00
    Font TD Pobeda. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...
  16. Bookseller Bk by Cyanotype, $20.00
    Bookseller Bk is a typeface designed for books and legible text at a small sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Bk includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Bk is also available in Caption size. 12 fonts for legibility at smaller sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.
  17. Bookseller Cp by Cyanotype, $20.00
    Bookseller Cp is a typeface designed for books and legible text at a smaller sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Cp includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Cp is also available in Book size. 12 fonts for legibility at small sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.
  18. Ekorre PERSONAL USE ONLY Black - Personal use only
  19. Potrzebie - Unknown license
  20. Genghis Khan - Personal use only
  21. LetterOMatic! - Personal use only
  22. Designosaur - 100% free
  23. NFL Falcons - Unknown license
  24. the EV$NT - Personal use only
  25. I Want My TTR! (Condensed) - Unknown license
  26. LC Bagira - Unknown license
  27. Warzone97 - Unknown license
  28. XXII ARMY - Unknown license
  29. PassCaps - Unknown license
  30. Qbicle 2 BRK - Unknown license
  31. Oneworldonefuture - Unknown license
  32. Vipertuism - Unknown license
  33. West point - Unknown license
  34. Broad - Unknown license
  35. Omega Sentry - Unknown license
  36. Faktos - Unknown license
  37. Plasmatica Outline - Unknown license
  38. Chain_Reaction - Unknown license
  39. Alecto Demo - Unknown license
  40. WalrusGumbo - Unknown license
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