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  1. Bubble Driving is a delightful and playful font created by the talented designer Vladimir Nikolic. This font embodies a sense of fun and creativity, making it perfect for projects that aim to stand o...
  2. Bebas, crafted in the bustling workshops of Flat-it, walks into the world of typography like it owns the place – and let's be honest, with its bold heart and towering stature, it nearly does. Picture...
  3. Ah, Stasmic, the font that seems to have chugged three espresso shots before sitting down to the business of being a font. Crafted by the ever-innovative Ray Larabie, a name synonymous with fonts tha...
  4. Alright, picture this: The font Greghor II, conjured from the depths of the creative mind of KLoNk, rolls onto the scene with the swagger of an eccentric uncle at a family barbecue. It's not just any...
  5. "Havent Slept in Two Days Shadow" is a font that immediately grabs your attention, not just with its unique name but with its equally distinctive style. Created by Kimberly Geswein, a designer known ...
  6. Alright, let's talk about Cocaine Sans by Chris Hansen. Imagine a font that not only captures your attention but also holds it hostage with its bold, unapologetic style. That's Cocaine Sans for you. ...
  7. Ah, Bubblii, the font that seems to dance right off the page! Designed by the ever-imaginative Philip Lanier, it's the typographical equivalent of a bubble bath — fun, light, and so effervescent, you...
  8. Ah, the font Dismembered - a name that immediately evokes a sense of gothic charm mixed with the unapologetic flair of a horror movie poster. Imagine, if you will, each letter painstakingly carved ou...
  9. Ah, the Zodiastic font by the whimsical artists of alphabets at Fontalicious—a name that sounds like a cross between a zodiac enthusiast and a plastic material, doesn't it? If fonts could dance, Zodi...
  10. Sure! The PopUp font crafted by Manfred Klein is a delightful and inventive typeface that captures the essence of whimsy and creativity, characteristic of Klein's extensive portfolio. Manfred Klein, ...
  11. Imagine a font that not only captures the essence of spontaneity and energy but does so with a flair that is both captivating and effervescent. Zapped is that font, a design that seems to leap off th...
  12. Ah, Chemical Gus! If fonts were characters at a science fair, Chemical Gus would undoubtedly be the eccentric, wild-haired inventor whose experiment table teems with bubbling potions and mysterious, ...
  13. Imagine a font that struts onto your computer screen with the confidence of a star athlete making a triumphant touchdown, and you’ve got a pretty good picture of "Touchdown by Chloe". This isn't just...
  14. Imagine a font that decided one day to get out of bed, stretch its limbs to the sky, and perform an impromptu dance routine. That's Kicking Limos for you. Created by the typographic maestro Ray Larab...
  15. The Charlie Chan font is a distinctive typeface that transports its users and viewers to an era steeped in mystery, adventure, and the exotic locales often associated with the fictional detective Cha...
  16. Charming Font, as its name suggests, is a delightful and captivating typeface that instantly imbues any text with a sense of whimsy and enchantment. Designed with creativity and versatility in mind, ...
  17. El&Font is not just a single typeface, but it's part of a larger collection created by the designer Jérôme Delage, with a unique trait that makes it stand out: its inclusion of graffiti style. When d...
  18. Crosspatchers Delight by PizzaDude is one of those fonts that instantly captures your attention with its unique and vibrant personality. Designed with an eclectic touch that seems to dance between cr...
  19. Kid Kosmic by Blambot Fonts is a vibrant, energetic typeface that embodies the spirit of adventure and creativity, making it an ideal choice for projects aimed at younger audiences or those seeking t...
  20. The Grasshopper font by Nick Curtis embodies a playful and organic aesthetic that makes it stand out in the world of typography. This typeface captures the whimsy of nature and the fluidity of moveme...
  21. Imagine a font that sneaked out of a design studio after consuming an entire pot of espresso, bouncing off the walls, and decided to throw a one-letter rave on your page. That's Outta Control Caps fo...
  22. Once upon a time, in a world bursting with the solemnity of serif and the sternness of sans-serif, there emerged a font so whimsically charming and cheekily vivacious, it could only be known as Comic...
  23. Prepare yourself to delve into the whimsically wicked world of EvilGenius BB, a font that could only spring from the vibrant minds at Blambot Fonts. This is a font that puts on a cape, laughs maniaca...
  24. StamPete is a charismatic and lively font that seems to leap off the page with an infectious energy. It is a display font that draws inspiration from the distinctive marks made by rubber stamps, embo...
  25. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  26. Well, imagine if a font decided to go on a wild adventure, sipping espresso shots in Paris, rollerblading through the streets of Los Angeles, and then winding down with meditation in a serene Japanes...
  27. Ah, the illustrious Writers Bold – a font that struts into the room with the confidence of a novelist who knows they've penned the next bestseller. Imagine if the letters on your screen were wearing ...
  28. Oh, HandPrinting! If fonts were people, HandPrinting would be that fun, quirky friend who shows up to a digital party dressed in a tie-dye T-shirt, holding a handmade sign that says, “I'm here to mak...
  29. Billo is an enchanting and playful display font created by the unique font foundry, Fontalicious. It captures the essence of whimsy and fun, perfectly suited for projects that aim to stand out with a...
  30. Ah, LaPerutaFLF, the font that decided it was too cool for the mainstream yet not quite ready for the underground indie scene. Picture this: if fonts had personalities, LaPerutaFLF would be that quie...
  31. Ah, Clementine Sketch by TheBlueJoker - imagine if a lemonade stand in mid-July decided it wanted a career change and became a font. This is that font. It's as if each letter, in its whimsical noncha...
  32. Alright, picture this: a font that decided it wanted to be the cool uncle of the comic book world, showing up at family gatherings with a leather jacket and a slight lean to one side. That, my friend...
  33. Komika Text Kaps is a unique and dynamic font that is part of the expansive Komika collection, masterfully created by Apostrophic Labs. This collection is particularly renowned for its comic book-ins...
  34. Xirod, crafted by the talented type designer Ray Larabie, is an emblematic typeface that effortlessly embodies a fusion of industrial strength and futuristic overtones. Its bold, edgy appearance draw...
  35. The DS Rada_Double font, crafted by the talented designer Nikolay Dubina, is a testament to the creative prowess that merges traditional typography elements with contemporary design trends. At its co...
  36. The font "Bouncy PERSONAL USE ONLY" by Måns Grebäck is an imaginative and dynamic typeface that embodies a sense of youthful energy and creativity. As its name suggests, this font was meticulously de...
  37. The font MAWNS' Serif by Måns Grebäck symbolizes a blend of classic elegance with contemporary design sensibilities. Crafted by the talented Swedish typeface designer Måns Grebäck, renowned for his m...
  38. Ruthless Wreckin ONE, designed by the renowned font creator Måns Grebäck, stands as a testament to the enchanting world of typography where form meets function in a dance of artistic mastery. Grebäck...
  39. Furia & Venganza, designed by Juan Casco, is a captivating pair of typefaces that evoke a strong sense of drama and intensity. These fonts are not just tools for text but are expressive elements in t...
  40. Commando, a font by defaulterror, bursts onto the scene like a hero in a 1980s action film—muscles bulging, ready to take on any design challenge with boldness and a touch of bravado. Imagine each le...
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