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  1. "Exquisite Corpse" by Chad Savage is an evocative font that stands out due to its unique inspiration and design, encapsulating a sense of artistic collaboration and creativity tied to its namesake. T...
  2. The CHE LIVES! font, designed by Levi Halmos, is a striking and evocative typeface that captures the spirit of rebellion and revolutionary zeal. This font is an artistic homage to the iconic Argentin...
  3. Wolf's Bane Expanded Italic by Iconian Fonts is not just a font; it's a voyage into the realm of the extraordinary and the distinctive, a perfect blend of the menacing and the elegant. As suggested b...
  4. As of my last update in April 2023, "Houndtime" designed by Bree Gorton may not be widely recognized within the mainstream font databases or among popular typeface discussions. However, let me create...
  5. Once upon a time in the digital kingdom, there was a font named Tempora LGC Uni, crafted by the master hands of Alexey Kryukov. This intrepid typeface embarked on a journey to unite the realms of let...
  6. As of my last update, I don't have direct access to databases or the internet to provide real-time or highly specific descriptions of lesser-known or proprietary fonts, such as "PetalGlyph" by Essqué...
  7. The font ETIAW v3 is an intriguing and dynamic typeface that stands out for its unique style and character. It is a font that seems to transcend traditional typographic boundaries, offering a fresh p...
  8. "Kozmik Vibez" is a distinctive font designed by Darrell Flood, embodying a fusion of retro and futuristic aesthetics. Its design reflects an imaginative journey through space and time, appealing to ...
  9. Font design frequently embodies the cultural and technological zeitgeist of its time, serving as a bridge between the expressive intentions of the creator and the aesthetic reception of the audience....
  10. The Rio Lobo, a typeface created by Woodcutter Manero, is a vivid reflection of the untamed spirit and robust aesthetics associated with the Wild West. The moment you set your eyes on its characters,...
  11. As of my last update in April 2023, PORT118 isn't a widely recognized or popular font within mainstream typography communities or databases. However, let's imagine and describe what PORT118 could be ...
  12. Imagine stepping back in time to the bustling streets of a Renaissance-era German marketplace, where the air is filled with the sound of craftsmen at work and the aroma of fresh parchment and ink. Th...
  13. As an AI model, I cannot browse the internet or access new databases in real-time; my last update was in April 2023. As of my last update, "Recognition" by WhoAmI Design was not a widely recognized o...
  14. Once upon a time, in a galaxy not-so-far away, nestled within the boundless universe of typography, there emerged a font that was unlike any other. It was a font so whimsical and so eccentric that it...
  15. The 5 Fingered Goth SWTrial font by Astigmatic One Eye stands out as a unique and captivating typeface that carries an unmistakable gothic charm. Crafted by the intriguingly named Astigmatic One Eye ...
  16. MachineScript by De Nada Industries is a font that embodies the seamless merger of the mechanical and the artistic, capturing the essence of precision and creativity in every stroke. This font is a t...
  17. The Eutemia III font, crafted by the imaginative minds at Bolt Cutter Design, is a testament to the intertwining of elegance and mystique. This typeface, a third in its series, carries with it a lega...
  18. As of my last update, Kelan is not a widely recognized font within mainstream typographic resources or specific font catalogs. However, the world of typography is rich and ever-expanding, with countl...
  19. American Dream, as conceptualized by the designer Chloe, is a font that captures the essence of aspiration, nostalgia, and the enduring spirit of the American ethos. From the first glance, it's clear...
  20. The "i-hearts" font, as its delightful name suggests, is a charming and whimsical typeface that embodies playfulness and affection. Designed to capture the heart of whimsical and creative projects, i...
  21. As of my last update in 2023, "Chibaraki Now" appears to be a distinctive and imaginative font, although it's worth noting that it's not one of the mainstream or widely recognized typefaces. However,...
  22. As of my last update in April 2023, "Spat Crumb" is not a widely recognized or standard font within the graphic design or typography communities. Therefore, I will approach this description by embody...
  23. As of my last update in 2023, there isn't a widely recognized or specific font named "Clearblock Circular." However, it appears you might be referring to a concept that blends characteristics of two ...
  24. As of my last update in April 2023, "Kick The Font" might not refer to a widely recognized or standard font available in common design or typography circles. Nevertheless, based on the playful and en...
  25. I'm delighted to help you explore the unique and playful world of the font named REGALIZ, designed by the talented Pedro Pan. REGALIZ is a font that stands out due to its imaginative approach and its...
  26. Tank Junior, designed by the talented Levi Halmos, stands as an exceptional font that seamlessly combines the essence of strength with a touch of playful charm. At its core, Tank Junior is distinguis...
  27. The font named SpideRaY, created by the designer or entity known as SpideRaY, embodies a distinctive blend of creativity and character that sets it apart in the realm of typography. At its core, Spid...
  28. Close your eyes. Wait, don’t—then you won’t be able to read this. Imagine, in a world where letters not only talk but strut down the catwalk with unmatched elegance, there lives a font: Ordinatum Med...
  29. The "PR Viking 01" font, created by Castles & Crypts, is a stylized typeface that draws significant inspiration from the historical and cultural elements of the Viking era. Designed to evoke the rugg...
  30. As of my last update in April 2023, the font Tristan might not be widely recognized under this specific name in mainstream font repositories or among popular typefaces. However, let's imagine a font ...
  31. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  32. As of my last update in 2023, "Drebiek" isn't a widely recognized or established font within major typographic collections or font libraries. However, the imaginary essence of "Drebiek" allows us to ...
  33. As of my last update in early 2023, "Beautiful Beasts" appears to be a fictional or not widely recognized font within the vast and diverse world of typography. However, let's indulge in a creative ex...
  34. **The Enigmatic Elegance of Xiparos Lombard: A Font Review by Yours Truly, the Artistic Oracle** In the grand parade of typographies where fonts like Arial and Helvetica march with their heads held...
  35. Byron, a distinctive typeface crafted by Studio Kmzero, stands out as a remarkable addition to the creative world of typography. Studio Kmzero, known for their innovative and artistic approach to des...
  36. Ah, "rockdafonkybit" by Grafik Industries - a font that sounds like it was named during a groovy jam session in the basement of a 1970s disco-tech, where the walls were painted in psychedelic pattern...
  37. As an AI developed by OpenAI, I don’t have direct access to real-time updates or specific databases of fonts including those that might have been created or named after my last update. However, I can...
  38. Imagine if a bunch of rebellious pixels had a wild party on your screen, and the next morning, you find them trying to form letters with a throbbing headache. That, my friends, is the essence of "Hea...
  39. Robotaur, crafted by the innovative minds at Iconian Fonts, is a font that captures the imagination and propels it into a science fiction realm. It is not just a collection of characters; it's an ens...
  40. As of my last update, Rammstein isn't widely recognized as a standard or commercially available typeface in the traditional sense, such as Helvetica or Times New Roman. Instead, Rammstein's associati...
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