Factum is a classical style serif typeface that sets the mood and evokes emoti­­­­­­ons before you read the text. Interchanging thick and thin lines, especially in Medium and Bold styles, creates an elegant silhouette and a rhythm in title sheet, cover art or poster. Yet Light and Regular styles look great in large type as well as headlines. Another speciality of the font family is Stencil styles that help you play around your typography and logotypes. Rich heritage and cultural experience behind the classical design make Factum font perfect for texts and messages connected to glamour, fashion, arts, literature, architecture, science, education, travelling, fine dining, cosmetics, beauty and etc. Timeless pattern and variety of weights and styles will make you use the font family again and again in different projects: creating logo, articles in magazines, branding, wedding invitations, quotes, posters, advertisements, monograms and many more. Character set of each font includes all European Latin-based glyphs, numbers, punctuation and OpenType features like standard ligatures, discretionary ligatures and fractions.

The original metal Neue Haas Grotesk™ would, in the late 1950s become Helvetica®. But, over the years, Helvetica would move away from its roots. Some of the features that made Neue Haas Grotesk so good were expunged or altered owing to comprimises dictated by technological changes. Christian Schwartz says Neue Haas Grotesk was originally produced for typesetting by hand in a range of sizes from 5 to 72 points, but digital Helvetica has always been one-size-fits-all, which leads to unfortunate compromises."""" Schwartz's digital revival sets the record straight, so to speak. What was lost in Neue Haas Grotesk's transition to the digital Helvetica of today, has been resurrected in this faithful digital revival. The Regular and Bold weights of Helvetica were redesigned for the Linotype machine; those alterations remained when Helvetica was adapted for phototypesetting. During the 1980s, the family was redrawn and released as Neue Helvetica. Schwartz's revival of the original Helvetica, his new Neue Haas Grotesk, comes complete with a number of Max Miedinger's alternates, including a flat-legged R. Eight display weights, from Thin to Black, plus a further three weights drawn specifically for text make this much more than a revival - it's a versatile, well-drawn grot with all the right ingredients. The Thin weight (originally requested by Bloomberg Businessweek) is very fine, very thin indeed, and reveals the true skeleton of these iconic letterforms. Available as a family of OpenType fonts with a very large Pro character set, Neue Haas Grotesk supports most Central European and many Eastern European languages.

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold."" To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights.

Say hello to Kokomo Breeze - A deliciously bold and nonchalant casual marker font. Kokomo Breeze was designed to keep a naturally handwritten marker-style look , while still maintaining some subtle inky marker imperfections on its edges , to keep in line with a more realistic, yet very legible look. Great for headlines, bold branding, classy packaging, eye-catching callouts and stand-out advertising, Kokomo Breeze is designed to be your jack of many trades. Be sure to turn on your OpenType features when type with Kokomo Breeze - it’s packed with natural-looking ligatures and alternate characters for both upper and lower case - all of these opentype extras make your type design look mush less mechanical, and much more like naturally formed words as you type. Pair it with a bold tall sans serif font, or a classy serif to add another whole new dimension to this very versatile marker font. Great as large and small sizes, Kokomo Breeze is perfect for any size design.

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold."" To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights.

CA Texteron is a modern text font family to cover the most common typographical needs with a minimum of weights. It is aiming for a serious but unconventional look, which is achieved by combining round and edgy forms in the same font, often in the same glyph, and by using Humanist and modern form-principles at the same time. It merges classical type-design with an experimental spirit. CA Texteron combines elements of the dynamic renaissance principle with the static neo-classic style, which makes it hard to classify. The result is a post-modern hybridization. The Regular weight works best in text size, and with more letter-space also for footnotes. The low contrast makes it robust and legible even in very small sizes. Bold, Italic and Small Caps are intended for emphasis. Bold, Bold Italic and Heavy make good headlines, that reveal the unconventional details. The Italic is not just a slanted version of the Regular weight but has individual forms and typical italic characteristics.

Monograf was originally designed as fixed-width monospaced font which has 2 weights (Regular and Bold). Monograf Text is a derived style of Monograf with proportional spacing and well-balanced kerning to make the text easier to read and look optically balanced. So in the total bundle you get 4 pieces of this font: Monograf Regular, Monograf Bold, Monograf Text Regular and Monograf Text Bold. This versatile font with clean geometry and slightly rounded corner elements works great in digital space, as well in print. It also retains its legibility at smaller sizes. Typographic features include old-style figures, directional arrows and four types of asterisks. The entire font is suitable for purposes such as tabular layout, coding, website, but also for magazines, logos, signs, products, and others. Features: Basic latin alphabet A-Z 116 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures, Directional arrows and 4 asterisks

Voluta Script is the work of Austrian designer Viktor Solt, created for use in a guide to the Austrian Gallery at Castle Belvedere. A volute (Latin voluta") is a spiral or scroll-shaped ornament used in the Baroque architecture of Castle Belvedere, similar to the swashes in this typeface. The castle was the historic residence of Prince Eugene of Savoy, one of the great military commanders of the 18th century and a prominent figure in Austrian history. When asked to create a typeface based on the calligraphy of the period to illustrate Eugene's epic, Solt turned for inspiration to Kurrent writing, a cursive blackletter style. Solt created a hybrid style that embodies the rhythm and basic forms of its ancestors, with large capitals, dark vertical strokes, and flourished beginning and ending characters. The typeface was designed to be used in sizes of 24 points and greater. Voluta Script allows designers to evoke the Baroque era or to lend a hint of majestic grace to contemporary typesetting."

SG Scratter is a dynamic and eye-catching display font that is sure to make any design stand out. With its sharp and crisp edges, this font exudes a sense of boldness and confidence that is perfect for headlines, logos, and branding projects. This font is available in six distinct styles, each with its own unique personality and character. From the sleek and sophisticated SG Scratter Regular to the more daring and adventurous SG Scratter Bold, there is a style to suit any design need. With its clean lines and modern aesthetic, SG Scratter is versatile enough to be used in a variety of design applications, from print to digital media. Its legibility and clarity make it a great choice for everything from posters to websites. So if you're looking for a font that combines elegance and edge, look no further than SG Scratter. With its sharp angles and bold lines, it's sure to make your design pop and stand out from the crowd.

Introducing Rondey – Display Font A Bold Serif with a Twist Rondey is a captivating Display Font that combines bold serifs with a unique twist, making it ideal for display purposes. Display Elegance Rondey’s design exudes an elegant charm that’s perfect for grabbing attention in various display contexts. Versatility for Diverse Projects Moving beyond its captivating elegance, Rondey’s versatility shines through, allowing it to seamlessly complement a wide range of creative projects. Captivating and Memorable Rondey ensures that your content is not only captivating but also memorable. It leaves a lasting and distinctive impression that sets it apart. In Conclusion In summary, Rondey – Display Font is a font designed to captivate in the world of display typography. Its unique twist on bold serifs adds an elegant touch to your projects. Whether it’s for branding, posters, or a myriad of creative endeavors, Rondey’s versatile and captivating design caters to a broad readership, ensuring your content leaves a memorable and distinctive mark.

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold." To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights."

The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts. It was one of the first serious digital text fonts to support small caps, ligatures and different set of numbers. In fact Scala and Scala Sans (1990-1993) are two different typefaces sharing a common form principle: the skeletons of both Scala and Scala Sans are identical. Scala’s dark colour and low contrast works to prevent the thin parts from breaking up. The generous length of Scala italic’s serifs gives it a strong rhythm. The bold weight has the same character widths as the normal weight, so changing a text from normal into bold does not affect the set width. Another part of Scala is very popular among its users: Scala Hands, containing more than one hundred decorative hands and pointers, is a free bonus. Scala Jewels is a set of four highly decorative typefaces, based on the bold capitals of Scala.