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  1. The font "Sweet as Candy" by PizzaDude is a vibrant and playful typeface that immediately captures the essence of joy and whimsicality. Its design is a visual treat, reminiscent of the sugary delight...
  2. The Sangkuriang font, designed by Gregorius Wisnu Prastowo, represents an intriguing blend of traditional elegance and contemporary design sensibilities. It is a typeface that evokes a sense of nosta...
  3. Rueckwarzsalto, crafted by the creative collective known as Bumbayo Font Fabrik, stands as a testament to the playful and experimental spirit inherent in the design community. This typeface, with its...
  4. Green Fuz, crafted by the prolific font designer Ray Larabie, is a vibrant and quirky typeface that embodies a spirit of fun and creativity. Its design takes inspiration from the handmade signage and...
  5. Pencil Caps is a distinctive font that embodies the essence of handmade artistry and the simplicity of pencil sketches. Designed to capture the whimsy and raw aesthetic of pencil-drawn capital letter...
  6. Painting With Chocolate is an evocatively named font, and right from its name, one can conjure images of something both artistic and indulgent. Created by the designer known as Mooze, this font carri...
  7. The font AmazObitaemOstrovV.2, crafted by the talented Amazingmax, stands as a unique testament to creativity and artistic exploration in the realm of typography. At first glance, this font captures ...
  8. The Genghis Khan font is a unique and captivating typeface that evokes the essence of the Mongolian empire's legendary founder, Genghis Khan. It is designed to capture the rugged, raw, and powerful s...
  9. Little Cupcakes by Muhamad Yusron Billah is a delightful font that embodies the playful and sweet essence of its namesake. Imagine the whimsy of a sunny morning bake sale, where the air is filled wit...
  10. Bitume, designed by Luc Mahler for Pleine Page, is a distinctive font that captures the essence of modernity and industrial aesthetics with a unique twist. This typeface, named after the French word ...
  11. The BreezedCaps font is a distinctive typeface crafted by the talented type designer, Manfred Klein. This font stands out for its creative flair and unique design characteristics that reflect Klein's...
  12. The VTC-NueTattooScript font is an enthralling typeface that hails from the creative studio of Vigilante Typeface Corporation (VTC). Emulating the intricate art of tattoo lettering, this font wears i...
  13. Eau by YOFonts is an artistically refined font that captures the essence of elegance and fluidity, suggesting a beautiful amalgamation of classic and modern design elements. The name 'Eau,' French fo...
  14. The Raslani American Letters font is a distinctive typeface that stands out due to its unique and stylized design. This font captures the essence of traditional American lettering, often associated w...
  15. Grand Hotel is a captivating font that exudes a timeless charisma, embodying the essence of classic elegance with a contemporary twist. Designed by the Astigmatic One Eye Typographic Institute, this ...
  16. Sure! Klarissa is an intriguing font designed by Dieter Steffmann, a talented typographer known for his revival of historical typefaces and his original designs. This font stands out for its intricat...
  17. The LT Sweet Nothings font, crafted by the font designer known stylistically as Nymphont, embodies the whimsical and charming aura of handwritten notes and personal touches. This typeface stands out ...
  18. Baltar, designed by the prolific typeface creator Ray Larabie, is a distinctive font that embodies a modern yet slightly retro aesthetic, making it a standout in various design projects. Larabie, kno...
  19. The Turbayne Running Hand is a font that evokes the elegance and fluidity of classic handwriting. It is designed to mimic the natural variations and movements of a skilled penman, bringing a personal...
  20. Plastic No.20, crafted by Apostrophic Labs, embodies a unique place in the world of typography due to its playful and modern essence. This typeface stands out with its distinctively stylized forms, c...
  21. The AGRAR Unicase font is a distinctive and versatile typeface that captures attention through its unique approach to letter case. As suggested by its name, "unicase" refers to the blending of tradit...
  22. The KR Hunnybee font, created by Kat Rakos, exudes a playful and charming aura that captures the essence of spontaneity and creativity. This font falls into the category of decorative or novelty type...
  23. The VTCKomixationSCBold font is a vibrant and expressive typeface designed by Vigilante Typeface Corporation, known for their eclectic and occasionally offbeat font choices that cater to a wide range...
  24. Marked Fool by Dustin Norlander is a distinctive font that captures the essence of creativity and whimsicality. Designed with an artistic touch, each character in the Marked Fool font seems to dance ...
  25. The KG Beautiful Ending font, crafted by the talented Kimberly Geswein, stands as a testament to the beauty of handwritten artistry in the digital age. This font captures the essence of personal touc...
  26. "Staggering Bob" offers an indelible impression of whimsy and joviality, well-suited for projects that demand a touch of lightheartedness and flair. Imagine letters that seem to dance and frolic acro...
  27. The Sweden font, crafted by Vladimir Nikolic, is an exemplar of modern design ingenuity blended with an essence of Scandinavian minimalism. This typeface stands out for its clean lines and geometric ...
  28. Janda Manatee Solid, designed by Kimberly Geswein, stands as a distinct and whimsical font that captures the imagination at first glance. This typeface, characterized by its playful yet readable styl...
  29. The font Soda, crafted by the creative minds at Ministry of Candy, exudes a playful and bubbly atmosphere that is reminiscent of effervescent drinks and casual, fun-filled gatherings. Its design lean...
  30. MKorsair is a distinct typeface crafted by Manfred Klein, a prolific German type designer known for his extensive and eclectic font contributions. Klein's work spans across a wide array of styles, bu...
  31. The WC Mano Negra Bta font, conceived and brought to life by the creative minds at WC Fonts, embodies a raw and unrefined aesthetic that sets it apart from the more traditional typefaces. This font i...
  32. Lombardic by Altsys Metamorphosis isn't just a font; it's a dive into the rich tapestry of medieval manuscript art brought into the digital age. Altsys Metamorphosis, known for their work in pioneeri...
  33. BPtypewrite is a font that effortlessly captures the nostalgic essence of an era dominated by the mechanical charm of typewriters. Designed by Backpacker, this font is meticulously crafted to embody ...
  34. Magnum, as envisioned by Alexander McCracken, is a font that immediately captures attention through its bold and commanding presence. This typeface is distinguished by its robust and vigorous charact...
  35. The font "28 Days Later" crafted by Jens R. Ziehn is an evocative and emotionally resonant typeface that captures a poignant blend of chaos and beauty. It draws its inspiration from the gritty and ra...
  36. The font "Missed Your Exit" encapsulates a sense of urgency intertwined with a whimsical nonchalance, creating a distinctive atmosphere that captures the attention. Picture this: each character is cr...
  37. Toppo Giggio, crafted by the talented Juan Casco, is a font that captures the essence of playfulness and creativity in its design. This typeface stands out for its unique blend of whimsical details a...
  38. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  39. "Child's Play" isn't just a font; it's a joyride back to the days of yore, when the toughest decision of the day was choosing between crayons or markers. This font mimics the erratic yet sincere hand...
  40. "Brushed" by PizzaDude is a font that exudes an energetic, authentic handcrafted feel, perfect for projects that require a touch of personal flair and dynamism. Created by the talented Jakob Fischer,...
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