Threva is a stylish sans serif font with 2 styles, solid and outline. You can combine the two into something creative. The shape is not too stiff, looks modern and elegant

Beary is a stylish and modern sans serif font. You can use this font in a variety of projects to create a unique and distinctive look. The Beary font can be used anywhere without the need for opentype support. Beary fonts are available in regular, alternate, and oblique.

Tel Aviv, Display San-serif typeface, 2 Widths, 4&5 Weights. Structured Shapes with familiar look, yet unique! Can be used for wide range of uses, also function well as short text.

Zipline is a geometric sans built from a folded line or ribbon. Contemporary and stylish, with a certain decorative flair. There are three variants that can can be freely mixed for effect - a solid version, a decorative lined version, and a half-solid version. Most effective used in short words or phrases at larger sizes, where the details can be appreciated.

Cartesian is a modular typeface that gets its namesake from Descartes’s cartesian coordinate plane and Conway’s Game of Life. Each character is composed of cells that each can be considered either on or off (alive or dead.) The Cartesian family includes Cartesian Serif and Cartesian Sans Serif. Furthermore, both Cartesian Serif and Sans Serif letterforms feature two-to-one stroke contrast.

Ingone is a slightly irregular sans-serif face. It was designed to complement PattyDay and HeyPumpkin, but can be used alone if you need an informal, friendly sans-serif font. It has only one weight, but the family includes a shadowed style. In 2018 the inside of the shadowed version was separated out and made a separate typeface. The letters have the shapes of the regular version but the spacing of the shadowed version and can be layered with the shadowed version to easily produce lettering with two colors.

George Ryan's ITC Migrate is a highly condensed sans serif display face that effectively complements ITC Adderville. Migrate represents what Ryan calls a “more highly evolved version” of a typeface he designed for Bitstream in 1991 called Oz Handicraft. “Both faces,“ says Ryan, “are based on designs of the popular early 20th-century type designer Oswald Cooper.” His inspiration came from drawing samples found in the Book of Oz Cooper, published in 1949 by the Society of Typographic Arts in Chicago. “Oz worked extensively with the sans serif form long before it became popular in the States, eschewing a popular belief of the time that sans serifs were only skeletons of letters.” Where Oz Handicraft was informal and quirky, ITC Migrate has a more restrained feel. “The uppercase characters and figures, in particular, have been reworked,” says Ryan, ”resulting in a more formal and traditional, compressed sans serif typeface.”

Gothiks Round is the rounded version of Gothiks. It is a narrow 6-weight display sans-serif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. The intermediate weights can be used for short texts while extreme weights are excellent for big sizes. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both sans-serifs or Blackletter, depending on geographic location.

Bouquet or in Turkish, Buket Font Collection includes 18 styles and textures which are different but compatible with each other. Decorative and script sans fonts include several useful ornaments. It can be created elegant and decorative typographic designs and additionally, eye-pleasing designs can be made even in miniscule texts.

Minomu consists of twenty sans serif font families, With a thicker weight, Minomu can be applied as an attractive and bold appearance for title letters, not only that, but Minomu's family with lowercase letters can also be used in designs with use as body text, to create more detailed descriptions.

Frankfurt - a clean, display sans serif with great versatility. With multiple weights, this typeface can be used to create a wide range of designs looking to achieve a fun, modern, and youthful look.

Negative sans-serif capitals in squares with rounded corners, looking like tiles, pushbuttons or computer keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

New Millennium is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium Sans and New Millennium Linear; all three work well together.) New Millennium is a serif face of what some might describe as a "modern style." But although it has flat serifs, it differs markedly from, say, Bodoni or Didot -- especially in the italic, which is a radical departure from tradition. (The bold styles are in fact sans-serif, identical to those of New Millennium Sans.) There's also a nice, dark Headline style for display text. New Millennium is a distinctive, legible, accessible text face that might be well suited to, say, scientific documentation.

Say hello to Magic Ramen - an oddball sans serif font with weird contrast! Playful and strange - perfect for unusual avant-garde branding and projects. Includes Opentype Kerning. Available in both solid and outline versions.

Letter Gothic was designed for IBM between 1956 and 1962 for use on the Selectric typewriter. Letter Gothic is a monospaced, sans serif face that can be useful for technical documentation and tabular work.

Letter Gothic was designed for IBM between 1956 and 1962 for use on the Selectric typewriter. Letter Gothic is a monospaced, sans serif face that can be useful for technical documentation and tabular work.