Perhaps you’re looking for a lovely and approachable font. That is why I presented my new typeface! Gijsuy, please introduce yourself. The idea of spreading spilled ink and filling the shape of letters inspired this playful handwritten bold typeface. The rounded corners are pleasing to the eye and give the impression of friendliness to the viewer. Greeting cards, children’s books, quotes, posters, invitations, business cards, movie title banners, and more can all benefit from this design. of course, your various design projects will be perfect and extraordinary. Start using our fonts for your extraordinary projects.

LetterPerfect's version of this distinctive sans serif design is both legible and approachable, and about as bold as a display font can be. Its friendly persona makes it an ideal choice for greeting cards and invitations, or for use with children's reading material.

Presenting to you Rushen. A vintage display sans serif with 5 styles. Designed with a bold weight that is awesome to be used for many purposes such as headline, branding, logo, apparel, logotype, cards, labels, poster, packaging, and many more. These fonts are all-caps fonts complete with multilingual support. Be Bold with Rushen! What you'll get : Regular: The basic one, with sharp geometrical shapes, formal and elegant look. Good to apply in Books, newspapers, letterhead. Curvy: Inky inspired from the old-school advertising, can be combined with your favorite fonts. Perfect for labels, posters, and short editorial. Stencil: The most explored with some adjustments that look good for a manly theme, urban style, military themes, brave, and youth. Shadow: The complement from all, but still can be stand-alone for western design, old school, and food themes. Distressed: The vintage-inspired with the neat ink effect and minimal anchor points to keep font still ergonomic. Thank you for your support!

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Introducing, Grand Wilson, a pair of font that brings the modern and casual feel in the same time. The Bold sans combined with the natural hand writing script are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : 2 fonts (bold sans and script font) uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Personal Note JNL gets its inspiration from a semi-calligraphic pen alphabet found in the 1960 edition of the Speedball® lettering textbook and is offered in both regular and oblique versions.

A 1940s edition of the Speedball® Lettering Pen instruction book yielded the design that Brushmark JNL is based on. This lettering also lends itself to projects with tropical or jungle themes.

Motherline Reguler : a monoline vintage script typeface which is created based on manual hand lettering with many features such as ligatures, stylistic set alternate, swashes, etc with total 650++ GLYPHS! which is obviously support multi language characters! Provided in both OTF and TTF. Motherline Bold : The bold version of the Motherline Reguler, looks awesome to be used as logotype, badge, emblem which is needed a strong and bold text. Motherline Sans : A complementary sans type font which is perfectly matched with the main font. Motherline Sans Rough : The rough version of the Motherline Sans.

Bolboreta Hollow is a revival of "Decorativa" font of Richard Gans Foundry .We've expanded the family with padded versions, striped versions (gray on other Gans fonts, in keeping with the days of lead fonts), and those same fills in separate font files, for graphic designer layered play. In addition to Bold versions.

Breakers is a sans serif originally conceived to be a display typeface. Works great in text also, but the diversity in weights is its strong point. It is easy to achieve that high contrast using thin against the ultra weight, but setting tall and lean capitals against the compact and heavy small caps can make really diverse compositions for all kinds of display design. With small caps included, and over 600 glyphs in each weight, it should prove itself useful in finding the right combination for any typographic setting. Breakers has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

Ultra legible forceful sanserif in 32 fonts Parisine was born as official parisian métro signage typeface. This family of typefaces has become over years one of the symbols of Paris the Johnston for the London Underground or the Helvetica for the New York Subway. The Parisine was created to accompany travelers in their daily use: ultra-readable, friendly, human while the context is a priori hostile. Meanwhile, Parisine is now a workhorse and economical sanserif font family, highly legible, who can be considered as a more human alternative to the industrial-mechanical Din typeface family. More human, but not fancy: No strange “swashy” f, or cursive v, w etc. on the italics, to keep certain expected regularity, important for information design, signages, and any subjects where legibility, sobriety came first. Born as signage typeface family, the various widths and weights permit a wider range of applications. In editorial projects, the Compress version will enhances your headlines, banners, allowing ultra large settings on pages. The Narrow version will be useful as direct compagnon mixed to standard width version when the space is limited. The various Parisine typeface subfamilies Parisine is organised in various widths and subsets, from the original family Parisine, Parisine Gris featuring lighter versions of the usual weights and italics, Parisine Clair featuring extra light styles, to Parisine Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord. Many years of adjustments were necessary to refine this complex family. Initially, Parisine was designed by Jean François Porchez in 1996 for Ratp to solely fulfil the unique needs of signage legibility. Parisine remain the official corporate typeface of the public transport in Paris, the worldwide capital for tourism, and now integral part of the French touch. Directly related, Parisine Office was initially created for Ratp’s internal and external communication, Parisine Office is available at Typofonderie too. Not connected with Ratp and public transports, Parisine Plus was created as an informal version of Parisine. Parisine: Introducing narrow and compressed families About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

Pronk - move forward by leaps and bounds This family includes Clean, Rough and Outline - You're welcome! This is an all caps, tall, bold and round sans serif display font designed for retro-modern designs. This font is perfect for your next logo design or magazine titles. Taking inspiration from many tall fonts and American number plates I created a display font that would be my 'go-to' for a neat tall, bold font. I also wanted something which would take a good amount of treatment like stamp effects and grunge. Pronk works brilliantly as a pegboard font and for neon lettering. Pronk pairs perfectly with Stroom and Gill Sans. I really hope you enjoy this font, please don't hesitate to drop me a message if you have any questions. Features: - Uppercase letters - Numerals

Manifold® CF is a utilitarian typeface inspired by the precision of a computer terminal, softened by contemporary design and rounded corners. Manifold's unified letterforms and tall x-height are great for user interfaces, or track it out for a sophisticated look. Manifold also offers wide language support, including Cyrillic script, Vietnamese, and Pinyin Romanization. Manifold® CF excels as a headline or display typeface, and pairs well with contrasting simple serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.