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  1. The font "Nightmare Maker," crafted by the talented Chris Hansen, is a fascinating demonstration of creativity and boundary-pushing in typography. This font encapsulates the essence of thrill, horror...
  2. Sure thing! Jailbox1 by Dirt2 is a unique font that carries a lot of characters and personality, quite befitting of its intriguing name. This font doesn't just whisper; it shouts, making it perfect f...
  3. The "Scribble" font, as its name suggests, belongs to a category of typefaces that mimic the hurried, erratic characteristics of handwritten scribbles. It encapsulates the essence of spontaneity, cre...
  4. Ubicada is a contemporary and versatile typeface created by the talented typeface designer deFharo. It is a font characterized by its clean lines, geometric shapes, and modern feel, perfect for a var...
  5. Droid Sans is a contemporary sans-serif typeface family designed by Steve Matteson of Ascender Corporation. Introduced as part of Google's Android operating system, the primary intention behind the c...
  6. Ah, Urban Brigade, the font that struts down the street of typography like it owns the place. Imagine, if you will, a graffiti artist and a highly disciplined calligrapher had a love child; Urban Bri...
  7. Fear Factor, as a conceptual font, embodies the essence of thrill, suspense, and the edginess associated with fears, challenges, and the unknown. Imagine a typographic design that captures the heart-...
  8. Acid Reflux, a font designed by Jason Ramirez, is a distinct and bold typeface that captures the essence of chaotic beauty and edgy creativity. Its design appears to be inspired by the unpredictable ...
  9. Aftershock Debris Condensed, designed by ShyFoundry, is an intriguing font that encapsulates the essence of a post-apocalyptic aesthetic, melding it seamlessly with elements of resilience and rebirth...
  10. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  11. Embracing the cosmos’ boundless beauty, Stargazers is a font that transcends traditional design to capture the essence of midnight dreams and the sparkle of distant stars. It is not just a typeface b...
  12. The font named "Broken Toys" designed by PizzaDude is an intriguing typeface that embodies a playful yet edgy aesthetic, ideal for projects that require a touch of whimsy and rebellion. As its name s...
  13. The Tenby Five font is a distinctive and versatile typeface that draws inspiration from the geometric shapes and clean lines characteristic of mid-20th-century design. Its name, suggestive of a numer...
  14. Garbageschrift, a font that is as unique and eclectic as its name suggests, takes typography on an adventurous journey, challenging the traditional boundaries of design and readability. The genesis o...
  15. The Great Escape, designed by Kimberly Geswein, is a font that carries a sense of personal touch and warmth, embodying traits that make it stand out in a world filled with digital texts and standard ...
  16. The VTC-RoughedUp font by Vigilante Typeface Corporation (VTC) stands out as a distinctive typeface that captures the essence of raw, gritty, and unrefined aesthetics. The design embodies a rugged ch...
  17. Zorque, designed by the prolific typeface designer Ray Larabie, is a font that packs quite the visual punch. It blends futuristic sensibilities with a dash of whimsy, making it stand out in a sea of ...
  18. KlausBFraktur is a striking and historically rich typeface designed by the prolific font designer Manfred Klein. This font encapsulates the essence of the Fraktur style, which has deep roots in Europ...
  19. Ah, the Armalite Rifle font, designed by the infamous Vic Fieger. If fonts had personalities, Armalite Rifle would be that one friend who thinks camouflage print is suitable for every occasion and be...
  20. Allow me to introduce you to the unsung hero of the typography world, Uecker, carefully crafted by the typographic maestro, Allen R. Walden. Imagine a font that decided to put on its Sunday best, but...
  21. Certainly! Gondola SD is a charming and distinctive font designed by Steve Deffeyes that seems to transport you to another time and place, reminiscent of narrow Venice streets and serenading gondolie...
  22. Bebas, crafted in the bustling workshops of Flat-it, walks into the world of typography like it owns the place – and let's be honest, with its bold heart and towering stature, it nearly does. Picture...
  23. Baumarkt, a distinctive font crafted by the talented Dieter Schumacher, is a visual symphony that marries functionality with artistic flair, evoking the spirit of innovation and creativity. This type...
  24. The font "Luvya Babe" by GemFonts, a collective pseudonym used by the talented designer Graham Meade, captures the essence of playful affection through its design. Distinct in its appearance, Luvya B...
  25. The TPF Senseless Strokes font, crafted by the talented Samuel Marcius, offers an intriguing journey into the realm of abstract and expressive typography. This font stands out due to its distinctive ...
  26. Broad, conceived and distributed by Apostrophic Labs, embodies a venture into the realms of boldness and legibility, meriting its place in the diverse world of typography. As its name straightforward...
  27. Heavy Rotation is a font that exemplifies boldness and dynamism, making a striking statement in any context it's used. Designed to capture the essence of contemporary bold typefaces, it features thic...
  28. Velour is a distinctive and elegant typeface that gracefully walks the line between contemporary innovation and classical formality. Its creation is a testament to the meticulous craftsmanship in fon...
  29. Ah, Chemical Gus! If fonts were characters at a science fair, Chemical Gus would undoubtedly be the eccentric, wild-haired inventor whose experiment table teems with bubbling potions and mysterious, ...
  30. The "Rose Tattoo" font, crafted by Billy Argel, is a striking and ornamental script that embodies a unique blend of elegance and rebellion. This font stands out due to its intricate designs and the s...
  31. Wood Sticks is a font that seems as though it was plucked straight from a whimsical forest or a charming, rustic cabin. It's a typeface that embodies the essence of the outdoors, bringing to mind ima...
  32. Rogue Hero Expanded Italic, a captivating typeface crafted by Iconian Fonts, is a striking example of creativity and versatility in the world of typography. The font immerses users and viewers into a...
  33. The Charlie Chan font is a distinctive typeface that transports its users and viewers to an era steeped in mystery, adventure, and the exotic locales often associated with the fictional detective Cha...
  34. Bad Films, a captivating font designed by Ray Larabie, stands out as a quirky and unique typeface drawing its inspiration from the eclectic and often eccentric typography found in the titles and post...
  35. Vintage Melody Personal Use by Din Studio is a font that at first glance transports you to an era where handwritten letters were the primary means of communication, and each stroke of the pen was inf...
  36. Briaroak Shire by Unauthorized Type is a distinctive font that captures the essence of enchantment and whimsy often found in the pages of fairy tales and fantasy novels. Its design evokes the feeling...
  37. SantaCruz is a font that evokes a laid-back, yet adventurous spirit reminiscent of the iconic coastal city it's named after. Its design carries the essence of surf culture, mingled with a vintage vib...
  38. The essence of the Graffiti font mirrors the vibrant, expressive, and sometimes rebellious spirit of street art from which it draws inspiration. This type of font captures the raw energy and boldness...
  39. ParaAminobenzoic is a unique font that stands out for its distinctive design, crafted by the renowned type designer Ray Larabie. This font encapsulates the essence of innovation and creativity that L...
  40. The Romance Fatal Goth Versal font, designed by Juan Casco, is a fascinating foray into the world where gothic sensibilities intermingle with romantic fatalism, presenting an artistic expression that...
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