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  1. Ah, if fonts were people, Struck Base PERSONAL USE ONLY PERSONAL USE ONLY by Måns Grebäck would be that incredibly charismatic friend who insists on making a dramatic entrance at every party, yet onl...
  2. Racer, created by the visionary designer onezero, is a font that embodies dynamism, speed, and elegance. Its design is inspired by the high-speed world of racing, capturing the essence of motion and ...
  3. Certainly! The Faltura Animals font, designed by the renowned typeface creator Måns Grebäck, is a fascinating and creatively driven font that deeply resonates with nature and animal lovers. This font...
  4. Ah, the ever-so-futuristic and slightly otherworldly font known as Nasalization, crafted by the visionary Ray Larabie, is like the Vespa scooter of typography: quirky, stylish, and with a hint of ret...
  5. Feast of Flesh BB is a creation of Blambot Fonts, a type foundry that has made a significant mark in the realm of comic book lettering and graphic design. This particular font encapsulates an aura of...
  6. Bleeding Freaks is a font that resonates with the essence of horror, suspense, and a touch of macabre artistry. It's a font that belongs to the decorative or display category, crafted with the intent...
  7. Ah, the whimsical world of fonts, where the personality of a text comes to live, breathe, and sometimes do a little dance. Enter the scene: Digital Tech by Phuxer Designs. Imagine if the circuits of ...
  8. Imagine if your high school chemistry teacher decided to become a typographer, and their first project was to somehow capture the essence of every "Eureka!" moment they ever had in a font. The result...
  9. As of my last update in April 2023, the font named Krizia Uomo, designed by Levi Halmos, may not be widely recognized in main font repositories or among popular digital font libraries. However, let m...
  10. Archeologicaps by Manfred Klein is a tryst with history, wrapped in the enigma of typography that takes you back to the cradle of civilization. Designed by the adept typographer Manfred Klein, this f...
  11. Elektrogothik is a typeface that encapsulates the spirit of two seemingly disparate worlds: the dark allure of gothic culture and the energized pulse of electronic music. This font is designed to bri...
  12. Ah, SF Espresso Shack by ShyFoundry, the font that sounds like it was brewed in the cozy, eclectic coffee shop tucked away in the artsy part of town. Picture this: a font that packs all the warmth of...
  13. The "id-Cinema-LightOT" font, designed by Inoue Masaru, is a charming and versatile typeface that offers a unique blend of elegance and whimsy, making it perfect for a wide range of creative endeavor...
  14. Marsh Gas, crafted by the talented Levi Halmos, is a font that seems to rise from the depths of fantasy and enchantment, encapsulating the essence of mystery and peculiar charm. At first glance, Mars...
  15. Ah, Monster Paparazzi! Imagine for a moment, deep in the wild underbrush of creativity, lurks a font so captivating that it could only be dubbed Monster Paparazzi. Crafted by the illustrious duo, Kev...
  16. Allow me to introduce you to the enchanting world of Dreamspeak, a font that could charm the socks off a centipede - not that they wear any, but let's not get bogged down by the details. Dreamspeak i...
  17. Imagine wandering into a neon-soaked, nostalgia-fueled cinema alley from the golden era of blockbusters. There, amidst the scent of buttery popcorn and the echoes of cinematic triumphs, emerges the e...
  18. As of my last update in April 2023, "Geared Up" might not be a widely recognized or established font within the mainstream typographic community or among popular font databases. However, given a crea...
  19. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  20. The font named BROKEN GHOST by Last Soundtrack exudes a distinctive, haunting character that sets it apart in the realm of typography. As the name suggests, Broken Ghost carries an eerie, otherworldl...
  21. Nu School Munitions isn't a font that I can specifically reference as of my last knowledge update in early 2023, suggesting it might either be a very new, specific, custom, or possibly not widely rec...
  22. Font aficionados and design enthusiasts will find it a pleasure to explore "DesignPartsOne" by the seasoned and inventive type designer, Manfred Klein. This distinctive font is less about letters and...
  23. As of my last knowledge update in April 2023, Solemnity is not a widely recognized or specific font within major font distributions or libraries. However, the imaginative essence and potential charac...
  24. Ah, "Dirty Female Feet" is not your everyday font choice! With a name that instantly conjures up vivid, perhaps even whimsical or controversial, imagery, this font stands out in the vast ocean of typ...
  25. The "Haunt AOE" font, developed by the creative minds at Astigmatic One Eye Typographic Institute, is a unique typeface that truly captures the essence of its namesake. Designed to evoke feelings of ...
  26. Reactor A1 by Yautja is a font that embodies a futuristic, dynamic essence tailor-made for projects that aim to stand out with a bold, innovative aesthetic. Imagine letters that have been sculpted fr...
  27. Oh, the M+ 1m font? It's quite the hidden gem in the world of typography! Imagine a typeface that gracefully walks the line between the sleek, clean look of modern fonts and the nuanced flexibility n...
  28. As of my last update in 2023, "Sepulcra" is not a widely recognized or established font within mainstream typographic resources or design communities. However, crafting a descriptive narrative based ...
  29. Wolf's Bane, crafted by the talented Iconian Fonts, emerges as a distinctive and dynamic font that captures the essence of both adventure and mystery. Iconian Fonts, known for their vast portfolio of...
  30. "Zamolxis I" is a distinctive font that captures the essence of ancient mystique and modernity in its design. This unique typeface is named after Zamolxis, who is often regarded as a god or a revered...
  31. "Staubiges Vergnügen," created by nihilschiz, is a font that resonates with a unique blend of artistic flair and nostalgic charm. Its name, translating to "Dusty Pleasure" in English, perfectly encap...
  32. The LOVE-BOX font crafted by the talented designer deFharo stands as a unique and enchanting typeface that captivates with its distinctive style and charm. It embodies a perfect blend of creativity a...
  33. Sure, I'd be delighted to paint you a vivid picture of the font named "Felt" crafted by Pat Snyder. Imagine diving into the cozy world of crafting, where textures, warmth, and a touch of homemade cha...
  34. The HVD Poster font crafted by HVD Fonts represents a captivating fusion of aesthetic elegance and bold statement-making capability. It is a design that doesn't just convey words but does so with an ...
  35. Oh, the tale of Weaver! Picture it: in the vast, swirling cosmos that is the font universe, where Serif rubs elbows with Sans Serif at the swankiest of typographical parties, and Script flows gracefu...
  36. "Wizards Magic" is a font that seems to encapsulate the enchanting essence of the mystical and magical world, inspired by the rich tapestry of fantasy literature, movies, and folklore that involve wi...
  37. Astral Groove by Imagex is a font that truly embodies a unique blend of creativity and artistic flair, capturing the essence of exploration and innovation in typography. This font stands out for its ...
  38. The font "Cereal Killerz" by SpideRaY stands as a captivating typeface designed to evoke a sense of thrilling suspense and playful mischief. Crafted by the imaginative mind of SpideRaY, this font div...
  39. The Hontana font, designed by the renowned Attract Studio, is a testament to the studio's commitment to creating typography that not only serves the fundamental need of readability but also adds a un...
  40. Ah, Qebab Shadow FFP, the font that seems to have been crafted by a whimsical wizard in a shadowy, cobweb-draped studio, using nothing but a feather from a phoenix, some pixelated ink, and a healthy ...
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