7,734 search results (0.184 seconds)
  1. Absolutely, I'd love to talk about the Royal Initialen font created by Dieter Steffmann! Picture this: a typeface that feels like a journey back in time, capturing the elaborate and ornate style of h...
  2. Fleet Street, created by the prolific type designer Ray Larabie, is a font that marries the vibrancy of modern design with the elegance of classic typography, resulting in a typeface that feels both ...
  3. The font named Flashback version 3 by PizzaDude is a distinctive and expressive typeface that masterfully captures the essence of nostalgic design paired with a contemporary touch. This font is a cre...
  4. The Thundercats font, crafted by Neale Davidson, is a distinctive typeface that evokes a strong sense of nostalgia and adventure, capturing the essence of the iconic 1980s animated television series ...
  5. Kalenderblatt Grotesk is a true gem in the world of typography, crafted by the talented Dieter Steffmann. This particular font marries the enduring appeal of grotesque design with Steffmann's unique ...
  6. The Siamese Katsong font, designed by Vic Fieger, is a distinctive typeface that stands out due to its playful and whimsical characteristics. This font captures the essence of creativity and eccentri...
  7. Omega Sentry is a typeface that stands as a remarkable creation by Neale Davidson, an esteemed font designer known for his ability to craft letters that tell stories beyond their mere appearance. The...
  8. Ah, diving into the realm of typefaces, are we? Let’s explore the font named Steadmanesque. Picture this: a canvas of paper embracing ink in such a manner that it seems to dance, twist, and shout fro...
  9. Imagine a font that decided one day to sneak out of the digital world, spend a thrilling day at a waterpark, and then sneak back in, full of stories and a slightly warped perspective. That font is HO...
  10. Two Turtle Doves is a distinctive font that bears the creative signature of Tom Murphy 7, a designer known for his eclectic and often quirky approach to typography. This particular font embodies a se...
  11. Imagine a world where letters decide to throw a grand costume ball, dressing up in their medieval finest, complete with flourishes, curls, and an air of aristocratic elegance. The font GloucesterInit...
  12. As of my last update in April 2023, the font Tristan might not be widely recognized under this specific name in mainstream font repositories or among popular typefaces. However, let's imagine a font ...
  13. Ah, the Confinental FREE font by Inspiratype – a name that evokes the elegance of a continental breakfast in Paris but with the 'FREE' tag dangling like a cherry on top that says, "Bonjour, mon ami! ...
  14. Mexcellent, a vibrant and retro-inspired font designed by Ray Larabie, transports its audience straight into the heart of the late 20th century's burgeoning pop culture with a particular nod to the n...
  15. The "id-asobi_LightOT" font, meticulously crafted by Inoue Masaru, stands as a sublime example of typographic art that elegantly balances playfulness with sophistication. It is an embodiment of moder...
  16. Font design is a realm that encapsulates mood, culture, and period, all in the structure of letters and symbols. "Club," designed by Keith Bates, is a font that dives deep into these concepts, offeri...
  17. The Flying Hollander font, created by the prolific German type designer Manfred Klein, is an artistic and whimsical typeface that carries a unique charm and character. Known for his eclectic and wide...
  18. Ingleby Regular is part of the Ingleby typeface family, designed by David Engelby, a typeface designer who brings a detail-oriented and thoughtful approach to his creations. This particular font, Ing...
  19. Alright, picture this: Zekton Free, a font that looks like it moonlights as a futuristic secret agent. Designed by the font wizard Ray Larabie, this typeface isn't just another font in the crowd. Oh ...
  20. Edmunds, a captivating font crafted by the renowned Canadian type designer, Ray Larabie, stands as a vivid testament to the harmonious blend of tradition and innovation in typography. Larabie, known ...
  21. Arbuckle is a font that dances between the worlds of playfulness and respectability, masterfully designed by Nick Curtis. Picture a font that could easily headline a whimsical party invitation one mo...
  22. Schmalfette Fraktur by Dieter Steffmann is an intriguing font that captures the essence of historical German printing and manuscript traditions. Dieter Steffmann, known for his passion for reviving v...
  23. spinwerad - Unknown license
  24. East Anglia - 100% free
  25. Renny Hybrid - 100% free
  26. B de bonita shadow - Personal use only
  27. Mirkwood Chronicle - 100% free
  28. Source Code Pro - 100% free
  29. Miama - 100% free
  30. !CRASS ROOTS OFL - Unknown license
  31. Anfalas - 100% free
  32. B de bonita - Personal use only
  33. Exo - 100% free
  34. kawoszeh - 100% free
  35. TT Travels Next by TypeType, $39.00
    TT Travels Next Update 1100. We've expanded the range of stylistic alternates and added a calmer version for lowercase letters t f, uppercase Q, and ligatures fi ffi fj ffj. Thanks to the calmer alternative characters, TT Travels Next can be used in more conservative layouts or in designs that require a certain austerity. TT Travels Next in numbers: • 21 styles: 9 upright, 9 italics, 1 variable font and 2 outline styles • 757 glyphs in each style • Support for more than 190+ languages: extended Latin, Cyrillic and many other languages • 26 OpenType features in each style: stylistic alternates, ligatures, old-style figures, numbers in circles, arrows and other useful features • Amazing Manual TrueType Hinting TT Travels Next useful links: Specimen PDF | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Travels Next: The idea to create an alternative version of the TT Travels font family emerged at the “Mail.ru Design Conf x Dribbble Meetup” that took place in August 2020 in Moscow. All conference branding was designed using the TT Travels font family, and, even though the set was very beautiful, we found that if the typeface were more radical and display, it would have complemented the event's graphics even better. Thus, was born the idea for the TT Travels Next typeface, which was to create a very trendy and modern wide display sans serif for use in different sets, be they print or web. TT Travels Next is an experiment answering the "what-if" question of what would happen if the original TT Travels looked different, less compromising and more radical. The typeface has very wide proportions and characters that almost do not get narrower as you move from the bold styles to a light one. TT Travels Next has an exaggerated closed aperture, low contrast, noticeable visual compensators, and a harmonic combination of soft and sharp shapes. In inclined styles, we have purposefully increased the slant up to 14 degrees so that you can type slashing dynamic inscriptions. In addition, the TT Travels Next typeface has two great outline styles which match the upright styles perfectly and complement them, and also work well as display styles. The TT Travels Next typeface consists of 21 fonts: 9 upright and 9 corresponding italics, two outline styles, and one variable font with two variability axes (weight and slant). Each style consists of 757 characters and supports over 190+ languages. The typeface has 26 useful OpenType features, such as stylistic alternates that change the design of characters responsible for the style, ligatures, pointers, circled figures, and many other useful features. TT Travels Next OpenType features list: aalt, ccmp, ordn, locl, subs, sinf, sups, numr, dnom, frac, tnum, onum, lnum, pnum, case, dlig, liga, calt, salt, ss01 (Alt. Latin & Cyrillic), ss02 (Romanian Comma Accent), ss03 (Dutch IJ), ss04 (Catalan Ldot), ss05 (Turkish i), ss06 (White Circled Numbers), ss07 (Black Circled Numbers). TT Travels Next language support: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani +, Banjar, Basque +, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton +, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican +, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gikuyu, Guarani, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Kamba, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kikuyu, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian+, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Meru, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss, German +, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana +, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Walser+, Welsh+, Wolof, Xhosa, Zaza, Zulu+, Belarusian (cyr), Bosnian (cyr), Bulgarian (cyr), Erzya, Karachay-Balkar (cyr), Khvarshi, Kumyk, Macedonian, Montenegrin (cyr), Mordvin-moksha, Nogai, Russian+, Rusyn, Serbian (cyr)+, Ukrainian. TT Travels Next font field guide including best practices, font pairings and alternatives.
  36. TT Fors by TypeType, $39.00
    TT Fors useful links: Specimen | Graphic presentation | Customization options TT Fors is a modern geometric sans serif with characters and shapes contrasting in width, as close as possible to the basic geometric shapes (circle, square, triangle). TT Fors is a great addition to TypeType's line of functional sans serifs, which already includes such fonts as TT Norms Pro, TT Commons, TT Hoves and TT Interphases. The main inspiration for the creation of TT Fors was the study of geometric grotesques of the early to mid-20th century (Futura, Neuzeit Grotesk, Twentieth Century, Avantgarde Gothic, etc.), and the analysis of the contribution they made to the visual environment of that time. We gave ourselves the task to create the most versatile functional typeface that draws inspiration from the visual environment of the early to mid-20th century, but at the same time is aimed at uninterrupted use in all modern media, from branding and packaging design to work in interfaces and applications. This versatility is reflected in the title TT Fors (for), a typeface for a wide range of uses. The rounded characters in the font family tend to be shaped as the correct circle as much as possible, while the rest of the characters have narrower proportions. For more functionality, the typeface has rather high lowercase characters. Thanks to the correct and precisely selected geometric shapes and uniform construction rules, TT Fors works great both in the format of large headings and in very small text sizes used in book printing and in web design. In addition, the TT Fors family has a display subfamily TT Fors Display, which is a trendy pair for the text fonts. The main feature of the display subfamily is high contrast in horizontal or vertical strokes. When choosing a contrasting stroke, we paid attention that the shape of the letter would not go into reverse contrast and become a stressed sans serif. The subtle strokes in TT Fors Display have added sufficient display vibe to give the font a vibrant character, while remaining intelligent and serious. In total, TT Fors family includes 34 fonts: 9 weights and 9 italic styles in the text subfamily, 6 weights and 6 italic styles in the display subfamily, 2 outline styles and 2 variable fonts for both subfamilies. TT Fors has stylistic alternatives, ligatures, small caps (text family only), numbers in circles, arrows and a set of alternative round full stops and punctuation marks (text family only), slashed zero, and other useful features. More details about all OpenType features can be found in the font specimen. And, by good tradition, TT Fors has two variable fonts, for each of the subfamilies. Each variable font supports two axes of variability—thickness and slant. An important clarification—not all programs support variable technologies yet, you can check the support status here: https://v-fonts.com/support/. To use the variable font with two variable axes on Mac you will need MacOS 10.14 or higher. TT Fors supports more than 180+ languages, such as: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani+, Banjar, Basque+, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton+, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican+, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss German+, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana+, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh+, Wolof, Xhosa, Zaza, Zulu+, Belarusian (cyr), Bosnian (cyr), Bulgarian (not localization), Erzya, Karachay-Balkar (cyr), Khvarshi, Kumyk, Macedonian, Montenegrin (cyr), Mordvin-moksha, Nogai, Russian+, Rusyn, Serbian (cyr)+, Ukrainian
  37. The font named Skeksis, created by Neale Davidson, is a fascinating typeface that draws inspiration from the rich tapestry of fantasy and science fiction. This font serves as a bridge between the mys...
  38. The Corporate font, designed by Vic Fieger, is a typographic creation that embodies the essence of modern professionalism and efficiency. This font is distinguished by its clean lines and straightfor...
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