5,699 search results (0.019 seconds)
  1. Ah, the Grave Digger font, a delightful little morsel from the imagination of Dieter Schumacher, falls into a category that could be described as "Halloween chic" meets "Zombie apocalypse signage." I...
  2. Once upon a time in the digital kingdom, there was a font named Tempora LGC Uni, crafted by the master hands of Alexey Kryukov. This intrepid typeface embarked on a journey to unite the realms of let...
  3. "Feedback BB" is a distinctive font crafted by the renowned type foundry Blambot Fonts, which has made a name for itself within the comic book industry and beyond. Founded by Nate Piekos, Blambot has...
  4. As of the last update, Harold Lohner is recognized for his diverse range of fonts that tap into both historical inspiration and inventive creativity. The "Roosevelt" font, named evocatively to conjur...
  5. As of my last update in April 2023, there is no widely recognized font specifically named "Jetmix" in the mainstream typographic or design communities. However, the concept of a font named "Jetmix" p...
  6. Given my current limitations, I can't provide real-time or copyrighted information on a specific font named "UNC" by MyFox if it exists post my knowledge cutoff in April 2023 or is otherwise not wide...
  7. As of my last update in April 2023, I should note that specific details about a font named "Melbylon" by Graham H. Freeman may not be widely documented or recognized in popular font directories or am...
  8. Font design frequently embodies the cultural and technological zeitgeist of its time, serving as a bridge between the expressive intentions of the creator and the aesthetic reception of the audience....
  9. As of my last update in April 2023, the font named Calico Cyrillic, attributed to Page Technology Marketing Inc. or Mr. Nobody, represents an intriguing case within typography, primarily due to its n...
  10. *Reacting to Reactor Sans!* In an imaginary world where fonts are not just mere letters but beings with personality and purpose, Reactor Sans would surely be the cool, energetic, and slightly edgy ...
  11. Oh, embark on a whimsical adventure into the realm of typography and meet Ruthless Drippin TWO by Måns Grebäck, where letters don't just sit quietly on the page – they throw a full-fledged, ink-sling...
  12. As of my last update in April 2023, the font named "Sevil alias Esra Lite" is not widely recognized in mainstream typographic resources or popular font directories. That said, we can still explore an...
  13. Guayaba Sans, a font crafted by Juan Casco, stands as an example of typographic artistry designed for personal use, embodying the creative spirit and skill of its creator. While I cannot directly obs...
  14. As of my last update in April 2023, the font "Aviel" by Asley Cruz was not widely recognized in mainstream typographic circles or font directories. However, considering the query, I can propose a des...
  15. As of my last update in April 2023, PORT118 isn't a widely recognized or popular font within mainstream typography communities or databases. However, let's imagine and describe what PORT118 could be ...
  16. The New Gothic Textura typeface, designed by Elodie Mandray, is a captivating contemporary adaptation of a historic script that pays homage to the intricate and ornamental style of the medieval textu...
  17. As of my last update, the font "Backup Generation" might not be widely recognized in mainstream font directories or among popular typographic resources. This suggests that it could either be a niche,...
  18. As of my last update in April 2023, the SF Obliquities Outline font, crafted by ShyFoundry, stands as an intriguing selection in the realm of typography, known for its distinctive appearance and vers...
  19. 612KosheyLinePL is not a font that's widely recognized in mainstream typography circles as of the last update in early 2023, and thus, detailed information about it might not exist in the public doma...
  20. Gather round, fellow digital travelers, for the tale of Verdana, the oft-overlooked hero of our screens. Born in the digital renaissance of the 1990s, Verdana was a child prodigy among fonts, designe...
  21. As of my last update in April 2023, ARG219am by ARGSTUDIOS appears to be a specific font that, without direct access to or a comprehensive database on every font ever created, might not be broadly re...
  22. Induction, a creation by the prolific type designer Ray Larabie, is a font that delicately balances innovation with versatility, imbuing each character with a distinct personality while ensuring it r...
  23. As of my last update, Kelan is not a widely recognized font within mainstream typographic resources or specific font catalogs. However, the world of typography is rich and ever-expanding, with countl...
  24. American Dream, as conceptualized by the designer Chloe, is a font that captures the essence of aspiration, nostalgia, and the enduring spirit of the American ethos. From the first glance, it's clear...
  25. As of my last update in 2023, "Chibaraki Now" appears to be a distinctive and imaginative font, although it's worth noting that it's not one of the mainstream or widely recognized typefaces. However,...
  26. As of my last update in April 2023, "Spat Crumb" is not a widely recognized or standard font within the graphic design or typography communities. Therefore, I will approach this description by embody...
  27. The "LED Digital 7" font by Style-7 conjures the nostalgia and futuristic appeal of classic digital displays, marrying form and function in a decidedly modern package. This typeface embodies the esse...
  28. As of my last update in April 2023, the font "AB Nirvana*" designed by Redfonts may not be widely recognized in mainstream typography repositories or font collections. It's possible that it's a newer...
  29. The La Jolla ES font, created by ES Typography, embodies a blend of contemporary chic and versatility, appealing to a wide range of design sensibilities. At its core, La Jolla ES offers a harmonious ...
  30. The DJ Autocar font, created by Donna J. Morse, is an intriguing and captivating typeface that stands out for its unique character and aesthetic appeal. This font is part of the larger DJ Fonts colle...
  31. Swish, designed by the talented Eric Djengué, is a compelling typeface that encapsulates the vibrancy of modern design while anchoring itself in traditional sensibilities. This font is a symphony of ...
  32. The A.D. MONO font is a modern take on the classic monospaced typographic style, designed with a keen eye on functionality and aesthetic appeal for the digital era. Monospaced fonts, known for their ...
  33. Legendum, designed by Rogier van Dalen, is a unique and vibrant font that captures the attention of its viewers through its distinctive characteristics and versatile usability. The font embodies a mo...
  34. The Vrångö font, crafted by the talented typeface designer Peter Wiegel, is a fascinating typeface that captures the essence of both modernity and tradition in its design. Named intriguingly after a ...
  35. As of my last update in 2023, "Omicron Zeta" is not a widely recognized or standard font within the extensive libraries of typography that are commonly used across graphic and web design, advertising...
  36. Covington SC Shadow is an evocative font that stands out due to its distinct shadow effect, a characteristic that adds depth and dimension to text, making it pop on any backdrop it's placed against. ...
  37. SF Old South Arabian by Sultan Fonts, $9.99
    Historical Background Old South Arabian Script (OSA) was used before the Islamic era not only in the southwest corner of the Arabian Peninsula, but actually in the entire Peninsula. In addition, samples of OSA have been found as far as Uruk in Mesopotamia, Delos in Greece, and Giza in Egypt. Archaeological finds show that as far back as the 8th century BCE, OSA was used in trade, religious writing, and in civil records. Following the spread of Islam in Yemen, the decline of OSA began in the 7th century CE as it was gradually supplanted by Arabic script. OSA was typically known by the name of the then-dominant peoples in the Southern Peninsula. At various times, it was known as Sabaean, Qatabani, or Hadramite, among others. Although it was used for a variety of languages, OSA is most strongly associated with Sabaean. Many Peninsular languages borrowed OSA before introducing further changes of their own. Prime examples are the Thamudic, Safaitic, and Lihyanite scripts which eventually developed into independent scripts. The westward migration of the Sabaean people into the Horn of Africa introduced the South Arabian consonantal alphabet into the region. The transplanted script formed the roots of the Geez script of Ethiopia, which, in time and under presumably external influences, developed into a rich syllabary unlike any other Semitic script in history. Even a cursory examination of the letter forms of Modern Ethiopic writing reveal a striking similarity to South Arabian Script. OSA inscriptions typically reveal a dominant right-to-left directionality, although there are also many cases of alternating directions, known as boustrophedon writing. Figure 1 is a fine example of this style of writing. OSA inscriptions were discovered early in the 19th century. Soon thereafter, two orientalists, Gesenius and Rödiger, made great strides towards deciphering the script. Styles of Writing Old South Arabian inscriptions have survived primarily on stone, ceramic, and metallic surfaces. Hundreds of artifacts have been found and, to this day, continue to be discovered. Some of the best examples number of inscriptions on softer materials, such as wood and leather, have also been discovered. Although there is a significant difference between the styles of letters on the hard surfaces and those on the soft. Old South Arabian (Musnad) is composed of 29 letters , that is one letter more than the Arabic alphabet, which is between “S” and “Sh”, and names “Samekh”. Aspects of difference between Musnad and the present Arabic writing is that Musnad is written in separate letters, and the shape of the letters do not change according to its place in the word. However, some letters change according to the beginning of the writing. Musnad is either prominent, or deep. Prominent writings are for important writings and deep writings are for ordinary. The material on which the Musnad was written were stones, rocks, wood, and metal. In the course of its development the Musnad use appeared in the “Lehyanite’, “Thamudic”, “Safaitic”, pen to which many changes and amendments were made. And from it “Habashi’ writing was born. As regards his place among the Arabs of the Peninsula , when we look at the internet and its role in cultural dialogue , the Arabs of the Peninsula considered Musnad inscription which was indisputably their national writing until the dawn of Islam. It was used by people in all parts of Arabia in their homeland and abroad . It was their means of chronology and record of their glories and history.2- Features of Musnad Script: 1. It is written from right to left and vice versa. 2. Its letters are not joined. 3. Shape of letters are uniform despite their positions in the word. 4. Words are separated by vertical lines. 5. A letter is doubled in case of assertion. 6. No points and punctuations. 7. Easy to be learned by beginners. My OSA Musnad Font My design and technical work is only a treatment of the OSA Musnad as a symbol of writing. And it is possible to use in computer.. My design is not aimed at demonstrating the linguistic and intellectual structure of the Old South Arabian (Musnad). It is so simple that it could be easy to learn by learners and those who are interested in the OSA Musnad letters in computer. The basis of such importance is that it spares a lot of time and effort for researchers and students in this field. Formerly they used to write the Musnad texts either by handwriting or scan them , But now they can easily write its texts in OSA Musnad by using keyboard directly, so that they can change , amend and fulfill easily and accurately . So, we made use of speed, easiness and accuracy. And anyone interested in the South Arabian history in any part of the world can due to this design read and write OSA Musnad letters most easily. This design will also be used by historians and archeologists. , as well as specialist linguistics . The design also demonstrates the aesthetics of the Himyarit writing. About this font family Old South Arabian is An Arabic, Old South Arabian and Latin typeface for desktop applications ,for websites, and for digital ads. Old South Arabian font family contains two types: Old South Arabian and Old South Arabian serif. The font includes a design that supports Arabic, Old South Arabian and Latin languages. Old South Arabian typeface comes with many opentype features.
  38. As of my last update in 2023, "Drebiek" isn't a widely recognized or established font within major typographic collections or font libraries. However, the imaginary essence of "Drebiek" allows us to ...
  39. The font MCapitals, crafted by the prolific type designer Manfred Klein, is a distinctive and refined typeface that captures the essence of classic capital lettering while incorporating a modern twis...
  40. **The Enigmatic Elegance of Xiparos Lombard: A Font Review by Yours Truly, the Artistic Oracle** In the grand parade of typographies where fonts like Arial and Helvetica march with their heads held...
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