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  1. DIN Next Devanagari by Monotype, $103.99
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  2. DIN Next Cyrillic by Monotype, $65.00
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  3. DIN Next Paneuropean by Monotype, $92.99
    DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faces-who names just mean ""condensed"" and ""regular"" before expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotype's Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation ""DIN"" stands for ""Deutsches Institut für Normung e.V."", which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Next's letters when compared with DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451's corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451's past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotype's DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application. The DIN Next family has been extended with seven Arabic weights and five Devanagari weights. The display of the Devanagari fonts on the website does not show all features of the font and therefore not all language features may be displayed correctly.
  4. DeLouisville - 100% free
  5. Altea, designed by Paul Lloyd Fonts, embodies a stylistic mix of elegance and creativity, making it a standout typeface in the realms of digital and print design. It is a testament to the innovative ...
  6. BPpong, conceived by Backpacker, stands as a testament to contemporary typography's dynamic and playful nature. This unique typeface demonstrates an inventive approach to design, capturing the essenc...
  7. Saginaw is an elegant and versatile typeface that stands out for its classic yet contemporary feel. Its design is a harmonious blend of traditional serifs and modern design principles, making it a ve...
  8. PR Agamemnon is a captivating and distinctive font meticulously crafted by the acclaimed Castles & Crypts. This font stands out due to its unique blend of ancient inspiration and modern design elemen...
  9. InkaBod, a font created by Altsys Metamorphosis, presents a distinctive and memorable character set that exudes an aura of mystery and ancient allure. This unique typeface draws inspiration from the ...
  10. RussianQuality, a typeface crafted by Samuel Park, stands as a distinctive font imbued with a unique character that captures the essence of traditional Russian typographic design while injecting mode...
  11. The BreezedCaps font is a distinctive typeface crafted by the talented type designer, Manfred Klein. This font stands out for its creative flair and unique design characteristics that reflect Klein's...
  12. Holitter Circle by Holitter Studios is a captivating font that carries a contemporary vibe with its unique design and circular motifs. Crafted with a creative eye, this typeface stands out for its in...
  13. Kingthings Spikeless is a unique and intriguing font designed by the talented Kevin King of Kingthings. Unlike its counterpart, Kingthings Spike, which is known for its dramatic and pointed flair, Ki...
  14. The Nue font by Antipixel, a distinctive and contemporary typeface, embodies a seamless blend of elegance and innovation. This unique font stands out due to its creators' commitment to both functiona...
  15. Baltar, designed by the prolific typeface creator Ray Larabie, is a distinctive font that embodies a modern yet slightly retro aesthetic, making it a standout in various design projects. Larabie, kno...
  16. ADIstiLleRS Font, crafted by the talented typeface designer Canopus, strikes a unique balance between artistic flair and functional typography. This font effortlessly merges the aesthetic qualities o...
  17. Plastic No.20, crafted by Apostrophic Labs, embodies a unique place in the world of typography due to its playful and modern essence. This typeface stands out with its distinctively stylized forms, c...
  18. The AGRAR Unicase font is a distinctive and versatile typeface that captures attention through its unique approach to letter case. As suggested by its name, "unicase" refers to the blending of tradit...
  19. Pegyptienne by Cybapee Creations is a font that intriguingly combines the distinctive touches of ancient Egyptian aesthetic with the sleek, modern lines of the Peignot font, which is itself a notable...
  20. KiddoTR is a captivating typeface that breathes a delightful air of whimsy and fun into any design project it touches. This font stands out for its playful yet readable nature, making it an impeccabl...
  21. Meet John Henry is an enchanting typeface designed by the talented John Martz. This font embodies a blend of classic charm and contemporary flair, making it a versatile choice for a variety of design...
  22. The Sweden font, crafted by Vladimir Nikolic, is an exemplar of modern design ingenuity blended with an essence of Scandinavian minimalism. This typeface stands out for its clean lines and geometric ...
  23. The font Soda, crafted by the creative minds at Ministry of Candy, exudes a playful and bubbly atmosphere that is reminiscent of effervescent drinks and casual, fun-filled gatherings. Its design lean...
  24. The Pacifico font is a whimsical, yet elegant script typeface that harkens back to the surf culture of the mid-20th century. Designed by Vernon Adams, its flowing, hand-drawn appearance evokes a sens...
  25. Ivan Filipov, a renowned designer, has made a significant contribution to the typographic landscape with the creation of Arkitech Round. This particular font is a variant of the Arkitech family, char...
  26. Magnum, as envisioned by Alexander McCracken, is a font that immediately captures attention through its bold and commanding presence. This typeface is distinguished by its robust and vigorous charact...
  27. ArabDances is a distinctive font that encapsulates the artistic and cultural richness of Arabic calligraphy, yet it is designed in a manner that makes it appealing and accessible for a variety of app...
  28. The font "28 Days Later" crafted by Jens R. Ziehn is an evocative and emotionally resonant typeface that captures a poignant blend of chaos and beauty. It draws its inspiration from the gritty and ra...
  29. BellySansCondensed by Manfred Klein embodies a unique blend of simplicity and expressiveness, crafted to deliver a modern, sleek aesthetic while retaining a sense of warmth and approachability. At it...
  30. Spike, a captivating font creation by Stephen Bird, eloquently juxtaposes the raw, energetic spirit of urban art with meticulous craftsmanship. This font embodies a dynamic interplay of aggression an...
  31. Baveuse, a distinctive font crafted by the talented Ray Larabie, encapsulates a unique charm that sets it apart in the diverse world of typography. Known for his prolific work and contribution to the...
  32. BoinkoMatic, designed by the creative team at Fontocide, is a font that exudes a playful and whimsical charm, infused with a spirited sense of fun and creativity. This typeface is distinguished by it...
  33. The Abscissa font is a true standout in the world of typefaces, offering a distinct and engaging aesthetic that blends modernity with a touch of classical elegance. Characterized by its sharp, clean ...
  34. Forelle, a distinctive typeface created by Dieter Steffmann, is a true testament to the art of vintage-inspired font design. This font exudes a nostalgic charm, deeply rooted in the stylings of early...
  35. The font named "2006" by Denise Bentulan is a creative and contemporary typeface that embodies a unique blend of personality and functionality. Designed by the talented typeface designer Denise Bentu...
  36. Goulong Bold is a charismatic and visually captivating typeface that does more than merely fill space; it brings its unique energy and personality into any design project. As suggested by its name, G...
  37. Alright, imagine stepping into a world where the past and present merge stylishly, where the grandeur of ancient empires is reborn in modern design. That's the essence of ImperatorBronze, a font craf...
  38. Pacotille is an intriguing font designed by Pleine Page-Luc Mahler, which stands out for its unique blend of design elements and artistic nuances. This font encapsulates the essence of creativity and...
  39. "Martians Spacewarped My Dad" is a distinctive and imaginative font created by GemFonts | Graham Meade, an artist known for their unique and captivating typeface designs. This font draws its inspirat...
  40. The Linja font, crafted by the prolific font foundry Fenotype, is a testament to modern design principles, encapsulating simplicity, elegance, and functionality. At its core, Linja is designed to cat...
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