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  1. "Exquisite Corpse" by Chad Savage is an evocative font that stands out due to its unique inspiration and design, encapsulating a sense of artistic collaboration and creativity tied to its namesake. T...
  2. Wolf's Bane Expanded Italic by Iconian Fonts is not just a font; it's a voyage into the realm of the extraordinary and the distinctive, a perfect blend of the menacing and the elegant. As suggested b...
  3. Green Mountain 3 isn't a font with widespread recognition or detailed public documentation as of my last update in early 2023, so providing an accurate and detailed description poses a bit of a chall...
  4. Once upon a time in the digital kingdom, there was a font named Tempora LGC Uni, crafted by the master hands of Alexey Kryukov. This intrepid typeface embarked on a journey to unite the realms of let...
  5. Bistecca, a creation of Studio Kmzero, is a distinctive font that encompasses a unique blend of artistic flair and practical design, reflecting a deep understanding of typographic form and function. ...
  6. Tabaiba wild ffp, crafted by the talented Spanish type designer deFharo, is a distinctive display font that encapsulates the spirit of adventure and the wildness of nature. With its unique design, th...
  7. Font design frequently embodies the cultural and technological zeitgeist of its time, serving as a bridge between the expressive intentions of the creator and the aesthetic reception of the audience....
  8. The Windlass font, designed by the talented David F. Nalle, is a distinctive typeface that captures the essence of historical and adventure narratives through its design. This font is a product of th...
  9. As of my last knowledge update in April 2023, the specific details surrounding a font named "Insert" by 2 The Left Typefaces had not been broadly documented or well-circulated in popular typographic ...
  10. Gather round, fellow digital travelers, for the tale of Verdana, the oft-overlooked hero of our screens. Born in the digital renaissance of the 1990s, Verdana was a child prodigy among fonts, designe...
  11. As of my last update, the Damage™ Maim font by Clearlight Fonts stands as a striking example of typographic design that embodies a certain level of intensity and emotional expression rarely captured ...
  12. The 5 Fingered Goth SWTrial font by Astigmatic One Eye stands out as a unique and captivating typeface that carries an unmistakable gothic charm. Crafted by the intriguingly named Astigmatic One Eye ...
  13. Grunge Serifia is not a canonical font widely recognized under this name as of my last update in early 2023. However, the conceptual idea of a "Grunge Serifia" font paints a vivid image that blends t...
  14. As of my last update in April 2023, the A.Lewis font is not a widely recognized or commonly referenced typeface in public font libraries or among popular font resources. However, the crafting of a sp...
  15. Ah, the Capitular Moldurada font by Ouripedes Gallene, a font so distinctive that it makes Arial look like it's pretending to be Helvetica at a costume party. Imagine if letters decided to go to a ma...
  16. GUNBATS is a font that embodies a striking blend of modernity and edginess, designed to capture the eye and evoke a sense of robust dynamism. Its name suggests a fusion of "gun" and "bats," conjuring...
  17. The Final Fantasy font is not a singular typeface but rather encompasses a series of fonts inspired by the beloved video game series Final Fantasy, developed and published by Square Enix (formerly Sq...
  18. The DJ Autocar font, created by Donna J. Morse, is an intriguing and captivating typeface that stands out for its unique character and aesthetic appeal. This font is part of the larger DJ Fonts colle...
  19. La Rosa Muerta, a font created by the talented Juan Casco, is a testament to the artistry and profound emotion that typography can evoke. This font is not merely a set of characters; it's an explorat...
  20. The font named SpideRaY, created by the designer or entity known as SpideRaY, embodies a distinctive blend of creativity and character that sets it apart in the realm of typography. At its core, Spid...
  21. The MLB Tuscan font is a visually captivating typeface that telegraphs a sense of vintage charm and sporting elegance, making it a favorite for projects that desire to embody a classic yet dynamic vi...
  22. **The Enigmatic Elegance of Xiparos Lombard: A Font Review by Yours Truly, the Artistic Oracle** In the grand parade of typographies where fonts like Arial and Helvetica march with their heads held...
  23. Project Y, designed by David Kerkhoff, is a remarkable typeface that distinctively stands out due to its unique blend of creativity and functionality. This font seems to encapsulate Kerkhoff's renown...
  24. Imagine stepping into a world where the future and industrial design merge into an amalgamation of lines, curves, and sleek finishes. This is precisely the ambiance Sector 017, a font created by the ...
  25. As of my last update in early 2023, the font "Paper" designed by Swimming Poulp isn't a widely recognized or specifically documented font in major typographic resources or font directories. However, ...
  26. As an AI developed by OpenAI, I don’t have direct access to real-time updates or specific databases of fonts including those that might have been created or named after my last update. However, I can...
  27. As of my last update in April 2023, the font named Riquoth by Statica Productions might not be widely recognized in mainstream font directories or collections. Therefore, I'll approach this descripti...
  28. As of my last update, the specific font named "Nickerbocker-Normal" is not a widely recognized standard typeface in the vast landscape of typography. However, based on its naming convention, we can d...
  29. As of my last update in early 2023, there is no widely recognized or mainstream font specifically known as "Veruca." It is possible that Veruca could be a custom or less widely distributed typeface, ...
  30. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
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