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  1. Portello by Greater Albion Typefounders, $14.50
    Portello is a display family in the tradition of Tuscan advertising and display faces. It's a family of three 'all capital' faces. A perpendicular regular form is offered, along with an italic form (a true italic - with purpose designed glyphs-NOT merely an oblique) and a basic form for small text - which dispenses with the family's characteristic outlined look. It offers the spirit of the Victorian era with ready and distinctive legibility. It's ideal for poster work, especially at large sizes, and for signage with a period flair. Why not give your work the flair of colorful 19th century commercial design today?
  2. Ascender Sans by Ascender, $92.99
    Ascender Sans was designed by Steve Matteson as an inventive, exhilarating sans serif design that is metrically compatible with Arial. Ascender Sans offers enhanced on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across different platforms. The Ascender Sans Narrow offers enriched on-screen readability characteristics and the pan-European WGL character set and resolve the needs of developers looking for width-compatible fonts to address document portability across platforms. Ascender Sans Narrow contains regular, italic, bold and bold italic fonts.
  3. Gordita by Type Atelier, $25.00
    Gordita is a minimal sans serif typeface with a geometric foundation that has been built upon with modern details that result in an optically balanced, friendly typeface. When designing Gordita referring to features in Futura were influential as were the structural and harmonious strokes of Gotham. Forms have been optically compensated to appear natural and purely geometric. Joints are slightly tapered and ink traps feature in heavier weights with the purpose of achieving maximum legibility. Gordita has been tested in print and on screen in a wide range of point/pixel sizes. The family is equipped with OpenType features including alternate glyphs, fractions, case sensitive forms, small figures, arrows and symbols as well as old style and tabular figures. Now delivered in 7 weights with matching italics that slant at 15°. The italics are slightly lighter and narrower than the upright versions. The horizontal weighting in the italics have been reduced to compensate for the loss of vertical stroke thickness. With support for over two hundred languages with an extended Latin and Cyrillic character set, Gordita is ready to be put to work. Designed by Thomas Gillett, metrics and engineering by iKern (Igino Marini). The family has been recently updated to include two additional weights (Thin & Ultra + their matching italics) as well as slightly opened apertures for better legibility in the heavier weights, new glyphs and more opentype features.
  4. Qualion Text by ROHH, $39.00
    Qualion Text™ is a modern geometric sans serif typeface with humanist and calligraphic inspirations. It is a text family designed for excellent legibility. Qualion Text™ is a sibling of Qualion™ & Qualion Round™, geometric family with lots of swashes and ornaments. Letter shapes and proportions has been adjusted to fit paragraph text and small sizes: - typeface is narrower now in order to fit more text in the design space - larger stroke contrast - pronounced ink traps and tapering - elegant true italics made even more calligraphic - adjusted spacing and kerning - adjusted font weights The main purpose of the family is clean and legible paragraph text, however it is very attractive choice for branding, headlines and display use, too. The italic styles as well as thin, bold and black upright styles have very strong character and look great in display sizes. Italics are very fluent, calligraphic, subtle and elegant, from the other side bold and black uprigths are very modern, powerful and unique thanks to the pronounced ink traps. Qualion Text™ family consists of 20 styles - 10 weights with corresponding true italics. Both have extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, swashes, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.
  5. Directa Serif Variable by Outras Fontes, $170.00
    Directa Serif Variable is a text type family in one single font file. It explores new possibilities for the original type family released by Outras Fontes some years earlier, which is designed to save space with the highest readability. The variable font is composed of two axes of variation: Weight (100–900) and Italic (0–1). It also contains 18 predefined styles between Thin and Heavy and their respective italics. So now you can adjust the weight of the type by interpolating it in real time using any variable font compatible app. There are hundreds of possibilities between the values of 100 (Thin) and 900 (Heavy). And if you're feeling adventurous, you can also use the Italic axis to interpolate instances between Roman (0) and Italic (1) and see what happens in the middle. This new technology can be very useful for web and video animations. Directa Serif Variable is also highly recommended for newspapers, magazines, corporate communication and so on. It has a large set of characters, including Western, Central European, Baltic, Scandinavian, Icelandic, Romanian and Turkish unicode ranges. The variable font also includes several ligatures, a complete set of small caps, sets of lining, old style and tabular figures, as well as fractions, superior and inferior numbers. These features can be easily accessed using any OpenType-compatible software.
  6. Le Amatcky by Hishand Studio, $16.00
    Le Amatcky is elegant sans serif typeface that look aesthetic. Perfect for Logo brand, advertisement, product packaging, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support
  7. Ye Benjamin by Yinon Ezra, $30.00
    Ye Benjamin is a smooth italic typeface, that will spread style and good vibes everywhere you put him. The crystallization of the letters shape was through seeking an iconic look, that would be a useful branding tool.
  8. Bodoni Classic Ultra by Wiescher Design, $39.50
    Bodoni Classic Ultra is my really fat, high contrast extension to my ever expanding Bodoni Classic family. The Script cut is very decorative, the italic cut can be mixed with it to give it a calmer touch.
  9. Refracta by ITC, $29.00
    Refracta is the work of British designer Martin Wait, a simple, condensed italic sans serif capital alphabet. The letterforms were designed with a shadow effect for extra impact. Refracta is ideal for a wide variety of applications.
  10. Amelaryas by Hishand Studio, $15.00
    Amelaryas is beautiful serif font with elegant and premium shape that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic icon kerning multilingual support
  11. Katigert by Oleg Gert, $20.00
    Katigert – is a rather friendly italic with a touch of measured severity, combines very sharp angles and bold shapes. The font works best for display. The font includes extended Cyrillic and Latin alphabets, punctuation marks and currencies.
  12. Bebop by Présence Typo, $36.00
    Here is a sans-serif built up on an old-style design framework especially perceptible in the italic. It is the conjunction of contradictories feelings: pointed / soft, classical / modern. The smaller the typesetting, the better it works.
  13. TiredOfCourier by Ingrimayne Type, $14.95
    Courier is the king of typewriter faces. But if you want an alternative, something with a look reminiscent of the older, manual typewriters, consider TiredOfCourier. The family includes true italics, something very unusual in a typewriter face.
  14. Lawabo by Schriftlabor, $30.99
    The original Lawabo was started many years ago by Rainer Scheichelbauer. Its ­minimalistic and rounded shapes are reminiscent of bathroom ceramics, hence the name. Schriftlabor designer Miriam Surányi added bold and italic shapes, and produced the family.
  15. Vivala Line by Johannes Hoffmann, $16.00
    Vivala Line is a real italic, and it was inspired by old Polish children's books with its charming hand drawn lettering titles. Fields of application are posters, magazines, packaging design, books, corporate design up to consolidating reading.
  16. Thursday Routine by Crumphand, $12.50
    Hello, introducing the new font Thursday Routine. Thursday Routine is a Bold Friendly font. The font is available on Italic too. Good reading, Readability 100%. Perfect for your graphic. What's Included ? Uppercase Lowercase Symbols Numerals Multilingual Support
  17. Ronduit Capitals Light - Personal use only
  18. Nitaka - Personal use only
  19. Adlanta - Unknown license
  20. Akademie Alte - 100% free
  21. Angel LemonaDemo - Personal use only
  22. Aukim ExtraBold - Personal use only
  23. Indulta SemiSerif - Personal use only
  24. LT Carpet Text - 100% free
  25. Media Gothic - Unknown license
  26. Ingleby Regular - Personal use only
  27. DNNR - Personal use only
  28. Brimborion - 100% free
  29. MAWNS' Serif - Personal use only
  30. Doris PP - 100% free
  31. Fibel Nord - Unknown license
  32. Albertino - Personal use only
  33. KG Payphone - Personal use only
  34. Europe Underground - Personal use only
  35. Gilgongo - Unknown license
  36. BN-67.9010-03 - Unknown license
  37. Drogowskaz - 100% free
  38. Chopin-Bold - Unknown license
  39. Korneuburg Slab Regular - Personal use only
  40. SelznickNormal - 100% free
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