Arabetics Detroit is a monoshape font family with a fixed single shape per each Arabic Unicode character. This font family supports all Arabetic scripts covered by Unicode Standards 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes three weights: regular, bold, and light, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 15 years ago. The Arabetics Detroit font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

JH Diwani simplified black is an advanced Arabic font simulating the Diwani Calligraphy with its finest details. Its typical usage: Wedding / greeting cards , headlines, poetry, and books. Please note that Arabic Kashida is not available for this font.

JH Diwani Simplified Light is an advanced Arabic font simulating the Diwani Calligraphy with its finest details. Its typical usage: Wedding / greeting cards, headlines, poetry, and books. Please note that Arabic Kashida is not available for this font.

The Urfa font family comes in nine weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. With the Urfa font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Urfa typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

Solo is a renovation of an Arabic font designed by Sultan Maqtari in 2012 Solo is distinguished by its single and unconnected letters, as is the case with other Arabic fonts. Its letters are contemporary and do not dispense with the features of Arabic letters that are clear, legible and simple. But it gives user different creative possibilities, This font can be used in all artistic and creative projects in print and screen.

This Font is similar to the calligraphic style AL THULUTH. I added many glyphs to each other to get this feature and it become easier to graphic designer to write with Arabic AL THULUTH font without being a real calligrapher. It works beautiful in Headlines of Arabic books and photos and it is Fine Art . It also used in writing on T-shirts and clothes . This Font contains many Glyphs in Latin, Farsi, Urdu, Arabic ).

Shubbak ('window' in Arabic) is a highly flexible Arabic Sans (Kufic) typeface that was designed to work with a wide range of Latin counterparts. A friendly and human typeface family that is very flexible to use when coupled with many popular fonts you may use. Full set of Arabic, Farsi (Persian) and Urdu character sets as well as a basic Latin set are included. There is also a Variable version of Shubbak. Designed originally by British designer Ruh Al-Alam, further developed by Mohammed Gabr, Muhammad Hadi and then fully expanded by Abdelrahman Farahat. Archetype Foundry aims to help revolutionise and spread the use of beautiful Arabic and multi-lingual typefaces.

Introducing Karimshine, a captivating display font that seamlessly merges the artistry of Arabic script with modern design principles. Karimshine draws its inspiration from the graceful curves and strokes of Arabic calligraphy. It captures the essence of this artistic tradition, infusing each character with the timeless beauty of Arabic writing. The font retains the integrity of Arabic script while prioritizing readability through consistent proportions and low contrast. In addition, enjoy the features here. Karimshine fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

The Mutamathil type family is the mid-size member of the Mutamathil type style. It has only one glyph for every basic Arabic Unicode character or letter. With each glyph being semi-symmetrical around its vertical axis, this family is mainly suitable for right to left ordering. The Mutamathil family includes all required Lam-Alif ligatures and uses ligature substitutions, and marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand alone isolated glyphs. The Mutamathil Taqlidi family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

Nowie Vremena is a sequel to a previously released Vremena Grotesk, a sans serif typeface, inspired by Arial’s apalling combination of grubby tidiness. The sequel travels back in time and explores Arial’s elder brothers and some 19th century sans serifs, through initial concept of hectic neutrality.

Anbar is an Arabetic typeface design with visually connected glyphs, named after the historical Iraqi province Anbar, which is traditionally believed to be the birthplace of the earliest Arabic script, Jazm. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards, and one additional final form glyph for each Arabic letter that can connect with other letters from both sides in traditional cursive Arabic strings. Anbar employs variable x-height values. It includes all required Lam-Alif ligatures and selected marks. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form, if desired. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Anbar typeface family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, in addition to Standard English keyboard punctuations and major currency symbols. Anbar is available in regular and italic (slated to the left) styles.

Nastaleeq (Nasta?l?q) ASC is a script font supporting Urdu. Urdu is the nation language of Pakistan. The Nastaleeq ASC font is Unicode encoded. The Nastaleeq ASC font requires an application program which supports Arabic fonts (right-to-left composition). Urdu is also spoken in Afghanistan, Bahrain, Bangladesh, Botswana, Fiji, Germany, Guyana, India, Malawi, Mauritius, Nepal, Norway, Oman, Qatar, Saudi Arabia, South Africa, Thailand, the UAE, the UK and Zambia.

Droob Pro is a Latin Arabic typeface for print and web, an upgraded version of the Droob7 font, featuring clarity and high readability. The Droob Pro font family contains two weights: Regular and Bold. This font supports Arabic, Latin, Farsi, Urdu, and Kurdish.

Introduce Syakifah, Arabic style font For brands and designers around the world, Syakifah provides beautiful Arabic themed fonts, creating unique and luxurious designs. With each font, you’ll find that it’s lively, sharp, and clean – be sure to add it to your collection today.

Bronzino’s roots lie in the Arts and Crafts movement, and in the traditions of letterpress printed fine quality books. It’s ideal for legible headings which have just that hint of charm and difference outside of the normal and mundane. It’s formal enough to go anywhere yet it has a spirit of fun, it brings a world of bygone care and quality to the modern age.