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  1. "Walk the Plank," a distinctive creation by Teabeer Studios, sails through the visual seas with a piratical charm that's both adventurous and whimsically menacing. This font captures the essence of p...
  2. Ah, the Abysmal Gaze font - a creation that seems to hail from the depths of an artist's most intriguing nightmares, or perhaps, their most whimsical dreams. Crafted by the hands and imaginative geni...
  3. The "id-Cinema-LightOT" font, designed by Inoue Masaru, is a charming and versatile typeface that offers a unique blend of elegance and whimsy, making it perfect for a wide range of creative endeavor...
  4. Marsh Gas, crafted by the talented Levi Halmos, is a font that seems to rise from the depths of fantasy and enchantment, encapsulating the essence of mystery and peculiar charm. At first glance, Mars...
  5. The "Jenna" font crafted by GautFonts is a unique typographic expression that embodies creativity and personality. This font is not just a collection of characters; it’s a glimpse into a stylized art...
  6. As of my last update in April 2023, "GarbageG" does not refer to a widely recognized or standard font within the typographic community or within mainstream font repositories. Nonetheless, the imagina...
  7. As of my last update, there is no widely recognized or officially classified typeface named Brother Bear. However, the concept of a font named "Brother Bear" immediately invokes a specific mood and a...
  8. Remeslo, whose name intriguingly hints at craftsmanship and artisanal skill—'remeslo' meaning 'craft' or 'trade' in several Slavic languages—embodies an engaging blend of tradition and contemporary d...
  9. As of my last update in early 2023, the font "Detroit Ghetto" may not be widely known or recognized within mainstream typographic resources or among the broader design community. However, the intrigu...
  10. Wolf's Bane, crafted by the talented Iconian Fonts, emerges as a distinctive and dynamic font that captures the essence of both adventure and mystery. Iconian Fonts, known for their vast portfolio of...
  11. The typeface "Insecurity" by Keith Bates is a fascinating creation that embodies a unique conceptual approach to typography. At its core, "Insecurity" reflects the vulnerabilities and uncertainties t...
  12. "Staubiges Vergnügen," created by nihilschiz, is a font that resonates with a unique blend of artistic flair and nostalgic charm. Its name, translating to "Dusty Pleasure" in English, perfectly encap...
  13. Pushkin is a font that seems to embrace the art of storytelling with each letter it forms. Just hearing the name, you can almost feel the romantic brushstrokes of history and literature it's named af...
  14. The "Clashed Dinosaurs" font by SpideRaY is a captivating and whimsical typeface that immediately transports its audience back to the Mesozoic era, but with a playful and imaginative twist. Crafted b...
  15. Drift Wood, intricately designed by the renowned typeface artist Dieter Steffmann, embodies a unique blend of rustic charm and artistic flair, transporting one to an era that exudes both warmth and n...
  16. The font "Cereal Killerz" by SpideRaY stands as a captivating typeface designed to evoke a sense of thrilling suspense and playful mischief. Crafted by the imaginative mind of SpideRaY, this font div...
  17. Optien, crafted by the talented typographer Måns Grebäck, is a font that stands out for its sleek and modern design, imbued with a sense of sophistication and versatility. This typeface is a testamen...
  18. Font Anastasia, with its artistic and elegant demeanor, brings a compelling presence to the world of typography. Though diverse interpretations of this font may exist due to the evolving nature of de...
  19. "Queer Theory RegularTrial" by Harold Lohner is an embodiment of artistic audacity and a celebration of diversity within the realm of typography. This font captures the essence of inclusivity and cha...
  20. Robotaur, crafted by the innovative minds at Iconian Fonts, is a font that captures the imagination and propels it into a science fiction realm. It is not just a collection of characters; it's an ens...
  21. Hadriatic, a distinctive font designed by Iconian Fonts, stands as a testament to the ingenuity and creativity of contemporary typeface design. This font is characterized by its innovative approach t...
  22. **Wicked Queen BB** by Blambot Fonts is a font that embodies a blend of mystical charm and sinister allure, catering to a wide array of artistic and design projects that demand a touch of fantasy and...
  23. Cubicle is an intriguing font style that exudes a blend of modernity and meticulous design, tailored for both digital and print mediums. It plays a pivotal role in delivering messages with a crisp an...
  24. The "Butterfly Chromosome AOE" font, designed by Astigmatic One Eye, is a striking testament to the imaginative and experimental spirit that defines much of modern typography. This font manages to en...
  25. Patient Paige, crafted by the talented Kimberly Geswein, is a font that embodies a relaxed yet engaging character, making it an irresistible choice for a wide array of design projects. This particula...
  26. Drum Komputer by Channel Zero! is not just a font; it's an ode to the era of early digital experimentation and the pioneering days of electronic music and computer technology. This unique typeface em...
  27. The HaydenPanettiereBats demo font, designed by the creative entity known as bobistheowl, embodies an intriguing and playful approach to typographic design that stands out for its unique thematic ins...
  28. The unique font "Broken 15" by Misprinted Type, also known as Eduardo Recife, is an evocative and highly characteristic typeface that dives into the artistic realms of the unconventional. Nestled wit...
  29. As a virtual being without real-time access, I can weave a narrative around what the font named Noisebaby, created by Otoko Aie, might encapsulate, based on its evocative name and potential design et...
  30. As of my last update in April 2023, "Newsiren" by Stephen Bird offers a fascinating glimpse into the contemporary world of type design, blending tradition with innovation. This font stands out for it...
  31. The font ShampooSW, conceived by the imaginative minds at Astigmatic One Eye, stands as an emblematic example of typeface design that transcends mere lettering. Its unique characteristics and whimsic...
  32. The Penelope font, crafted by Dieter Steffmann, stands as a testament to the unique blend of artistic flourish and classical sensibility. This font is remarkably distinct, primarily due to Steffmann'...
  33. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  34. The Mephisto™ font by The Scriptorium is an evocative and stylistically unique typeface, designed to encapsulate a sense of historical depth and artistic flair. The name itself, Mephisto, is a nod to...
  35. Imagine if Tim Burton decided to dabble in typography after a night spent reading ancient grimoires by candlelight, and you'll have a smidgen of an idea about the delightfully eccentric charm of the ...
  36. Prisma is a distinctive and stylistically unique typeface that doesn't strike a conventional note in the typographic world, making it an intriguing subject of discussion. While not part of the mainst...
  37. "Exquisite Corpse" by Chad Savage is an evocative font that stands out due to its unique inspiration and design, encapsulating a sense of artistic collaboration and creativity tied to its namesake. T...
  38. Wolf's Bane Expanded Italic by Iconian Fonts is not just a font; it's a voyage into the realm of the extraordinary and the distinctive, a perfect blend of the menacing and the elegant. As suggested b...
  39. Green Mountain 3 isn't a font with widespread recognition or detailed public documentation as of my last update in early 2023, so providing an accurate and detailed description poses a bit of a chall...
  40. Once upon a time in the digital kingdom, there was a font named Tempora LGC Uni, crafted by the master hands of Alexey Kryukov. This intrepid typeface embarked on a journey to unite the realms of let...
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