830 search results (0.011 seconds)
  1. As an artist with a penchant for typography, exploring the attributes and unique qualities of SF Diego Sans by ShyFoundry is a delightful journey. This particular font stands out as a testament to th...
  2. Ah, the elusive and cheekily named "Liquidy Bulbous." If fonts were people, Liquidy Bulbous would be the life of the party, the one who shows up with a mischievous twinkle in their eye, ready to turn...
  3. Patient Paige, crafted by the talented Kimberly Geswein, is a font that embodies a relaxed yet engaging character, making it an irresistible choice for a wide array of design projects. This particula...
  4. As of my last update in early 2023, "Kiloton" isn't widely recognized as a standard or popular font within the vast landscape of typography. However, the art of font design is ever-evolving, with new...
  5. Librium is a distinctive and versatile font created by Apostrophic Labs, a collective known for their innovative and eclectic approach to typeface design. This particular font showcases the laborator...
  6. Orthotopes Oblique, a font designed by the innovative Megami Studios, is a true testament to the harmony between structure and fluidity. It's as if this typeface captures the dynamic motion of the fu...
  7. Oldbrothers - Personal Use by Haksen Studio is a font that embodies a vintage feel with a contemporary twist, offering a unique blend of character and charm that appeals to a broad range of design pr...
  8. The font KG Payphone, designed by the talented Kimberly Geswein, is a captivating typeface that exudes both charm and nostalgia. This carefully crafted font takes inspiration from the vintage aesthet...
  9. The font "Lido STF" is an intriguing and versatile typeface that merits a close examination for its design, usability, and overall aesthetic appeal. Its design springs from a blend of old-style serif...
  10. The font "GroutPix" by ffeeaarr embodies a unique blend of pixel art inspiration with a modern twist that captures the essence of digital craftsmanship and nostalgic 8-bit aesthetics. This distinctiv...
  11. Ihminen, designed by Jenny Barck, is a highly captivating font that reflects an artistic melding of humanistic qualities and typographic design. This font family is named after the Finnish word for "...
  12. As of my last update in April 2023, Pehuensito is not a widely recognized typeface within the vast landscapes of typography and font design. Given this, I will approach the description of Pehuensito ...
  13. The unique font "Broken 15" by Misprinted Type, also known as Eduardo Recife, is an evocative and highly characteristic typeface that dives into the artistic realms of the unconventional. Nestled wit...
  14. The font titled "20 db" by Jovanny Lemonad is a distinctive typeface that embodies a unique blend of retro flair and modern design sensibilities. Created with meticulous attention to detail, this fon...
  15. The MonospaceTypewriter font, crafted by the renowned typeface designer Manfred Klein, is a digital throwback to the era of mechanical typewriters. This font embodies the quintessential characteristi...
  16. The Vtks Espinhuda font, designed by Douglas Vitkauskas, is a creative and distinctive typeface that truly stands out in the realm of typography. Its name, "Espinhuda," suggests a spiky or thorny qua...
  17. As of my last update in April 2023, "Newsiren" by Stephen Bird offers a fascinating glimpse into the contemporary world of type design, blending tradition with innovation. This font stands out for it...
  18. As of my last update in April 2023, the font named "Nymph" does not correspond to a widely recognized typeface in the extensive catalogs of digital fonts. However, the concept of a font named "Nymph"...
  19. The font ShampooSW, conceived by the imaginative minds at Astigmatic One Eye, stands as an emblematic example of typeface design that transcends mere lettering. Its unique characteristics and whimsic...
  20. The Penelope font, crafted by Dieter Steffmann, stands as a testament to the unique blend of artistic flourish and classical sensibility. This font is remarkably distinct, primarily due to Steffmann'...
  21. The Tork font exists as a compelling and dynamic creation by the renowned type designer Ray Larabie, who is revered for his ability to craft fonts that carry unique character and stylistic flair. Tor...
  22. As of my last update, there is no widely recognized or specifically detailed font by the name of "Kefka." However, in the spirit of artistry and creativity, let's imagine what a font named Kefka migh...
  23. Lost Forever, as evocative as the name sounds, is a font that carries the weight of nostalgia, mystery, and perhaps a hint of melancholy. This typeface finds its roots deeply embedded in the world of...
  24. Catharsis Requiem, a font that seems to exist at the intersection of elegance and strength, offers a deep, emotional resonance through its design, making it a distinctive choice for various design pr...
  25. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  26. As of my last update in April 2023, the font named ResPublica, designed by Cybapee Creations, stands out as a refined yet distinctive typeface imbued with characteristics that lend it a unique presen...
  27. The Mephisto™ font by The Scriptorium is an evocative and stylistically unique typeface, designed to encapsulate a sense of historical depth and artistic flair. The name itself, Mephisto, is a nod to...
  28. Imagine if Tim Burton decided to dabble in typography after a night spent reading ancient grimoires by candlelight, and you'll have a smidgen of an idea about the delightfully eccentric charm of the ...
  29. As of my last update, the "SF Chrome Fenders Condensed" font from ShyFoundry Fonts (formerly known as ShyFonts) stands as a distinctive, attention-grabbing typeface that captures the essence of retro...
  30. As of my last update in April 2023, Lindau is not widely recognized as a mainstream or popular font, and it might not exist in prominent font libraries or collections. Given this, let's take a creati...
  31. Utusi Star, designed by the talented Peter Wiegel, is a font that captivates with its unique blend of creativity and functionality. This font, much like its creator, showcases a deep understanding of...
  32. The Red October Stencil font, masterfully designed by Ivan Filipov, stands as a bold and commanding tribute to typography that demands attention. This font finds its roots deeply embedded in the visu...
  33. As of the last update before my last knowledge update in 2023, "Morevil" is not a widely recognized or standard font within the vast catalog of typography. This could imply that it is either a very s...
  34. The MetroDF font is an intriguing and dynamic typeface crafted by the talented typographer Harold Lohner. This font takes its inspiration from the modernist sensibilities that were prevalent in the e...
  35. Prisma is a distinctive and stylistically unique typeface that doesn't strike a conventional note in the typographic world, making it an intriguing subject of discussion. While not part of the mainst...
  36. Ah, "Future Earth" by Yautja – a font that's not your everyday Helvetica or Times New Roman. No sir, this font is what happens when typography decides to go on a space odyssey and ends up at a rave p...
  37. "Exquisite Corpse" by Chad Savage is an evocative font that stands out due to its unique inspiration and design, encapsulating a sense of artistic collaboration and creativity tied to its namesake. T...
  38. As of my last update in April 2023, "Verdy" is not a widely recognized or established font within the extensive catalog of typographic designs prevalent in both digital and print media. It’s conceiva...
  39. Once upon a time in the digital kingdom, there was a font named Tempora LGC Uni, crafted by the master hands of Alexey Kryukov. This intrepid typeface embarked on a journey to unite the realms of let...
  40. As of my last update, I don't have direct access to databases or the internet to provide real-time or highly specific descriptions of lesser-known or proprietary fonts, such as "PetalGlyph" by Essqué...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing