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  1. The PLASTIC PILL font by Billy Argel embodies a unique blend of contemporary flair and retro nostalgia. This distinctive typeface draws inspiration from a fusion of vintage, graffiti, and street art ...
  2. Amazónica, a distinctive font created by the talented designer Juan Casco, stands out as a unique addition to the typography world. Juan Casco, known for creating fonts with a personal touch and crea...
  3. Tabardo by deFharo is a striking, versatile font that draws inspiration from the bold and adventurous spirit of historical and fantasy tales. Designed by Spanish typographer and designer Fernando Har...
  4. LC Bagira is an elegant and versatile typeface that captures attention through its blend of classic charm and contemporary flair. Named after Bagira, the wise black panther in Rudyard Kipling's "The ...
  5. The "SoulCalibuR" font, created by Holitter Studios, is a unique typeface that captures the essence of adventure, fantasy, and the epic battles depicted in the namesake video game series. This font i...
  6. The Willow font is a unique and eye-catching typeface that finds its roots in the Art Nouveau movement of the late 19th and early 20th centuries. Born out of a desire to break away from the rigid con...
  7. The Bamf Italic font, crafted by the renowned Iconian Fonts, stands as a vibrant and dynamic member of the typographic community. Iconian Fonts, known for their wide range of distinctive and characte...
  8. The font Kinryu_No14, designed by Peter Specht, is a unique typeface that merges traditional craftsmanship with contemporary design sensibilities. Its name, 'Kinryu', hints at a Japanese influence — ...
  9. "Pip Boy Weapons Dingbats" is an iconic font that garners immediate recognition from fans of the "Fallout" series, a renowned collection of post-apocalyptic role-playing video games where the Pip-Boy...
  10. Kremlin Georgian I 3D, crafted by Bolt Cutter Design, is a font that intriguingly melds the historical with a contemporary 3D twist, making it a unique specimen in the realm of typography. Originatin...
  11. KR Passover Dings, created by Kat Rakos, is a unique and thematic font that transcends the traditional boundaries of typography, providing users with an assortment of symbols and imagery deeply roote...
  12. The "Paulinho Pedra Azul" font draws its inspiration from the essence and artistic flair of Brazilian singer-songwriter Paulinho Pedra Azul, known for his poetic lyrics and melodious tunes that embod...
  13. The Vector font, crafted by the talented GautFonts, is a remarkable display typeface that stands out for its unique style and versatility. This font is a reflection of GautFonts' commitment to creati...
  14. LT Novelty, designed by LyonsType, is a dynamic and modern font that reflects contemporary elegance and functionality. This font stands out with its clean lines, balanced proportions, and distinctive...
  15. Europe Underground, crafted by the talented Måns Grebäck, stands as a testament to the harmonious blend of modernity and historical influences, embodying the rich tapestry of European culture and aes...
  16. Bucanera, a font designed by the typeface artist deFharo, is a striking and versatile typeface that exudes a mix of elegance, adventure, and mystique. Its design is inspired by the tales and legends ...
  17. The Héloïse font is an exquisite and versatile typeface, embodying a unique blend of classic elegance and contemporary flair. At first glance, Héloïse exudes an air of sophistication and grace, makin...
  18. The Romance Fatal Goth Versal font, designed by Juan Casco, is a fascinating foray into the world where gothic sensibilities intermingle with romantic fatalism, presenting an artistic expression that...
  19. Cardiff, a font created by Altsys Metamorphosis, is an intriguing typeface characterized by its unique design elements and typographic qualities. This font distinguishes itself through a blend of tra...
  20. The font Mastodon, created by Apostrophic Labs, is a distinctive typeface that stands out due to its unique style and versatility. It belongs to a category of fonts that combine elements of both nove...
  21. "Destiny's Border Dings" is an intriguing and imaginative font that stands out for its rich storytelling through symbols. Unlike traditional typefaces characterized by letters and numbers, Destiny's ...
  22. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  23. The KR Chinese Zodiac font by Kat Rakos is a captivating and expressive display font that captures the essence of the Chinese Zodiac's symbolism through its intricate designs. Each character within t...
  24. Kornucopia, a delightful font crafted by Astigmatic One Eye Typographic Institute, stands out as more than just a collection of characters. It transcends the ordinary, infusing creativity and imagina...
  25. As an optimistic and helpful guide on your creative journey, let me paint you a vivid picture of the font: Resurrectio Hydro.Seven.Four, a masterpiece that instantly captivates the eye and inspires t...
  26. As of my last update in early 2023, there isn’t a widely recognized or established font named "Arcade Fire" in the typical typography communities or font libraries. However, it's quite possible that ...
  27. The font "Jangly Walk" by PizzaDude carries a unique and playful essence that effectively captures the imagination and injects a dose of fun into any design project. Known for creating fonts that are...
  28. Nadia Serif, crafted by the talented Nadia Knechtle, is an eloquent testament to the harmony between traditional typeface design and modern aesthetic sensibilities. At its core, Nadia Serif embodies ...
  29. The Kells SD font, designed by Steve Deffeyes, is a unique and intriguing typeface that finds its inspiration in the historical and ornate scripts of the past. Drawing from the rich heritage of the B...
  30. Aon Cari Celtic is a distinctive font that captivates the essence and tradition of Celtic culture through its typography. This font is characterized by its intricate knotwork, stylized animal motifs,...
  31. Victorian Initials One is a captivating font that immediately transports you back to the elegance and intricacy of the Victorian era. Created by Dieter Steffmann, a typeface designer known for his pa...
  32. The font BENS ALIENS, masterfully created by SpideRaY, stands as a striking testament to the fascinating world of typography that straddles the realms of fantasy and functionality. This typeface draw...
  33. As of my last update in April 2023, the font named Knife Fight, crafted by the talented Damien Gosset, stands out as an intriguing typeface within the realm of graphic design. Though not extensively ...
  34. As of my last update in April 2023, the DECOST font, if not widely recognized in mainstream font libraries, could either be a lesser-known typeface or a custom creation not widely distributed. Withou...
  35. As of my last update, An Creon is not a widely recognized or standard font in popular typographic resources. However, in envisioning what An Creon might be like, let's create an illustrative descript...
  36. The TrixieExtra font, belongs to a category of typographic designs that resonate with a bygone era, imparting a distinctive vintage flair to the text it forms. This typeface is reminiscent of the man...
  37. The Pilsen Plakat font, crafted by the talented Dieter Steffmann, is a remarkable typeface that stands out for its distinctive characteristics and historical connections. This font manages to capture...
  38. Aron Grotesque is a distinctive typeface designed and released by Monofonts, showcasing a modern and versatile sans-serif design. This font family distinguishes itself through a blend of contemporary...
  39. As of my last update, there isn't specific detailed information available about a font named "Magenta" designed by an individual named Florian Bambhout. However, I can create an imaginative descripti...
  40. The VTKS Deja Vu font, designed by the talented Douglas Vitkauskas, is a remarkable representation of creativity and personal expression in typographic form. It is crafted with a distinctive touch th...
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