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  1. Fontasia V2.0: The Revenge, although a fictional creation, paints an exciting narrative in the world of typographic design. Imagine it as not just a font but an epic saga that unfolds on the canvas o...
  2. "Tin Doghouse" is a truly unique and quirky font that immediately catches the eye with its playful yet edgy design. Created by the imaginative designer or collective known as Starving-4, this font em...
  3. As of my last update in April 2023, I don’t have information on a font specifically named "Ogilvie," indicating it may not be widely recognized in mainstream typography resources or it could be a mor...
  4. The Kremlin Samovar font by Bolt Cutter Design is an intriguing typeface that draws heavily on the rich and ornate visual traditions associated with Russian culture and history. This font skillfully ...
  5. Ah, the font Oohlalalulucurvy. Imagine, if you will, a font so lively and flamboyant that each letter seems to be thrown into a dance party from the moment it hits the page. This is no ordinary colle...
  6. The Penelope font, crafted by Dieter Steffmann, stands as a testament to the unique blend of artistic flourish and classical sensibility. This font is remarkably distinct, primarily due to Steffmann'...
  7. As of my last update in April 2023, "FAXADA" is not a widely recognized or specifically documented font within major font libraries or typographic resources. However, discussing it hypothetically, le...
  8. As of my last update, there is no widely recognized or specifically detailed font by the name of "Kefka." However, in the spirit of artistry and creativity, let's imagine what a font named Kefka migh...
  9. Lost Forever, as evocative as the name sounds, is a font that carries the weight of nostalgia, mystery, and perhaps a hint of melancholy. This typeface finds its roots deeply embedded in the world of...
  10. Catharsis Requiem, a font that seems to exist at the intersection of elegance and strength, offers a deep, emotional resonance through its design, making it a distinctive choice for various design pr...
  11. As of my last update in April 2023, "Math Donuts" appears to be a fictional or highly specialized font, not widely recognized in mainstream typography circles. However, inspired by the playful and in...
  12. The Black Cow font, masterfully created by the talented David F. Nalle, stands out as a testament to the intersection of artistic flair and typographic innovation. Nalle, known for his ability to inf...
  13. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  14. Ah, the Art-Nouveau 1895 font, a typeface that whispers of a bygone era, as if it was plucked right out of a Parisian cafe where the clientele discuss philosophy and the latest Toulouse-Lautrec. Desi...
  15. As of my last update in April 2023, the font named ResPublica, designed by Cybapee Creations, stands out as a refined yet distinctive typeface imbued with characteristics that lend it a unique presen...
  16. The Mephisto™ font by The Scriptorium is an evocative and stylistically unique typeface, designed to encapsulate a sense of historical depth and artistic flair. The name itself, Mephisto, is a nod to...
  17. The KG Shadow of the Night font, designed by Kimberly Geswein, stands as an emblem of creativity that gracefully bridges the gap between whimsical charm and gothic elegance. Kimberly Geswein, known f...
  18. The font id-Kaze2OT-Light, crafted by Inoue Masaru, is a distinct and refined typeface that stands out for its delicate elegance and gentle grace. Masaru, known for his meticulous attention to detail...
  19. Ah, PonsonbyNF by the illustrious Nick Curtis, a font that captures the essence of a bygone era with a modern twist. Picture this: an adventurous soul from the early 20th century, sporting a dapper m...
  20. Utusi Star, designed by the talented Peter Wiegel, is a font that captivates with its unique blend of creativity and functionality. This font, much like its creator, showcases a deep understanding of...
  21. The Andrei font, though not a specific font widely recognized under that exact name in popular typography databases or among standard font formats, can be imagined or conceptualized based on some ass...
  22. As of my last update in April 2023, I must note that specific details about a font named "Kero Font" could be subject to the context in which it is being referenced, including its designer's intent, ...
  23. Alas, as of my last update in April 2023, "LT Soul" by LyonsType is one of those elusive characters in the font world, not widely recognized or cataloged in the grand archives of typography I have ac...
  24. Alas, my dear friend, it appears we've dipped our toes into the vibrant and imaginary sea of typographic creatures, only to fish out the elusive "StingRay" – a font so mysteriously absent from the ma...
  25. Gather around, typography enthusiasts and history buffs, for a tale of a font that summons the spirit of centuries past with a modern twist. Plakat-Fraktur, created by the talented Dieter Steffmann, ...
  26. As of my last update in April 2023, "Houndtime" designed by Bree Gorton may not be widely recognized within the mainstream font databases or among popular typeface discussions. However, let me create...
  27. Ah, the Flame on! font, not just a typeface but a fiery declaration, a typographic torchbearer of passion and intensity! Picture this: each letter, ablaze, casting a warm, flickering glow across the ...
  28. Once upon a time in the digital kingdom, there was a font named Tempora LGC Uni, crafted by the master hands of Alexey Kryukov. This intrepid typeface embarked on a journey to unite the realms of let...
  29. As of my last update in April 2023, I don't have specific data on a font named "Yum" created by Yum Productions, suggesting that it might not be widely recognized or it might be a newer, niche creati...
  30. Bistecca, a creation of Studio Kmzero, is a distinctive font that encompasses a unique blend of artistic flair and practical design, reflecting a deep understanding of typographic form and function. ...
  31. As of my last update in April 2023, there is no widely recognized font specifically named "Jetmix" in the mainstream typographic or design communities. However, the concept of a font named "Jetmix" p...
  32. As of my last update in April 2023, I should note that specific details about a font named "Melbylon" by Graham H. Freeman may not be widely documented or recognized in popular font directories or am...
  33. As of my last update in early 2023, the font Mops, designed by Uwe Borchert, may not be widely recognized in mainstream font inventories or among the popular choices for graphic designers and typogra...
  34. As of my last update in April 2023, the font named "Sevil alias Esra Lite" is not widely recognized in mainstream typographic resources or popular font directories. That said, we can still explore an...
  35. Guayaba Sans, a font crafted by Juan Casco, stands as an example of typographic artistry designed for personal use, embodying the creative spirit and skill of its creator. While I cannot directly obs...
  36. Once upon a time, in the bustling metropolis of Typography Town, there lived a unique and rather intriguing font named EU-Sym. This font wasn't your typical character in the neighborhood, like the bo...
  37. As of my last update in April 2023, the font "Aviel" by Asley Cruz was not widely recognized in mainstream typographic circles or font directories. However, considering the query, I can propose a des...
  38. Imagine a font that tiptoed into a masquerade ball, wearing a disguise so charming and playful that every word it whispered seemed to dance off the page. That, my dear friends, is the essence of King...
  39. Duralith is a distinctive font created by Apostrophic Labs, a collective known for their innovative and diverse typefaces. Duralith stands out with its unique blend of stylized features and contempor...
  40. Bitstream Vera Sans is like a welcoming friend in the world of typography, offering a clean, clear, and versatile appearance that feels at home in a multitude of designs. Imagined and created by the ...
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