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  1. "The Hands of Deaf" by SpideRaY is a font that truly speaks in the silent poetry of hands. Imagine a world where the alphabet dances gracefully at the tips of fingers, where each letter is a ballet o...
  2. The Kimberley font, designed by the esteemed typographer Ray Larabie, stands as a testament to his ability to meld precision with creativity in his typographic creations. This particular typeface is ...
  3. The "Jenna" font crafted by GautFonts is a unique typographic expression that embodies creativity and personality. This font is not just a collection of characters; it’s a glimpse into a stylized art...
  4. Manta is a highly versatile and visually captivating font that draws its inspiration from the grace and fluidity found in the natural world, particularly the manta ray's elegant movements through the...
  5. Tavern by FontMesa, $25.00
    Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.
  6. BIG is, as its name suggests, enormous, because with just three letters, it says more than others on a full line. It's an ultra-wide, ultra-black, and ultra-expressive typeface, designed to occupy ...
  7. The font "Funny Icon" by Rodrigo German stands as a dynamic and playful tribute to the essence of creativity and fun embedded in graphic design. This font isn't your traditional typeface focused on l...
  8. As of my last update in April 2023, the font "Dr.Enoksen" by Mike Larsson might not be widely recognized in the standard font catalogs or among widely distributed typefaces. However, the imaginative ...
  9. As of my last update in April 2023, "GarbageG" does not refer to a widely recognized or standard font within the typographic community or within mainstream font repositories. Nonetheless, the imagina...
  10. Inhuman BB is a font that stands out for its dynamic and expressive qualities, designed to capture attention with its unique character. Developed by Blambot Fonts, a foundry well-known for creating c...
  11. The D3 Roadsterism Wide Italic font is a captivating and dynamic typeface that turns any textual content into a visually engaging masterpiece. Crafted with meticulous attention to detail by D3, this ...
  12. As of my last update, there is no widely recognized or officially classified typeface named Brother Bear. However, the concept of a font named "Brother Bear" immediately invokes a specific mood and a...
  13. As of my last update in 2023, SquareType B, as crafted by the digital design entity digitalAM, presents itself as a contemporary embodiment of geometric clarity and digital boldness. This typeface, w...
  14. "Fluted Germanica" is a striking typeface developed by Paul Lloyd Fonts that revives the robust spirit and historic essence of Germanic type designs, updating it for contemporary use. This font seaml...
  15. The "Bamf" font, created by the prolific Iconian Fonts, is an intriguing typeface that embodies a striking blend of contemporary boldness and a playful, somewhat nostalgic essence. Iconian Fonts, kno...
  16. Draggletail isn't a widely recognized name in the vast expanse of typography where classic, contemporary, and quirky fonts intertwine. However, the mere invocation of its unique name suggests an arti...
  17. As of my last update in early 2023, "Knives" is not a widely recognized or standardized font in the vast collection of typefaces used across design and digital platforms. However, let's explore a con...
  18. The typeface "Insecurity" by Keith Bates is a fascinating creation that embodies a unique conceptual approach to typography. At its core, "Insecurity" reflects the vulnerabilities and uncertainties t...
  19. RNS Baruta Black is part of the RNS Fonts collection, crafted by RNS Foundry, which has been known for offering a diverse array of typeface designs that cater to various aesthetic and functional need...
  20. The LOVE-BOX font crafted by the talented designer deFharo stands as a unique and enchanting typeface that captivates with its distinctive style and charm. It embodies a perfect blend of creativity a...
  21. The "Djs Symbols" font by Phuxer Designs is a fascinating and innovative font that stands out in the realm of typography. Rather than focusing on traditional letters and numbers, this font explores t...
  22. The font "Stop" is a distinctive display typeface that first captured the attention of designers and typographers in the 1970s. Created by Aldo Novarese in 1971 for the Italian type foundry Nebiolo, ...
  23. The Half SunBurst-w4-02 font embodies a blend of creativity and radiant energy, reminiscent of the glowing aura of a setting or rising sun. This font stands out for its unique design, which combines ...
  24. Sanserifing by Audrius Skersys is a contemporary typeface that embodies simplicity and versatility in design. Created by the Lithuanian designer Audrius Skersys, the Sanserifing font is a dedication ...
  25. Barlos-Random, crafted by Manfred Klein, is an intriguing and distinctive typeface that dances on the fine line between the organized structure of traditional typography and the liberated expression ...
  26. The Psacstroj font, designed by Milos Kunst, is a captivating typeface that embodies a unique blend of artistic innovation and functional elegance. This font, while fictional in this context, can be ...
  27. Ah, Qebab Shadow FFP, the font that seems to have been crafted by a whimsical wizard in a shadowy, cobweb-draped studio, using nothing but a feather from a phoenix, some pixelated ink, and a healthy ...
  28. Disparador, a font designed by Tobias Sommer (who also goes by the nickname "shyfonts"), is a visually striking typeface that imbarks a unique blend of modernity and retro inspiration. Sommer, known ...
  29. DIVERGENT, a unique font crafted by the designer known as SpideRaY, embodies a standout style that clearly sets it apart from the plethora of typefaces available. This distinctive font captures the e...
  30. Signerica Fat is an exquisite font designed by the talented Swedish typeface designer Måns Grebäck, known for his mastery in crafting script and calligraphy fonts. This particular font falls beautifu...
  31. Zuben, created by the talented designer Fran Board, stands out as a distinctive typeface that merges the essence of geometric precision with a touch of humanistic warmth, making it both appealing and...
  32. As of my last update in April 2023, CounselorScript is not a widely recognized or standard font, and its characteristics might not be universally agreed upon or formally documented. However, let us p...
  33. The D3 Egoistism Outline font, crafted by the innovative minds at D3, embodies a remarkable blend of creativity and sophistication that stands out in the realm of typography. This particular font is ...
  34. "Queer Theory RegularTrial" by Harold Lohner is an embodiment of artistic audacity and a celebration of diversity within the realm of typography. This font captures the essence of inclusivity and cha...
  35. As of my last update in 2023, the font "26WOMAN" hasn't been widely recognized as a standard or well-known typeface in the vast ocean of fonts available to graphic designers, typographers, and enthus...
  36. SchulVokalDotless is a distinctive typeface designed by Manfred Klein, a reputable figure in the realm of typography known for his eclectic and wide-ranging font designs. As its name suggests, “Schul...
  37. The font named "abc" by Weknow is a distinctive typeface that showcases the creativity and artistic versatility of its creator, Weknow. Weknow is well-known for his prolific output of unique fonts, o...
  38. The Pseudo (BRK) font, conceived by the creative mind behind AEnigma, stands as a unique and memorable entry in the realm of digital typography. Its design philosophy intertwines the familiar with th...
  39. As of my last update, there hasn't been specific information available about a font named "Depth Charge" by 2 The Left Typefaces within widely recognized font libraries or font designers' portfolios....
  40. The Abaddon™ font, designed and released by The Scriptorium, is a distinctive typeface that exudes a strong aura of dark fantasy and gothic elegance. Its name, inspired by a term that often reference...
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