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  1. Ritalin, a creation by Apostrophic Labs, is an intriguing font known for its distinctive features and unique appeal. This typeface is part of a diverse collection created by a collective of designers...
  2. MKristall, created by Manfred Klein, is a distinctive font that captures the essence of crystalline structures through its design. Manfred Klein, known for his prolific output of diverse and often ex...
  3. The Drunken Sailor font, crafted by the prolific Manfred Klein, is a whimsical and playful typeface that embodies the spirit of maritime lore and the rolling waves of the sea. Its letters, with their...
  4. FT Pedant Dilettante, crafted by Fenotype, a font foundry known for its diverse and high-quality typefaces, stands as a testament to the blend of meticulous detail and artistic whimsy. The font encap...
  5. The font Swanky and Moo Moo is a playful and whimsical typeface created by Kimberly Geswein, a notable figure in the world of typography known for her diverse and expressive fonts. This particular fo...
  6. Casa Sans, a typeface designed by Peter Wiegel, is an embodiment of both modernity and simplicity, making it a sleek choice for various design projects. This sans-serif font showcases the designer's ...
  7. "Dot.com" by Iconian Fonts is an eclectic and modern typeface that exemplifies the digital age with its unique characteristics, blending creativity and functionality in equal measures. Designed by th...
  8. Sure thing! WhoopAss is a distinctive font created by Blambot Fonts, a company renowned for crafting unique typefaces tailored especially for comic book creators and artists. As the name suggests, Wh...
  9. The "KG Keep Your Head Up" font, created by the talented Kimberly Geswein, embodies a sense of whimsicality and motivation, skillfully capturing the essence of its inspirational name. Kimberly Geswei...
  10. Akvaléir is a captivating font that seems to echo the murmuring tales of mythical sea realms and the elegance of Art Nouveau design. It stands as a testimony to the beauty of fluidity in typography, ...
  11. Loyal Fame, crafted by the creative minds at Dirt2, is a typeface that marries the essence of vintage charm with contemporary flair, creating a visual treat that stands out in the vast sea of fonts. ...
  12. JAVATA, conceived by Multype Studio, represents a remarkable fusion between modern design aesthetics and traditional typographic principles. It stands out as a versatile typeface, designed to meet th...
  13. The London font, designed by the talented Jovanny Lemonad, is a distinctive typeface that captures the essence of modernity and elegance. Envision a font that effortlessly combines the historic charm...
  14. The FarHat-Quintas font, crafted by the designer known as FarHat, embodies a unique blend of creativity and expression. This innovative typeface captures the essence of modern design while maintainin...
  15. Adigiana 2, as a vibrant and versatile font, embodies the spirit of artistic creativity and flexibility. Its character stems from a unique blend of whimsical flare and functional elegance, making it ...
  16. The font "Negotiate Free" by Ray Larabie is a distinctive typeface that embodies the unique fusion of modernity and functionality, intrinsic to Larabie's design philosophy. Known for his prolific out...
  17. The Fh_Script font, designed by the creative mind behind Fictionalhead, represents a unique blend of artistry and functionality in the realm of typography. This font stands out for its handwritten st...
  18. The Doggon font by GemFonts | Graham Meade is a distinctive and playful typeface that embodies a sense of whimsy and creativity. Crafted by Graham Meade, a designer known for his diverse and often qu...
  19. Barrio 30 is a distinct and vibrant font that seems to encapsulate the spirit of the street and community, evoking a sense of togetherness and local flair. It's a font that doesn't just speak; it sho...
  20. The ChickenScratch AOE font, designed by the prolific Astigmatic One Eye Typographic Institute, carries with it a distinct personality and playfulness that sets it apart from more traditional typefac...
  21. The font "Independant" by Apostrophic Labs is an engaging typeface that stands out for its unique character and distinctive appeal. Created by the talented team at Apostrophic Labs, a foundry known f...
  22. Alphabeta is a dynamic and visually striking font that merges artistic flair with practical readability, embodying a modern elegance while paying homage to classic typography principles. Designed to ...
  23. GiantTigers, designed by the prolific type designer Ray Larabie, stands out as a distinctive and bold font that captures the essence of power and vivacity, akin to the spirit of a wild tiger. Ray Lar...
  24. Quad Light, a masterpiece from the innovative minds at FontFabric, is a typeface that redefines the boundaries of digital typography with its distinctive design and nuanced character. This particular...
  25. Ubicada is a contemporary and versatile typeface created by the talented typeface designer deFharo. It is a font characterized by its clean lines, geometric shapes, and modern feel, perfect for a var...
  26. "The Rich Family" font, designed by the notable 7NTypes, represents a sophisticated and versatile collection of typefaces that exude elegance and luxury. This font family is meticulously crafted to c...
  27. The Babylon Font, crafted by the talented Joss Astley, is a marvel in the world of typography that captures the spirit and elegance of ancient scripts while blending seamlessly into the modern aesthe...
  28. The font named "Yahoo" crafted by GautFonts hails from a unique niche in typography, characterized by its playful yet recognizably bold aesthetic. This typeface draws inspiration from the iconic Yaho...
  29. Viper Squadron Solid is a distinct and visually striking typeface designed by ShyFoundry, a foundry known for its diverse range of fonts catering to various design needs. Inspired by the futuristic a...
  30. The Metro font, created by Jovanny Lemonad, presents a unique blend of modernity and functionality, encapsulating the essence of urban dynamics and contemporary design. Its name, "Metro," immediately...
  31. Básica-Unicode, a font meticulously crafted by the talented font designer Juan Casco, stands out as a distinctive choice among a wide array of typefaces available to designers. Its construction empha...
  32. Berkelium Type, crafted by Kreative Korporation, stands as a testament to the seamless blend of modernity and classic design principles in typography. At its core, Berkelium Type embodies versatility...
  33. The Spylord Bold Expanded typeface, designed by the renowned Iconian Fonts, is an embodiment of striking modernity mixed with a touch of classic espionage elegance. This font's character set is craft...
  34. The font Imperator by Paul Lloyd Fonts embodies a striking elegance mixed with a touch of historical allure, making it a distinctive choice for various design projects. Created by Paul Lloyd, a desig...
  35. TSF et Compagnie Tryout by Match Software is a vivid exploration of typeface design that echoes the intricate balance between tradition and innovation. This font weaves together a captivating aesthet...
  36. The Achilles font, crafted by the creative minds at Iconian Fonts, embodies a fusion of strength and precision, reminiscent of the ancient Greek hero it is named after. This font distinguishes itself...
  37. The Fudd font, crafted by Matthew Welch, is an intriguing and whimsical typeface that carries a unique character and charm, often drawing comparisons or associations with the playful and slightly err...
  38. The Twin Marker font, created by the talented Tom Raaijmakers, takes its inspiration from the aesthetic and functionality of hand-drawn marker strokes, combining the casual flair of handwritten messa...
  39. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  40. Graffiti Treat, designed by the prolific typeface artist Ray Larabie, is a captivating font that embodies the raw energy and expressive nature of street art. This font seamlessly blends the spontanei...
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