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  1. Raspoutine Classic is a font that exudes an air of sophistication and timeless elegance, reminiscent of the classic calligraphy and artisanal craftsmanship of a bygone era. This font family stands ou...
  2. Clubland is a dynamic and vibrant font that captures the essence of night life, music, and exhilaration. Its design feels like a dance of letters on the page, embodying the energy and pulse of electr...
  3. Imagine a font that decided to sneak out of an elegant, old manuscript, put on a modern suit, and strut into the digital age with confidence and a pinch of whimsy. That, my friends, is ClerestorySSK ...
  4. Oh, Tipbrush Script! Imagine taking a whimsical wander through a calligrapher's dream, where each stroke dances to the tune of elegance and charm—that's Tipbrush Script for you. Created by the wizard...
  5. The font "The Girl Next Door" created by Kimberly Geswein has an intriguing mixture of casualness and charm, encapsulating the warmth and approachability its name suggests. Kimberly Geswein, known fo...
  6. The Rudelsberg font, crafted by the talented type designer David Rakowski, embodies a fascinating blend of traditional charm and modern flair. This distinctive typeface carries within its letterforms...
  7. WinterthurCondensed is a captivating typeface designed by the accomplished German type designer, Manfred Klein. This particular font is named after the Swiss city of Winterthur, suggesting a connecti...
  8. The font !CRASS ROOTS OFL by !Exclamachine is an intriguing and captivating typeface that stands out for its raw energy and unapologetic boldness. It's a creation that embodies a fusion of graffiti-i...
  9. The Prayh font, crafted by the talented Niclas Hjelm, is a remarkable testament to the fusion of traditional calligraphic styles with contemporary design sensibilities. This font stands out due to it...
  10. The "Charlie" font, created by Kevin and Amanda, embodies a sense of playful creativity and warmth that is characteristic of much of their work in the type-design domain. Known for their eclectic ran...
  11. The Smargana typeface is a distinctive font characterized by its unique blend of tradition and modernity. With its origin steeped in a rich typographic tradition, Smargana offers a contemporary twist...
  12. Schmalfette Fraktur by Dieter Steffmann is an intriguing font that captures the essence of historical German printing and manuscript traditions. Dieter Steffmann, known for his passion for reviving v...
  13. The Embossing Tape 2 (BRK) font, created by AEnigma, stands as a quirky and distinctive typeface that captures the essence and nostalgic feel of labeling used in handheld embossing label makers. This...
  14. The Ben-Zion font by Iconian Fonts is a captivating typeface that draws inspiration from a mix of futuristic elements and classical typography principles. Iconian Fonts, known for their extensive ran...
  15. TT Travels Next by TypeType, $39.00
    TT Travels Next Update 1100. We've expanded the range of stylistic alternates and added a calmer version for lowercase letters t f, uppercase Q, and ligatures fi ffi fj ffj. Thanks to the calmer alternative characters, TT Travels Next can be used in more conservative layouts or in designs that require a certain austerity. TT Travels Next in numbers: • 21 styles: 9 upright, 9 italics, 1 variable font and 2 outline styles • 757 glyphs in each style • Support for more than 190+ languages: extended Latin, Cyrillic and many other languages • 26 OpenType features in each style: stylistic alternates, ligatures, old-style figures, numbers in circles, arrows and other useful features • Amazing Manual TrueType Hinting TT Travels Next useful links: Specimen PDF | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Travels Next: The idea to create an alternative version of the TT Travels font family emerged at the “Mail.ru Design Conf x Dribbble Meetup” that took place in August 2020 in Moscow. All conference branding was designed using the TT Travels font family, and, even though the set was very beautiful, we found that if the typeface were more radical and display, it would have complemented the event's graphics even better. Thus, was born the idea for the TT Travels Next typeface, which was to create a very trendy and modern wide display sans serif for use in different sets, be they print or web. TT Travels Next is an experiment answering the "what-if" question of what would happen if the original TT Travels looked different, less compromising and more radical. The typeface has very wide proportions and characters that almost do not get narrower as you move from the bold styles to a light one. TT Travels Next has an exaggerated closed aperture, low contrast, noticeable visual compensators, and a harmonic combination of soft and sharp shapes. In inclined styles, we have purposefully increased the slant up to 14 degrees so that you can type slashing dynamic inscriptions. In addition, the TT Travels Next typeface has two great outline styles which match the upright styles perfectly and complement them, and also work well as display styles. The TT Travels Next typeface consists of 21 fonts: 9 upright and 9 corresponding italics, two outline styles, and one variable font with two variability axes (weight and slant). Each style consists of 757 characters and supports over 190+ languages. The typeface has 26 useful OpenType features, such as stylistic alternates that change the design of characters responsible for the style, ligatures, pointers, circled figures, and many other useful features. TT Travels Next OpenType features list: aalt, ccmp, ordn, locl, subs, sinf, sups, numr, dnom, frac, tnum, onum, lnum, pnum, case, dlig, liga, calt, salt, ss01 (Alt. Latin & Cyrillic), ss02 (Romanian Comma Accent), ss03 (Dutch IJ), ss04 (Catalan Ldot), ss05 (Turkish i), ss06 (White Circled Numbers), ss07 (Black Circled Numbers). TT Travels Next language support: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani +, Banjar, Basque +, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton +, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican +, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gikuyu, Guarani, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Kamba, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kikuyu, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian+, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Meru, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss, German +, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana +, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Walser+, Welsh+, Wolof, Xhosa, Zaza, Zulu+, Belarusian (cyr), Bosnian (cyr), Bulgarian (cyr), Erzya, Karachay-Balkar (cyr), Khvarshi, Kumyk, Macedonian, Montenegrin (cyr), Mordvin-moksha, Nogai, Russian+, Rusyn, Serbian (cyr)+, Ukrainian. TT Travels Next font field guide including best practices, font pairings and alternatives.
  16. TT Fors by TypeType, $39.00
    TT Fors useful links: Specimen | Graphic presentation | Customization options TT Fors is a modern geometric sans serif with characters and shapes contrasting in width, as close as possible to the basic geometric shapes (circle, square, triangle). TT Fors is a great addition to TypeType's line of functional sans serifs, which already includes such fonts as TT Norms Pro, TT Commons, TT Hoves and TT Interphases. The main inspiration for the creation of TT Fors was the study of geometric grotesques of the early to mid-20th century (Futura, Neuzeit Grotesk, Twentieth Century, Avantgarde Gothic, etc.), and the analysis of the contribution they made to the visual environment of that time. We gave ourselves the task to create the most versatile functional typeface that draws inspiration from the visual environment of the early to mid-20th century, but at the same time is aimed at uninterrupted use in all modern media, from branding and packaging design to work in interfaces and applications. This versatility is reflected in the title TT Fors (for), a typeface for a wide range of uses. The rounded characters in the font family tend to be shaped as the correct circle as much as possible, while the rest of the characters have narrower proportions. For more functionality, the typeface has rather high lowercase characters. Thanks to the correct and precisely selected geometric shapes and uniform construction rules, TT Fors works great both in the format of large headings and in very small text sizes used in book printing and in web design. In addition, the TT Fors family has a display subfamily TT Fors Display, which is a trendy pair for the text fonts. The main feature of the display subfamily is high contrast in horizontal or vertical strokes. When choosing a contrasting stroke, we paid attention that the shape of the letter would not go into reverse contrast and become a stressed sans serif. The subtle strokes in TT Fors Display have added sufficient display vibe to give the font a vibrant character, while remaining intelligent and serious. In total, TT Fors family includes 34 fonts: 9 weights and 9 italic styles in the text subfamily, 6 weights and 6 italic styles in the display subfamily, 2 outline styles and 2 variable fonts for both subfamilies. TT Fors has stylistic alternatives, ligatures, small caps (text family only), numbers in circles, arrows and a set of alternative round full stops and punctuation marks (text family only), slashed zero, and other useful features. More details about all OpenType features can be found in the font specimen. And, by good tradition, TT Fors has two variable fonts, for each of the subfamilies. Each variable font supports two axes of variability—thickness and slant. An important clarification—not all programs support variable technologies yet, you can check the support status here: https://v-fonts.com/support/. To use the variable font with two variable axes on Mac you will need MacOS 10.14 or higher. TT Fors supports more than 180+ languages, such as: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani+, Banjar, Basque+, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton+, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican+, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss German+, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana+, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh+, Wolof, Xhosa, Zaza, Zulu+, Belarusian (cyr), Bosnian (cyr), Bulgarian (not localization), Erzya, Karachay-Balkar (cyr), Khvarshi, Kumyk, Macedonian, Montenegrin (cyr), Mordvin-moksha, Nogai, Russian+, Rusyn, Serbian (cyr)+, Ukrainian
  17. As of my last update in April 2023, "GarbageG" does not refer to a widely recognized or standard font within the typographic community or within mainstream font repositories. Nonetheless, the imagina...
  18. Offenbach Chancery is a font that encapsulates the elegance and formality inherent in historical chancery calligraphy, while presenting itself with a modern touch that makes it accessible and usable ...
  19. MoDi Khilari 1, although a less commonly known font name and possibly conceptual or specific to certain design applications, suggests an intriguing fusion of typographic style and cultural essence ba...
  20. As of my last update in 2023, "Chlorinov" is not a widely recognized or standard font within the graphic design or typography communities. However, the name suggests an imaginative and perhaps innova...
  21. Mathmos Original is a distinctive font created by Levi Halmos, instilling a sense of nostalgia and futuristic vibes simultaneously. Imagine a concoction of retro science fiction aesthetics married to...
  22. Remeslo, whose name intriguingly hints at craftsmanship and artisanal skill—'remeslo' meaning 'craft' or 'trade' in several Slavic languages—embodies an engaging blend of tradition and contemporary d...
  23. As of my last update in April 2023, there is no widely recognized or documented font named "K5" attributed to Rodrigo Fuenzalida in the mainstream design or typography communities. It's possible that...
  24. Oh, the M+ 1m font? It's quite the hidden gem in the world of typography! Imagine a typeface that gracefully walks the line between the sleek, clean look of modern fonts and the nuanced flexibility n...
  25. The font LED BOARD REVERSED, created by Paul Hustava, adopts the unique allure and characteristics of classic LED displays and signs but propels its essence in a novel direction. The characteristic f...
  26. Rough Owl, designed by Philip Trautmann, is a mesmerizing font that captures the eye with its unique blend of roughness and charisma. Philip Trautmann, known for his versatile font designs that often...
  27. Sure, I'd be delighted to paint you a vivid picture of the font named "Felt" crafted by Pat Snyder. Imagine diving into the cozy world of crafting, where textures, warmth, and a touch of homemade cha...
  28. As of my last update in 2023, there isn't a widely recognized font by the name "Sanford" that's prominent in the typographic community or among mainstream font collections. However, let’s imagine wha...
  29. As of my last update, Futured doesn't appear to be a widely recognized or standardized font in the realms of typography or design that I can directly reference or describe. However, hypothesizing bas...
  30. As of my last update, there isn't a specific font named "CNN" officially created or endorsed by Ray Larabie that is widely recognized in the type design industry. Ray Larabie is a prolific Canadian t...
  31. Pattheda, designed by Azcreative Studio, is an elegantly crafted font that encapsulates a harmonious blend of modern design principles with a touch of playfulness. This font stands out for its unique...
  32. Ah, Qebab Shadow FFP, the font that seems to have been crafted by a whimsical wizard in a shadowy, cobweb-draped studio, using nothing but a feather from a phoenix, some pixelated ink, and a healthy ...
  33. Oh, Lausanne, you charming little typeface, you! Crafted by the hands of Ivan Filipov, it brings to the canvas of typography a breath of fresh, Swiss-inspired air, without the added calories of Swiss...
  34. Neucha, a font crafted by the talented Jovanny Lemonad, embodies a spirit of casual creativity and uninhibited expression. Designed to capture the essence of handwritten text, Neucha offers a unique ...
  35. As of my last update in April 2023, "Radion" is not a widely recognized font name within major typographic resources or font collections. However, based on the typical attributes of font naming and d...
  36. "Patched Medium" is a distinctive typeface designed by Måns Grebäck, a renowned typeface and logo designer whose work often combines craftsmanship with visual appeal. The "Patched" aspect of its name...
  37. As of my last update in April 2023, the font Blix Black by FBruehl might not be widely recognized or it may not exist under that specific name in publicly available font libraries or known typographi...
  38. Fibel Nord, designed by Peter Wiegel, is a distinctive font that stands out for its clear and elegant design. This typeface borrows its inspiration from the traditional school fonts used in education...
  39. As of my last update in April 2023, GAU_font_modern does not appear to be a widely recognized or established font within the typographic or graphic design communities. It's possible that GAU_font_mod...
  40. Virgin, as a hypothetical font, is not known in my list of documented fonts up to my last update in 2023. However, let's imagine what Virgin might encapsulate as a typeface design concept, given its ...
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