FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to methodical and engineered design. FF DIN Slab is a robust compliment to the FF DIN family. Designed by Antonia Cornelius and Albert-Jan Pool, it offer designers tools to create greater rhythm and design depth. FF DIN Slab’s proportions have been meticulously aligned with its Sans origins, offering the perfect balance between positive and negative space. The serifs are assertive, sturdy and balanced, they are engineered to emphasis a strong horizontal flow through text, a grounded utility and assurance in headlines. The result of this attention to detail is a typeface that harmonizes beautifully with other FF DIN styles. Pushing font technology to its limits, FF DIN Slab is also available as a Variable font. Allowing creatives to design hyper specific variations which thrive in any design space, and even seamlessly animate movement from one state to the next. FF DIN Slab distinctively carries on its parent’s DNA, speaks the same native language — but with a strong peculiar dialect. It expands the DIN family worthily — independent but integrated — and opens totally new possibilities of uses with the whole DIN family.

Graphic designers of any nationality and background know very well that the art of composing titles correctly is not easy, Especially when it comes to periodical publications where there is need for both flexibility and graphic coherence. Tablet Gothic was originally engineered as a titling type family, meant to help designers working on publications that require output as hard copies and a variety of digital platforms at the same time. As such, it is a grotesque sans serif that looks to the future of publishing with a clear understanding of its history, and reminiscences that go back to nineteenth century Britain and Germany. Tablet Gothic delivers the sturdy, straightforward and clean appearance expected from a grotesque, but it allows itself a good measure of personality to make it stand out on the page. Its 84 styles –six series of condensation and seven weights in each series plus obliques– guarantee that, whatever the publication format is, there's a Tablet Gothic font that will do the job and perform well both technically and aesthetically. Furthermore, the rounder styles, Tablet Gothic Wide, Normal and Narrow achieved amazing results at very small sizes, producing  a beautiful texture and highly readable text blocks. Tablet Gothic fonts can be purchased individually, by series or as a complete bundle (best value!)

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to methodical and engineered design. FF DIN Slab is a robust compliment to the FF DIN family. Designed by Antonia Cornelius and Albert-Jan Pool, it offer designers tools to create greater rhythm and design depth. FF DIN Slab’s proportions have been meticulously aligned with its Sans origins, offering the perfect balance between positive and negative space. The serifs are assertive, sturdy and balanced, they are engineered to emphasis a strong horizontal flow through text, a grounded utility and assurance in headlines. The result of this attention to detail is a typeface that harmonizes beautifully with other FF DIN styles. Pushing font technology to its limits, FF DIN Slab is also available as a Variable font. Allowing creatives to design hyper specific variations which thrive in any design space, and even seamlessly animate movement from one state to the next. FF DIN Slab distinctively carries on its parent’s DNA, speaks the same native language — but with a strong peculiar dialect. It expands the DIN family worthily — independent but integrated — and opens totally new possibilities of uses with the whole DIN family.

Dawned is our san serif font created with a sweet and enchanting imagination which we applied to this font design. every arch we make is dramatic and dazzling. start using this font to get the perfect work in your project. Not limited to that, the bold calligraphy font is designed to keep paying attention to the beauty of each letter, there are alternate options for the letters which are certainly easy for you to access, so you can automatically customize the letters you want to enhance the visual appearance of your design project. This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. ============================================================================================================ What’s Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish Thank you for your purchase! Hope you enjoy our font!

Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design. It’s a wonderful, bold and elegant font. This font is guaranteed to make your design stand out from the crowd and leave a lasting impression, as it has the potential to enhance any creation.

Argo Supernova is a sans serif font, inspired by science fiction titles. Delicate on the thinest weights, strong on the thickest ones, it is perfect for modern branding and logo design, editorial design, web design, packaging and various other projects. Argo Supernova has a geometric and open structure, with shapes that create a solid texture on the page. Its large x-height produces good reading in long texts and its peculiarities, such as curved bars and endings, generate a strong presence in titles. The Argo Supernova family consists of 8 weights with matching italics, with Extended Latin character set. The italics makes use of more curves and smoothness, creating an interesting variation in design. • 16 styles: 8 weights + 8 italics; • 602 glyphs in each weight; • Special SS02 feature: "bend" alternates for majority of caps characters with curved details; • OpenType features: Access All Alternates, Stylistic Alternates, Standard Ligatures, Discretionary Ligatures, Numerators, Denominators, Fractions, Superior and Inferior Numbers, Kerning, Localized Forms, Lining Figures, Oldstyle Figures, Proportional Figures, Tabular Figures, Slashed Zero, Stylistic Set 1 to 6. • Supporting 219 latin based languages, which are spoken in different 212 countries.

Azero is a extra heavy sans serif font with four style variations. The uppercase alphabet in particular is stylized to feature a wavy baseline on many of the characters, for a unique look that's just enough to add some unusual vibe and uniqueness. When your layout calls for heavy type with a wide (but not too wide) look, Azero is a strong choice. Great for bold headlines, logos, branding, wide horizontal banners, themes with a Hispanic flair, fitness products, food packaging, or retro poster styles.

Butter Notes is a sweet and jolly crafting font. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, social media, movie titles, books titles, a short text even a long text letter and good for your secondary text font with sans or serif. And also for special events or anything that need handwritting taste. Thanks for checking out this font. I hope you enjoy it!

Tecnica font family has been designed for Graviton Font Foundry by Pablo Balcells. It is a modular, geometric, sans serif typeface with a slightly condensed design and subtle rounded angles. It has been conceived to be most suitable for all sized headlines, as well as short and middle length text blocks. The standard styles give texts a classic appearence while alternate styles give texts a playfull one. Tecnica consists of 4 styles, 2 weights plus alternates, each containing small caps and glyph coverage for several languages.

Quarion is a clean, neo-humanist sans with a contemporary geometric approach. Its design started as an exploration of geometric fonts from the early 20th century, like Futura, Neuzeit Grotesk or Recta which allows the typeface to generate an inviting but sophisticated feel on the page. Although, less contrasting, geometric designs have been quite popular around type designers until today, Quarion finds its niche by combining circular elements with a medium stroke contrast, resulting in a versatile and robust workhorse for any analog or digital application.

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bayer was drawn from Bauhaus Archiv sketches for a minimal sans typeface that was created in 1925 by Herbert Bayer, based on his single-alphabet student thesis. This ‘universal’ alphabet was designed for exclusive Bauhaus use, but never cut as a typeface.

Erbaum is a display square sans serif type family. It is straight-forward in overall structure, simple and rational in details. Erbaum was designed to maximise clarity, with an emphasis on construction and pragmatic aesthetics. The concept behind this typeface was uncompromisingly function driven, which was to provide a clear and effective medium for communication and a modern alternative to similar fonts in the aforementioned category. Extended x-height and sharp details aid legibility. Other features include seven weights, Cyrillic, alternative characters and various OpenType features.

Pokerface is an industrious mixed-case display font devised on the theme of playing cards, designed by Jim Ford. Most letterforms in the font have 'four of a kind' while some are only available in pairs. It features Clarendon-style slab serif and grotesque sans serif forms. Furthermore, the letterforms are 'shuffled' to give a random appearance in standard text. It fuses a utilitarian sturdiness with a soft and friendly feel, and adds a bold flare to headlines, logos and posters. Character Set - Latin 1, OpenType extras.

Neuron puts a chemist's twist on standard block-style print to create a fresher version of the elemental alphabet. Widely spaced letters and a slightly tall x-height have a clean effect for great readability. Squarish shapes are stylized to retain curved tails, achieving a neutral appearance that makes it very versatile. A thick width in ExtraBold, Black and Heavy give stand-out strength for headlines and branding, without affecting legibility. This modern sans-serif family includes 16 variants, and covers Latin, Central European and Cyrillic characters.

Alter Aves type is the first part of AlterType project – the serie of small display typefaces based on letterings, left-off types and altered foundry typefaces. Alter Aves is display condensed sans-serif typeface with couple of geometric-round letters, serif-styled elements and flat brush strokes. It supports Latin Extended-A (Western, Central Europe, Baltic, Turkish) and Cyrillic encoding languages and minimal opentype features – oldstyle digits, case sensitive punctuation, small-numeric forms and scripted fractions. Fully functional Demo style is distributed free for non-commercial using.

The Fuel Script typefaces turn the modern update of a techno sans towards that of baseline automotive script lettering with retro stylings while retaining the same soft rounded corners and decorative inktraps. Stylistic Alternates included within all styles are alternates for the capital B, E, G, and R characters, as well as all of their accented siblings. The Fuel Complete package bundles all of the dynamic styles of the Fuel, Fuel Extended, Fuel Uni, Fuel Uni Extended, and Fuel Script typefaces into one powerhouse of a collection.

A pragmatic sans-serif which sits in the centre on the grotesque to geometric style spectrum. Equal measures of both letterforms create a neutral type family that is modern, functional, and easy to read without being too distracting. Details include seven proportionally spaced weights and four monospaced weights, both with matching italics, 750 characters with an alternative lowercase a and g, twelve variations of numerals with stylistic zero’s, Opentype features inferiors, superiors, fractions, case-sensitive punctuation, and language support covering Western, South and Central Europe.

Franklin Gothic was designed between 1903 and 1912 by Morris Fuller Benton for the American Type Founders Company. The font serves as the American Grotesk prototype. It was named after Benjamin Franklin. Even today, Franklin Gothic remains one of the most widely used sans serif typefaces. The robust character of the font gives text a modern feel. It is widely used in newspapers and advertising and is frequently seen in posters, placards and other material where space is restricted. Featured in: Best Fonts for Tattoos

Epicgant is a sans serif font with elegant characters. Epicgant is perfect for your elegant-themed work, suitable also for elegant vintage. This font is available in two font style variants, making it easy to do work on various design themes. Epicgant is equipped with multilingual accents. Check out the latest Viaction Type.Co font products : Matrole : https://www.myfonts.com/fonts/viaction-type/matrole/ Baskar : https://www.myfonts.com/fonts/viaction-type/baskar-stc/ Get it now Epicgant Family fonts, to add to your collection and work solutions. Thanks.

Gumdrop is a soft sans. Stylish, original and a little bit retro, it’s an all caps font with two options for each letter and number for added spontaneity. Contextual alternates feature is included and manage the instant cycling of these alternates with the click of a button. The regular cut itself is already quite a versatile one, and the family counts yet with a cool halftone cut and a pencil-like outlined version. Is this just another damn handsome font? Hell, yes. Keep it handy!

Hollgati is a bold sans serif font with moderate and elegance lines, It is based on the combining a variety of styles available in both an elegant regular weight as well as outlined weight.The font is simply work with bold scary touch which is great for halloween titles. Holgati font is Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography. Please contact us if you have any questions. Enjoy the font and thanks for supporting us. Regards, Grontype.

Proudly Introducing you my new font collection – The Pretender. This collection was born and inspired by American sign painting typography and vintage package design. Wide range of styles for a wide range of use. This collection gives you awesome vintage look effect, which one will add the hand-touch feeling for your project. Light, Regular, Medium and Bold widths goes as Sans and Serifs and Normal or Expanded! And, of course, vintage candy Script! But that's not all – Every font comes as a Clear and Pressed style!

Some years ago we developed a monospaced 12 pitch sans serif for a client. We also created a 10 pitch version that was later discarded. PropTen is the 10 pitch version modified to proportional widths. The name PropTen refers to 'Proportional 10 Pitch'- which is a technical impossibility. It does have a slight 'its time to vote' twist to it. You know, after you pick your candidate you also need to vote yes or no on the following Propositions, don't forget Prop10, the team needs those uniforms.

Perhaps one of the more difficult typeface styles to space convincingly, Irakly, a serif-sans by Russian designer Oleg Karpinsky imparts an unfamiliar elegance. The odd mixture of superficial details such as the half serifs and the protruding horizontal strokes confuse your visual senses, yet the simple geometric roots of the letterforms are apparent and ultimately reassuring. Irakly Light and Bold make a great addition to any library. The OpenType versions have alternates that are more conservative in design and broaden the usefulness of the typefaces

Discover the perfect pairing for your culinary creations with the Crust and Crumbs Foodie Font Duo, featuring a harmonious blend of rounded sans-serif and expressive brush fonts. Whether you're a food blogger, restaurant owner, or a passionate home cook, this font duo is designed to add a delectable touch to your food-related designs. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

Anna Clara can be dressed up or down, as fancy as you wanna be. On its own, it’s an organic script, with the fine hairlines, thick swells, and slightly undulating baseline found in modern casual calligraphy. Add swashes, and Anna Clara becomes a bit more playful and festive. Each capital letter has a flourished alternate—great for displays or headings, or to add emphasis to a particular section of text. For OpenType-aware software users, Anna Clara also features ten pairs of swashes that can be added to the beginning or end of any lowercase letter, for a custom flourished look. Illustrator and InDesign users can access extra swashes and banners by using the glyph panel. Photoshop users: These characters can be accessed via the “Ornaments” feature in your OpenType panel - try non-numeric punctuation marks and accents for swashes. For banners, type catchwords followed by an asterisk. “Asterisk asterisk” will produce a blank banner that you can use to create your own. Included catchwords are “and”, “at”, “by”, “for”, “from”, “of”, “the”, “to”, “with”, "l'", “le”, “la”, “el”, “et”, and “y”. Roman numerals can be used in the “Ornaments” feature by typing their respective keyboard characters “I”, “II”, “III”, etc. - followed by an asterisk. An ampersand (&) followed by one or two asterisks produces two special “and” characters.