Kaikoura is a small town on the east coast of the South Island of New Zealand. It is a very pleasant, laid-back place where the mountains meet the sea. Kaikoura is also the best place in the world to spot sperm whales. Kaikoura font is quite similar in appearance: it is laid-back and beautiful, has sharp peaks and generous curves. I am still trying to find out how to add whale watching to this description… Kaikoura is an all caps font with a lower case alternative for the o and y. It comes with an ocean of diacritics.

Among the countless typefaces available today, the Modern Face style is relatively underrepresented. During the 19th century and then later with the competition from the mechanized hot metal types and film setting, a number of attractive headline types appeared in this style. For text, however, the available types were limited to those based on tried and true classics like Walbaum, Didot and Bodoni, which were created between 1780 and 1830, as well as a few variations from the end of the 19th and beginning of the 20th centuries. The demand for new Modern text types remained nonexistant until the 1960s. Such was the situation when the Haas'sche Schriftgiesserei (Haas Type Foundry) commissioned me to come up with a concept and sketches of a new hot metal type. I was able to convince the director of the foundry that there was a niche to be filled with contemporary Modern typography. Another reason for the production of a new type was of a technical nature: the introduction of a new setting technique should not be limited to existing typefaces, but instead should lead to innovative text types suited to the demands of the new applications. André Gürtler, Basilia's designer: I began to work on the concept and initial designs of the new text type in 1968. I wanted to give the type a classical look, expressed above all in the strong stroke contrast between the robust verticals and fine horizontal strokes and serifs. This is one of the main characteristics of Modern typography.""This new typeface, Basilia, is distinguished by its soft, open appearance as well as a number of details which together mark a departure from historical models. For example, it has nothing of Bodoni's round letters and their angular, narrow spacing, and displays instead round forms with a much softer stroke in the curves. It was very important to me to avoid the Modern characteristic of stiff, vertical, grid-like strokes and to create instead a lighter, more transparent type. I retained the Modern style by using straight horizontal serifs at right angles to the strokes to still give the type its sense of rigidity." Three sketches for Basilia (normal, italic, and bold) were finished in 1973. Only the 9-point size was produced at first. In the following years, basic weights were made and adapted to filmsetting."

As the foundry’s top–of–the–line family, Gerlach Sans was named after the highest peak in Slovakia. Its functional design is enhanced by a few subtle ingredients, adding life and giving words a more playful voice. The family has eight weights ranging from delicate hairline to the super thick black. Each of them includes a genuine italic companion with variant shapes. The large character set accessible through OpenType features provides the designer with a wealth of opportunities and supports a wide range of Latin-based languages. It is stuffed up with tabular and proportional figures, old-style and lining figures, fractions, superscripts and subscripts, ordinals, case-sensitive forms, circled numbers, arrows, icons and many more. Combining legibility and usability of its grotesque style with cool elegance, Gerlach Sans provides a strong partner for your print and web project. You can download the instruction PDF here.

KnockType is based on the concept of braille notation in Japanese. It does not support braille notation in other languages. KnockType is not necessarily aimed at facilitating “braille transcription”. It is designed so that someone who understands the grammar of “braille transcription” can instantly transliterate into braille text that was previously transcribed to kana characters, etc. In addition, it allows ink characters to be converted to braille using OpenType features. It is recommended for use in applications that are compatible with OpenType features. If they are not compatible, KnockType is “simply a kana font”. To be a little more specific, it is assumed that KnockType will be used in Adobe’s InDesign and Illustrator applications. If you don't have them, you will not get satisfactory results. Four types of font are available. There are “hasBox&Line”, “hasnotBox&Line”, and the reversed font of each. When displayed on a convex surface, the assumption is that they will be used mainly for printing applications. When displayed on a concave surface, the assumption is that they will be used mainly for writing on braille boards, etc. By printing, you can get a rough idea of the dot positions. It is more effective to match them to the grid size of the braille board.

Marzano is a geometric sans serif font that's ideal for headlines, logos, text and advertising, the name comes from the ever so sweet and wonderful San Marzano plum tomato grown in Italy. Marzano includes stylistic alternates, small caps, swash caps, case sensitive forms, old style figures, tabular figures, small caps figures, small caps old style figures, small caps question mark and exclamation point. Since a lot of people today like to type in code using the copyright and trademark symbols in place of a C or R we've decided, the first time to offer two registered trademark symbols, one that's the same size as the copyright symbol and an alternate version that's reduced in size and sits at the caps height. Marzano Slant is set at 6 degrees and is perfect for when you want the look of an italic but don't have the horizontal space in your page design for a full 12 degree italic. At FontMesa all of our italic fonts are cleaned up placing all nodes at extremas.

Ares is a crisp all-caps display typeface suitable for sci-fi logos and titles. It owes its peculiar futuristic vibe to angular, top-heavy letters that hang from the cap-height instead of sitting on the baseline. The typeface consists of six subfamilies available in 10 weights, as well as as two variable fonts of three axes: Weight [wght], ranging from 1 to 1000, Mid-height [MHGT], ranginf from 0 to 1000, Tracking [TRAK], ranging from 0 to -40. The mid-height axis affects the typeface's waistline, including crossbars, and divides the fonts into three subfamilies: Ares Lo, Ares, and Ares Hi. These three families are solid-stroked, and the other three families are their stencil-stylized counterparts: Ares Broken Hi, Ares Broken, and Ares Broken Lo. The tracking axis is only available in the variable versions, and proportionally affects the kerning, thus helping set the type more tightly without effort. Ares supports a wide range of Latin-based orthographies, including not only European, but also Vietnamese as well as major African languages like Hausa, Fula or Ewe.

Meet Obitruk, a powerful display font with a superhero style that will take your projects to a new level. Whether you’re working on a movie, a game, or a design with a strong and bold theme, Obitruk is the perfect solution. With its strong, bold appearance, this font exudes confidence and draws attention. Distinctive superhero style adds fun and adventure to your creations, making them stand out from the crowd. Obitruck not only looks amazing but is also packed with features that will enhance your designs. Ligature and alternative characters provide flexibility and creative possibilities, allowing you to customize and add unique touches to your typography. Plus, multilingual support ensures your message is accessible to a global audience. Show the power of Obitruk and bring your projects to life. Get ready to make a bold statement with this dynamic font that embodies strength, thickness, and a fearless spirit. Improve your designs with Obitruk and leave a lasting impression on your audience. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Cutie Sugary is a delightful font that exudes charm and sophistication. With its graceful serifs and refined letterforms, it adds an air of elegance to any design. The carefully crafted swashes on select letters provide a whimsical and playful element, making it perfect for creating eye-catching headlines, invitations, and branding materials. Designed with love and attention to detail, Cutie Sugary captures the essence of timeless beauty. Its classic style, combined with the hand-drawn sketch medium, adds a touch of warmth and authenticity to your projects. Whether you're designing wedding stationery, crafting unique greeting cards, or creating stunning logos, this font will add a delightful and personalized touch. The friendly and simple nature of Cutie Sugary makes it incredibly versatile. It effortlessly blends into a variety of design styles, from modern to vintage, ensuring its adaptability for different projects. Its legibility and balanced letterforms make it equally suitable for both small and large-scale designs, guaranteeing a seamless reading experience for your audience. As you bring your creative ideas to life, Cutie Sugary will be your trusty companion. Its charming aesthetics will help your creations stand out on marketplaces like Etsy, Creative Market, and MyFonts. With Cutie Sugary, you can add a sprinkle of sweetness and elegance to your designs, captivating the hearts of your customers

The engraver Jean Jannon ranks among the significant representatives of French typography of the first half of the 17th century. From 1610 he worked in the printing office of the Calvinist Academy in Sedan, where he was awarded the title "Imprimeur de son Excellence et de l'Academie Sédanoise". He began working on his own alphabet in 1615, so that he would not have to order type for his printing office from Paris, Holland and Germany, which at that time was rather difficult. The other reason was that not only the existing type faces, but also the respective punches were rapidly wearing out. Their restoration was extremely painstaking, not to mention the fact that the result would have been just a poor shadow of the original elegance. Thus a new type face came into existence, standing on a traditional basis, but with a life-giving sparkle from its creator. In 1621 Jannon published a Roman type face and italics, derived from the shapes of Garamond's type faces. As late as the start of the 20th century Jannon's type face was mistakenly called Garamond, because it looked like that type face at first sight. Jannon's Early Baroque Roman type face, however, differs from Garamond in contrast and in having grander forms. Jannon's italics rank among the most successful italics of all time – they are brilliantly cut and elegant.

Decoral Soft depicts the character of Art Deco period typography and reinterprets it into modern approaches. This typeface is a friendly and flexible family that is fun to use. It comes with a set of 670 characters per weight, supporting over 50 different languages using the Latin alphabet. Decoral Soft also comes with special stylistic sets and swash characters that allow the user to be creative and playful with the type, helps enhance many different possibilities that certainly will spice up your design. Decoral Soft will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes Art Deco typography in a fresh, modern way. The wide selection of titling alternates and ligatures make copyfitting a delight.

SK Nowatorus is a modern experimental display grotesque. This typeface challenges the usual ideas about the structure of symbols and harmony in the typesetting line. The typeface symbols are based on the average contrast of thicknesses and on the contrast of the shapes of the symbols themselves. The font combines both narrow characters of the main set and wide additional ones. This, coupled with a wide range of alternatives and ligatures, gives huge opportunities for creative experiments. SK Nowatorus supports a multilingual set of Latin Pro and Cyrillic Pro. This typeface is perfect for poster design and for a set of small text blocks due to the presence of a capital and lowercase set.

Nadella Script is beauty combinations of script layered and sans font . It has 7 font on script and 1 sans inside. Both combination are perfect for you to make design more detail. You can express the style on script font, you can add line, shadow, extrude, inline_1, inline_2, or inline_3. Changing the color of the other layer as just easy as change standard color of the fonts but it’s make more detail. with 1 more sans font, and some extras. you no longer need to worry about how to make effect and ornament on the text. This font is suitable for young, passionate design, such as logo design, t-shirts, branding, and various other design purposes.

I admit: I had a bit of a crazy week when I thought up an drew this font. I broke my arm during kickboxing training on monday, leaving me in a cast - unable to do most everyday things, like getting a good night's sleep (try sleeping with a humongous cast on your arm). Thank goodness, it is my left arm, so I can still draw letters and use my laptop. So… this font has been made entirely using one arm! It is a bit of a horror font - it sort of sums up my mood right now. Glyphs have very little spacing, adding to the evil look of Plague Master. Comes with a lethal amount of diacritics.

LiebeTweet gives you countless variations of cute birds to reflect personality, style or mood. Every one of these nestlings is unique and special, such as the little chef, the singer in the rain, the bridal couple, the lifeguard and many more ... and of course, we did not forget to include the cuckoo clock and the owlet. Put these birdies on your website, your personal blog or your Facebook page. Or print them out on invitations and greeting cards. 90+ carefully crafted drawings are included in this single font and can be used in any text or graphics application. If you like this font, have a look at our other cute fonts such as LiebeFish and LiebeRobots.

Hello friends! Drawing is a great way to pass the time. Sometimes, clumsy people can spill paint on paper or on an already completed drawing. What do we end up with? A ruined drawing or a new work of art? I think the latter. After all, every drawing is unique and a unique thing. Even if you are drawing a stick man! This font presents the opportunity to see what happens if invisible ink is spilled on it. This font is great for your new and unique projects for social media, lettering and just for home use! A little sloppy, a little bouncy, so it's so lively and magical! I wish you good luck and love!

King Melody is a vintage blackletter font that gives focus on contemporary display type. This vintage-made new typeface is unmistakably blackletter, However, it is accessible enough to be used across many projects, and stylistic alternates to make you design looks more attractives and italic version included King Melody Font is ideal for headings , flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel design, and album covers, branding, Instagram, print posters, magazines, Fashion, whatever. FEATURES : - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also - works on Microsoft Word Hope you Like it. Thanks. Say Studio

DT Squished Stuff is a font made for fun. This uneven simple blocky sans-serif font has wonky letters that adapt automatically and change shape to fit against their neighbours. Use with contextual ligatures turned on to allow Squished Stuff to operate correctly. If a particular letter decides to do something that you don’t want it to, turn ‘contextual ligatures’ off for that letter. But do remember to turn it back on afterwards. This font lives and breathes when ‘contextual ligatures’ are turned on. Also, there are easter eggs and quirky surprises hidden inside. Watch it squish and move to fit together. This is a wacky, crazy, fun, mad, party, toonified font. Enjoy

“The rounded shapes are like Chantilly cream or Italian meringue over a lemon pie,” says designer Xavier Dupré of his FF Sanuk Round typeface. Designed to work alongside the existing members of the FF Sanuk family, this sprightly sans serif offers a more mischievous personality than its counterparts. Angular shapes have been gently softened, to create a playful design that really comes into its own at larger sizes. Set this one on posters and packaging, or anywhere you need to be punchy yet approachable. The FF Sanuk Round family is based on the original FF Sanuk family and offers 5 weights plus from Ultra Light to Black plus italics. It offers OpenType features including stylistic alternates and ligatures.

Magistech is a display font inspired by technology and future design. Designed with modern sensibility build based on slab serif with square letterform, consist in any character either uppercase or lowercase. This font is fit for any design like headline, video, or social media, particularly for future or modern nuances design. What's you get : Standard glyphs Ligatures (Opentype features) Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Introducing Nigelina - a Modern and Vintage Serif Font Nigelina is a modern and vintage serif display font that looks unique, feminine and give a luxurious feel. This modern font has soft swasher and smooth curves that give any project an extra touch class. This typeface would look great embossed on logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, printed quotes, product packaging, product designs, labels, photography, watermarks, special events or even magazine layouts. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Patricia Pothin-Roesch's Tendria typeface bases its letterforms on the logo for the French “Tendriade” mark. Clearly inspired by writing and hand lettering, Patricia Pothin-Roesch began her work on Tendria in Adobe Illustrator. After a few letters, she went back to designing the old-fashioned way: drawing by hand on layers of tracing paper. Tendria is a sturdy upright script face with a warm, childlike feeling. Its letters are like the typefaces often used in primary schools; the counterforms are large and open. The name Tendria is reminiscent of the French word for tender, “tendre.” Designers who set Tendria lovingly will reap rewards; this is an excellent addition to a display heading toolkit.

Homework Dashed font was specially conceived/designed for teaching cursive writing. This resource allows tutors and parents to create worksheets for individual or class teaching. Associated with the Homework font, students can learn and exercise their handwriting abilities. All capital letters, excluding I, F, T and P, link to any following small letter: the sequence of the previous letter stroke always follows the angle of the initial stroke of the subsequent letter. This, in the real world, means that words built with the font can be handwritten without having to lift the pen from the paper (except to cross t and f and dot i and j) or interrupt the writing flow. All the letters are base aligned and all small letters have the same ‘x’ height. Homework Dashed font is a tool with which teachers and tutors can create repetitive alphabetical writing exercises that can be printed on lined sheets.

Wolverhampton is a new Neo-Victorian face from Greater Albion Typefounders. It's something of an example of starting with a small idea and running with it. This family of three typefaces (Regular, Small Capitals and Capitals) was inspired by a line of lettering seen on a late 19th Century enamel advertisement made by Chromo of Wolverhampton (hence the family name). The family grew, topsy-like, from a recreation of these initial fifteen capital letterforms to the three complete typefaces offered here. The three typefaces are ideal for advertising and poster work with a Victorian, Edwardian, or 'Steam-punk' theme. They would also be eminently suitable for signage inspired by the same eras or (as we've seen a number of our other typeface families prove very popular) for book covers of period related novels and historical works. Finally, these slender elegant display faces are just plain fun!

Eskorte is a diligently designed Latin type family with an uncomplicated, engaging poise that conveys a crisp, businesslike tone. Its precise range of styles looks to no-nonsense efficiency and ease of use by non-designers in the office and text-intensive professional environments. Eskorte supports over ninety languages in a full range of weights, with both upright and matching italics. The italics are lively, fluid forms that infuse their charms into text settings or take on their own personality in large, dominant headlines. In concert with the hardworking upright styles, the two fit smartly into a range of publications, from corporate to casual. All of the weights and styles offer an adept set of features like small caps, case-sensitive punctuation, and both tabular and proportional figures to make short work of any typographic task. Whether employed in enterprise reports, lifestyle publications, or identity work, Eskorte is ready for business.

Welcome to our Plesis Brush Display Font! It's a lively, unique handwritten typeface that injects a contemporary and enjoyable twist to your forthcoming assignments. It equips you with everything you require - uppercase, lowercase, numbers, punctuation, and symbols- and even supports multiple languages. Plesis is the typeface for every occasion! Utilize it for presentations, logos, headlines, handwritten styles, posters, branding, uplifting quotes, titles, layout of magazines, web design, adverts, invites, cover artwork, and any other inventive project on your list. What does the Package Contain? - Typeface Weight: Regular The Plesis Typeface is filled with: - Capital Alphabets (Uppercase) - Small Alphabets (Lowercase) - Numerals & Symbols - Multi-language Support Let's take a quick look at the supported characters: - All the alphabets from A-Z (uppercase and lowercase) - All the numerals from 0-9 - All these special characters - !"#$%&'()*+,-./:;?@[]^_`{|}~¥ - And a selection of global characters like ¡¢¤§¨©«­®±´¶¸»¿ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâãäåçèéêëìíîïñòóôõö÷øùúûüýþÿŁłŠšŸŽžˇ‘’‚‛„†‡…‰€™