DrumagStudioNF, a font crafted by Nick Curtis, is a true representation of vintage charm meeting modern design sensibilities. This typeface stands out for its bold and distinctive character shapes th...
"**Walshes**" is a distinctive font crafted by the renowned font designer Ray Larabie, known for his prolific and diverse typeface creations. Walshes stands out in the typographic crowd for its uniqu...
ParaAminobenzoic is a unique font that stands out for its distinctive design, crafted by the renowned type designer Ray Larabie. This font encapsulates the essence of innovation and creativity that L...
"Yurine Overflow" is a unique and artfully crafted typeface, borne from the creativity of GemFonts | Graham Meade, a designer well-known for his dedication to typographic innovation and the versatili...
"Blackjack," crafted by the skilled hands at Fontalicious, stands as a beacon of creativity in the vast ocean of typography. This font, with its distinctive personality, is a celebration of flair and...
The RaveParty Oblique font by Three Mile Island is an evocative typeface that embodies the spirit of rebellious fun and electrifying energy often associated with rave culture. From its name alone, on...
WALLRIDER, crafted by the talented Billy Argel, is a font that captures the raw energy and dynamic motion of urban street art. This typeface stands out due to its bold, assertive character, embodying...
The Zig Zag ML font, crafted by the designer known as koeiekat, is an intriguing typeface that captures attention with its distinctive style. The word "Zig Zag" in its name already hints at the angul...
The font "Barber Shop" by Last Soundtrack is a distinctive display typeface that encapsulates the nostalgic essence of traditional barber shops with a modern twist. Its design is reminiscent of the c...
Arabolical, designed by BenTagain, is a striking font that stands out for its unique blend of traditional Arabic calligraphic art and modern design elements. This font is a visual feast, merging the ...
The Asrafel font, crafted by the talented David F. Nalle in the late 20th century, is a remarkable creation that beautifully bridges the gap between history and modernity. This font takes its name fr...
Paternoster AH is a font that seems to capture the essence of tradition and modernity, blending them seamlessly into a design that feels both familiar and innovative. Its name, evoking the ancient "O...
The Shazbot font, designed by Levi Halmos, is a distinctive typeface that captures the spirit of quirky and unique design. It’s a font that stands out, not just for its name, which might evoke a sens...
"Destiny's Border Dings" is an intriguing and imaginative font that stands out for its rich storytelling through symbols. Unlike traditional typefaces characterized by letters and numbers, Destiny's ...
The font CMC7, designed by Harold Lohner, is an intriguing typeface that captures the essence of a very specialized domain of typography. It stands for "Character Magnetic Code 7," a reference to the...

Bodoni Ferrara™ Fashionable, Luxury Heritage: The Original Bodoni Ferrara Sculpted from hi-res photos and scans of Bodoni's original Ferrara Font—his 1818 Manuale Tipografico and 1768 specimens. It has never before been available. This cut of Bodoni specially selected by Dave Lawrence from rare book specimens. Part of the California Type Foundry Origin Series. 3 Display Fonts in One!! And 6+ style mixes. Bodoni's 1st Draft - Transitional Serif Bodoni was often inspired by French type designs. His first draft of Ferrara was inspired by Pierre Simon Fournier. But Bodoni added his own Italian sensibilities. Bododni’s first, transitional style can pair with humanist sans, and transitional fonts. Bodoni's Rework - Modern Serif Later, Bodoni reworked Ferrara to match the later neo-classic style or modern serif of Firmin Didot¹. Bodoni’s modern style can pair with geometric sans, grotesque sans, neo-grotesque sans, gothic sans, copperplate script, . Informal On™ - Informal Mode by CAL Type Foundry This can pair with “infant” fonts. Geometric sans, and other sans or serifs with one-storied a’s. + Bodoni’s Tivoli a for another option! Works great with Fournier¹ fonts and grotesques, since the terminals will match. Font Pairing Guide This font includes a 78 page Ferrara Pairing Guide. This book shows you 131 pairings with text fonts. 47 pairings with subheader fonts! We want to help you get more out of your font collection. Design Features • Subtle forward angle (0.5-1.5°) makes Ferrara more lively and engaging than most Bodoni or Didot fonts. • Round curves make this font feel letter-pressed. • Bodoni's original tall x-height and slightly condensed proportions: great for headlines, where space is at a premium. • Better uppercase. Uppercase punctuation for design apps. • Proportional oldstyle and lining figures, both modern style and transitional numbers. Every pair of numbers is kerned for display sizes: no unsightly gaps! • Multiple special symbols for whenever you need a design to pop, including 3 of Bodoni’s amazing ampersands. Language Features Latin standard for western European and other languages. +Advanced support for: German, French, Spanish, Portuguese, Italian, and French. Special, uppercase umlauts for titles! Compare to metal Bauer¹ Bodoni! Special context kerning for French, Spanish, Portuguese, Italian, and French, to allow better better words like L'Angelique & “¿Nosotros?”. This kerning gets rid of unsightly gaps between “¿ and other combinations. Can’t Find the Pairing Guide? Can't find the pairing guide? Google “California Type Foundry” and grab the pairing guide. Get another free pro font while you’re there! Ferrara: many sizes, styles, moods and situations. It's a classic, fashionable font for display, headlines, and titles. Grab Ferrara today! ----------- ¹Trademarks of their respective owners. Ferrara™ is a trademark of the California Type Foundry.

Morris is a four-font family produced by HiH Retrofonts and based on the work of the very English William Morris. William Morris wanted a gothic type drawn from the 14th century blackletter tradition that he admired both stylistically and philosophically. He drew from several sources. His principal inspiration for his lower case was the 1462 Bible by Peter Schoeffer of Mainz; particularly notable for the first appearance of the ‘ear’ on the g. The upper case was Morris’s amalgam of the Italian cursive closed caps popular throughout the 12th through 15th centuries, a modern example of which is Goudy’s Lombardic Capitals. The gothic that Morris designed was first used by his Kelmscott Press for the publication of the Historyes Of Troye in 1892. It was called “Troy Type” and was cut at 18 points by Edward Prince. It was also used for The Tale of Beowulf. The typeface was re-cut in at 12 points and called “Chaucer Type” for use in The Order of Chivalry and The Works of Geoffrey Chaucer. Morris' objective is designing his gothic was not only to preserve the color and presence of his sources, but to create letters that were more readable to the English eye. ATF copied Troy and called it Satanick. Not only was the ATF version popular in the United States; but, interestingly, sold very well in Germany. There was great interest in that country in finding a middle ground between blackletter and roman styles -- one that was comfortable for a wider readership. The Morris design was considered one of the more successful solutions. Our interpretation, which we call Morris Gothic, substantially follows the Petzendorfer model used by other versions we have seen, with the following exceptions: 1) a larger fillet radius on the upper arm of the H, 2) a more typically broadpen stroke in place of the foxtail on the Q, which I do not like, 3) inclusion of the aforementioned ear on the g and 4) a slightly shorter descender on the y. We have included five ornaments, at positions 0135, 0137, 0167, 0172 and 0177. The German ligatures ‘ch’ & ‘ck’ can be accessed using the left and right brace keys (0123 & 0125). Morris Initials One and Morris Initials Two are two of several different styles of decorative initial letters that Morris designed for use with his type. He drew from a variety of 15th century sources, among which were Peter Schoeffer’s 1462 Mainz Bible and the lily-of-the-valley alphabet by Gunther Zainer of Augsburg. Each of the two initial fonts is paired with the Morris Gothic lower case. Morris Ornaments is a collection of both text ornaments and forms from the surrounding page-border decorations.

Gundrada ML was inspired by the lettering on the tomb of Gundrada de Warenne. She was buried at Southover Church at Lewes, Sussex, in the south of England in 1085. The Latin inscription on her tomb, STIRPS GUNDRADA DUCUM, meaning “Gundrada, descendant of the Duke” may have led to the speculation that she was the daughter of William, Duke of Normandy and bastard son of Robert the Devil of Normandy and Arletta, daughter of a tanner in Falaise. In 1066 William defeated Harold at the Battle of Hastings and was crowned William I of England. More commonly known as William the Conquerer, he commissioned a string of forts around the kingdom and charged trusted Norman Barons to control the contentious Anglo-Saxon population. William de Warenne, husband of Gundrada, was one of these Barons. There has also been the suggestion that Gundrada may have been the daughter of William’s wife, Matilda of Flanders, by a previous marriage. According to the Dictionary of National Biography (Oxford University Press, Oxford, England 1921-22), both of these contentions are in dispute. Searching the past of a thousand years ago is like wandering in a heavy fog: facts are only dimly in view. Regardless, I know that I found these letterforms immediately engaging in their simplicity. Unadorned and unsophisticated, they have a direct honesty that rests well in the company of humanistic sans serifs like Franklin Gothic or Gill Sans, appealing to a contemporary sensibility. The lettering on the tomb is in upper case only. Although Gundrada does not sound Norman French to me, her husband certainly and her father probably were Norman French. Nonetheless, the man that carved her tombstone was probably Anglo-Saxon, like most of the people. For that reason, we are quite comfortable with a fairly generic lower case from an Anglo-Saxon document of the time. The time was a time of transition, of contending language influences. This font reflects some of that tension. Features 1. Multi-Lingual Font with 389 glyphs and 698 Kerning Pairs. 2. OpenType GSUB layout features: onum, dlig, liga, salt & hist. 3. Tabular Figures and Alternate Old-Style Figures. 4. Alternate Ruled Caps (line above and below, matching to brackets). 5. Central Europe, Western Europe, Turkish and Baltic Code Pages. 6. Additional accents for Cornish and Old Gaelic. 7. Stylistic alternates A, E, y and #. 8. Ligatures ST, Th, fi and fl. 9. Historic alternate longs. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.
"Push" isn't a widely recognized or standardized font name within the vast realm of typography as of 2023. However, when referring to a font named "Push," one might imagine characteristics that embod...
The KR Chinese Zodiac font by Kat Rakos is a captivating and expressive display font that captures the essence of the Chinese Zodiac's symbolism through its intricate designs. Each character within t...
The ROTRING font, as you might infer from its name, evokes a sense of precision and technical grace that you’d typically associate with the renowned Rotring brand, famously known for its technical dr...
Rogaton, crafted by Pleine Page-Luc Mahler, is a font that expertly combines the essence of artistic expression with the pragmatism needed in typography. It's a design that immediately captures the e...
Project Z is a unique and captivating font that immediately grabs attention with its distinctive characteristics and design choices. Crafted by the talented David Kerkhoff, Project Z transcends the c...
Roughhewn, as crafted by the talented GemFonts foundry under the creative direction of Graham Meade, is a distinctive and expressively rustic typeface that captures the essence of hand-carved letteri...
As of my last update in April 2023, Saintharpy is not a widely recognized or standardized font in mainstream typography repositories or discussions. However, let me paint a picture of what a font wit...
Ah, the jovial and whimsical world of fonts, where each typeface has its own distinct personality and charm. Nestled within this realm of typographic delights, you'll find a gem named joeHand 3, craf...
The font "A La Nage" by Swimming Poulp is a captivating and dynamic typeface that embodies the fluid motion and grace of swimming. This innovative and unique font takes its inspiration directly from ...
Sure! Kontor is a distinctive typeface crafted by the talented Matthias Ribeaucourt, embodying a unique blend of clean lines and functional beauty. Its design is influenced by the pragmatic needs of ...
Idolwild by PizzaDude is an intriguing and distinct font that immediately catches your eye due to its unique characteristics and playful energy. Created by Jakob Fischer, the Denmark-based designer b...
"F*ck Beans," created by the intriguingly inventive Michael Tension, is not just a font but an audacious statement wrapped within the art of typography. It strides boldly away from the conventional p...
Komika Text Kaps is a unique and dynamic font that is part of the expansive Komika collection, masterfully created by Apostrophic Labs. This collection is particularly renowned for its comic book-ins...
"Last N Line" by Skydog is a distinctive font that immediately catches the eye due to its unique characteristics. It is a typeface that rides the line between order and chaos, meticulously crafted to...
Cienfuegos is a compellingly unique typeface designed by deFharo, a Spanish typeface designer renowned for his creativity and diverse range of fonts. With its roots deeply embedded in typography's in...
The Kells SD font, designed by Steve Deffeyes, is a unique and intriguing typeface that finds its inspiration in the historical and ornate scripts of the past. Drawing from the rich heritage of the B...
The VTC-KomikaHeadLinerChewdUp font, created by the Vigilante Typeface Corporation (VTC), is an expressive display font that captures the essence of fun, creativity, and spontaneity. This font falls ...
The New Metropolitan font, crafted by The Original 19, is a testament to both modernity and tradition, embodying a unique fusion of aesthetic principles. This font takes inspiration from the architec...
Burton's Nightmare is a captivating display font that appears as if sprung from the feverish dreams of a storyteller who dances on the edge of whimsy and the macabre. Its design pays homage to the go...
The DS Rada_Double font, crafted by the talented designer Nikolay Dubina, is a testament to the creative prowess that merges traditional typography elements with contemporary design trends. At its co...
The Selectric font traces its origins back to an iconic piece of technology: the IBM Selectric typewriter. Launched in 1961, the IBM Selectric revolutionized typewriting and document creation with it...
The font "WereWolf" by GautFonts is a unique and expressive typeface that truly stands out due to its thematic design and playful character. This font has been meticulously crafted to evoke the myste...