Wrong is all about the improv. Made with tape segments this font has a real DIY feel to it. It’s bold, solid and square-jawed. Its modular appearance gives it a constructed strength and it's available with two sets of caps and stacks of attitude as standard.

Hand-crafted by Richard Starkings in the classic style of Will Eisner's The Spirit, this free and easy font made its debut in the pages of...The Spirit! Never let it be said that those awfully nice chaps at Comicraft don't think about what they're doing!

This font was a product of self-initiated project I started a while back. It started and finished as a project that I was working on while procrastinating at school, for fun; however, I spent enough time to not give it out for free.

Think green and help save the planet - start using this font!

The bold cut is a good starting point for a branding.

Here's a font that'll send shivers down your spine, stand your hair up on end and turn your skin into gooseflesh. Hand lettered by rotten old Richard Starkings after we locked him up in the attic one dark, stormy night, these stressed out characters are a real scream!

Leathery and Loopy Letterer of Legend, Richard Starkings has pointed his Apple Pencil at Procreate on his iPad and proceeded to raise the bar on lower case for this scandalous series of squiggles we had to call Rendered in the style of ShoutOut, this jaunty new Comicraft offering features both upper and lower case and recreates a pen lettering style of which we honestly thought Old Man Starkings was no longer capable! Suitable for jolly journal entries, hand-written notes to loved ones and sundry laundry lists, SCOUNDREL does more than Shout, and it does it quite quietly too! Scoundrel includes four weights (Regular, Italic, Bold & Bold Italic) with upper and lower case alphabets plus Western and Central European international characters.

Ninfa is a modern semi-serif, characterized by the search for a personal dash with calligraphic influences. The result is a font with unique features.

Carbonara. Nope, it's not the pasta sauce, but a nice, grungy typewriter font, made using a pre-war typewriter, some oil and a stack of old-fashioned carbon paper sheets. You can use it to give your designs some oomph. Comes with a whole bunch of contextual and stylistic alternates.

As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect. We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

Q Typ is a quirky little fun font inspired by those lovely cotton sticks.

In For The Birds, the letters are made by bird feet or bird tracks.

Sugary Pancakes - ahh, my kids love them. We don't make them too often, as they are 'energetic' enough as it is. This calorie-rich font is ideal for Children's Books and posters: it is fun, bouncy, very legible and full of character. Comes with a topping of diacritics and a stack of happiness.

Scriptissimo is, as the name says, very much of a script! It is in the best American tradition. A script that could have served for writing the Constitution with, if only they would have had computers at that time. Scriptissimo consists of three different scripts that are meant to be used together. One is the script with the more or less plain characters. Two is the version for characters to start a word with. Three is the cut that has the characters for the end of a word. Ligatures is used for, well, ligatures and some glyphs like Ltd., GmbH, and so on. Scriptissimo is a very elegant and versatile script. It can be used for chocolate bars as well as stock certificates. I really enjoyed designing it. Yours scriptissimo, Gert Wiescher

Satellite PT started out as an experiment. Wanting to explore the geometry of using angles instead of curves, I started sketching out the face using grid paper. I had seen similar fonts that tended to be completely symmetrical. My exploration tended to include what I humorously call 'faux humanist' elements, such as asymmetrical bowls, tapers and 'flare-serifs' (for lack of a better word) for select terminals. The result was a quirky and interesting face at display sizes. However, at small sizes, as ink bleed starts to take over, the angles disappear in favor of the overall forms (rounded bowls, etc.) and the 'faux-humanist' effects start to mimic modulation found in more traditional, modulated text faces. While it is hardly a true text face, the result is surprising legibility at text sizes.

Searching for a font that resembled true children's handwriting, this font's creator designed a font from his own first grade penmanship assignments. Ideal for anything related to children.

The XStellaStern group consists of five fonts of stars, star-like pictures, and derivatives of them.

I searched all over the internet looking for a realistic sand writing font and came away empty handed. Undaunted by this, I grabbed my business partner, Mary and trekked down to our local river, the Arkansas (pronounced ar-KAN-sas around here). Using sticks, we scratched out the entire alphabet in the sand, including upper & lowercase, and punctuation marks! I photographed the characters, converted them to line art on my computer and used font creating software to turn it into a true type font! This font was designed for adding dates, places and messages to your beach photos that looked as if you wrote it in the sand before you took the picture! It is a decorative font best used in large, headline sizes. To make it appear more realistic, select a darker color from the sand in the photo to use for the type instead of black!

20g Rosadelia + 200g Alcira + 2 tablespoons Heleodora + 1 cup ninja stock + 100g Lucrecia + 2 tablespoons lirrot. REDUCE to a medium heat and melt the grunge. Add the photo and color and sauté for 5 minutes or until softened. Add the design, stock and andinistas and simmer until slightly thickened. Serve immediately with Dingbats and handwriting South America.