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  1. VTC Embrace - Unknown license
  2. VTC Tribal - 100% free
  3. VTC SubwaySlamSC - Unknown license
  4. VTC Krinkle-Kut - Unknown license
  5. VTC SubwaySlam - Unknown license
  6. VTC SeeJoBend - Unknown license
  7. VTC PunkettePumps - Unknown license
  8. VTC BadPaint - Unknown license
  9. VTC JoeleneHand - 100% free
  10. VTC JezzabelBimbo - Unknown license
  11. VTC FunkinFrat - Unknown license
  12. VTC SeeJoBreak - Unknown license
  13. VTCBelialsBlade - Unknown license
  14. VTC Dizplaced - Unknown license
  15. VTC PizzOffWired - Unknown license
  16. VTC Anglika - Unknown license
  17. VTC AllWashedUp - Unknown license
  18. VTC OldAsCrap - Unknown license
  19. VTC StressedHand - Unknown license
  20. VTC PizzOff - Unknown license
  21. Toontime - Unknown license
  22. McGarey - Unknown license
  23. Elizabeth - Unknown license
  24. ThamesCondensed - Unknown license
  25. Nixon - Unknown license
  26. GlitzyCurl - Unknown license
  27. Textur - Unknown license
  28. Konanur - Unknown license
  29. Rabbit - Unknown license
  30. GlitzyJewel - Unknown license
  31. Beckett - Unknown license
  32. GlitzyFlash - Unknown license
  33. HelvLight - Unknown license
  34. Paris - Unknown license
  35. Varah - Unknown license
  36. Peridot - Unknown license
  37. Inthacity - Unknown license
  38. Champlin - Unknown license
  39. Oliva by Viktor Nübel Type Design, $25.00
    Oliva & Oliva Italic are two strong and funky display fonts. Influences came from typefaces like Futura Black by Paul Renner and Motter Ombra by Othmar Motter, but also Stilla by François Boltana and Allegro by Hans Bohn lay on the desk. All these ingredients were mixed to a new and contemporary type experience and packed in proper OpenType files Oliva & Oliva Italic are OpenType Pro, featuring full Western, Central European, Baltic, Turkish and also Cyrillic language support. They contain ligatures, superior numerals, and a stylish set of decorative ornaments and arrows.
  40. Chunkie by Hackberry Font Foundry, $24.95
    Chunkie is a simple serif experiment going for minimal width and maximum height. I made it into my display version of OpenType Pro, but mainly it was a vehicle for me to try out some more extreme serif ideas and glyph shapes. The solutions for the lowercase a and e are unique, for example. The double g ligature is a fun solution. I like the solution for the @, but I’m not sure how it will be received. That being said, it turned into a useful dark display face with a small x-height.
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