Cyclic Sans is a legible and highly distinctive type family in four weights, running from Light to Heavy. A stoic sans, imbued with strength and charm, the fonts can be paired with their Cyclic Serif counterparts to stunning effect. Cyclic Sans is a stylish modern face and a versatile all-rounder, ideal for both text and headline use.

Saturday Detentions is based on the classic serif "High School" style. However, this version is handmade and a bit rugged here and there - and loose in a legible/organic way. I've added 7 different versions of each letter and they automatically cycle as you type - or you can manually choose the one you prefer from the glyph menu.

Isle Body is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sweet font with a casual and calm look, with generous spacing and an even weight, adapted for body texts and small sized type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Headline, also a serif font, which has the same basic structure but more distinct weights and a sharper look. Each style contains ligatures and support for a wide range of languages.

Isle Headline is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sharp font with a clear and attentive look, adapted for headlines, titles and large type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Body, also a serif font, which has the same basic structure but with a softer look and adapted for body text and smaller type. Each style contains ligatures and support for a wide range of languages.

A chunky, laid-back typeface inspired by a hand-painted notice on the doors of a mechanic's workshop in Plymouth, Tobago. Two different mostly-uppercase alphabets in one font help to keep things loose. 'Liming'? hanging out, drinking rum, shooting the breeze...

Fossa is an unconventional serif designed primarily as a display typeface. Its splayed, pinched vertical strokes and pointy wedge serifs give it a distinct flavour. The style for Fossa was initially conceived while studying the forms of Optima – in particular, the subtle taper towards the midpoint of the stems and strokes. Taking the idea of vertical strokes with a nipped waist to the extreme, Fossa was born. The sharper style created by these vertical strokes is echoed within the serifs, resulting in a contemporary wedge serif with an elegant but dramatic character. Available in five weights: ExtraLight, Light, Regular, Medium and Bold. OpenType features including ligatures and fractions.

Lieur is a minimalist, geometric, sans serif font suitable for logos, label designs, or even just plain body text. It comes with 2 styles, Normal and Italic, and includes Light, Regular, Medium, Bold, and Black weights to give you great possibility to harmonize the look and feel of your text.

Brightag, a serif display font with two modes, medium and italic. The Brightag font's shape adapts the cursive style, thus showing a combination of the two styles to be more unique and decorative, very suitable for use in vintage or floral style designs. Alternate features are available and supports multiligual.

Num.91 is a strong and elegant street art display typography. Inspired by currently popular street art, this is the answer to the long-awaited need for a street art font. Num.91 is superior and very different from the street art fonts currently circulating. This font really has the soul of street art in it. And another amazing thing, you get bonus vector illustrations in it. Its weight is superior in posters, social media, headlines, titles, large-format print - and anywhere else you want to get noticed.

Aloha Magazine Unique& playful sans serif serif family with 9 Weights Aloha Magazine offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Gord Quick Unique & Playful sans serif serif family with 9 Weights Gord Quick offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Mobern Fashion Unique& playful sans serif serif family with 5 Weights Mobern Fashion offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

David Berlow drew Romeo Medium Condensed during winter of 1990, basing the design on the Estrecha Fina weight of Electra, a spectacular art deco sanserif with an unusually fine condensed series. Carlos Winkow designed it circa 1940 for the Nacional typefoundry of Madrid, the leading typefoundry in Spain. Jill Pichotta drew the ultra-light Skinny Condensed, a digital tour de force released with Medium Condensed; FB 1990–91

Hercílio is a typographic family without condensed serif, modern and geometric inspired by the architectural forms of the Hercílio Luz Bridge in Florianopolis | Brazi Comprising eleven (11), weights of which ten (10) business are: Five weights Romans: Light, Normal, Regular, Medium and Bold Five Italics weights: Light, Normal, Regular, Medium and Bold And a weight (FREE) Hercílio Decorative Comprising 430 glyphs in each source, brings support for 56 languages (Latin and West, Central and East European) still has features Open Type, ligatures and tabular figures. http://www.cort9.com/wp-content/uploads/2016/05/Specimen_Hercilio.pdf

Quincy® CF's warm letterforms and medium contrast give any text a smooth, calming motion. Small variations and human touches add charm, with Quincy's boldest weights especially eloquent as large and medium display type. Quincy® CF pairs well with clean, text-friendly sans-serifs, such as Greycliff CF and Work Sans, or for even more contrast, try monospaced typefaces like Ellograph CF and Cartograph CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support. Check out Greycliff® CF which pairs nicely with Quincy® CF.

Abrade is a geometric sans serif with rational design choices for contemporary functionality. The family is designed with a medium x-height to provided great legibility in both display and text sizes. The forms are refined to work well in print and on screen. The italics maintain the rational forms, with only the essential structural changes. With 12 weights, the family is ideal for publications, digital media, corporate systems, branding, as well as your band’s gig poster. Abrade is equipped with extended language support, including Extended Latin, Greek, and Cyrillic. Features include: stylistic alternates, small caps, figure sets, and lots of OpenType features to keep designers happy.

Enzia is a friendly and flowing sans serif. Enzia exists somewhere between a slab serif and a semi-sans, and features flared vertical stems and rounded terminals. Its bulbous terminals and open counters inject a flavor of ease and excitement. Enzia provides plenty of impact and is best used with short to medium length texts. Six different weights provide plenty of versatility and contrast for poster designs, logotypes and headlines, while still retaining excellent legibility for extended copy.

Milanello is a strong sans serif font with medium contrast. Inspired by the High Octane Rock genre and modern-classic fashion. Carefully designed with a short ascender to give a solid look, also the sharp serif makes the letters look more strong. Milanello is a display-type which perfect for a headline, sub-headline, and short body text for magazine, books, fashion, quotes, hipster t-shirt, signboards, logo, and etc. A great choice for a brave concept!

Preto Semi is an experiment. It is an attempt to create a readable type for text point sizes (other than sans-serif and serif). Preto Semi is not a Sans with added serifs or Serif with serifs removed. The use of the serifs is redefined and used for other purpose(s). The serifs became the extension of the stroke, they help to solve the spacing problem of sans-serif types and they use the primary function of serifs – keeping the eye on the baseline and emphasize the horizontal rhythm of the lines of text. Preto Semi is intended for magazines and editorial design, as other members of Preto family. Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well.

Preto Semi is an experiment. It is an attempt to create a readable type for text point sizes (other than sans-serif and serif). Preto Semi is not a Sans with added serifs or Serif with serifs removed. The use of the serifs is redefined and used for other purpose(s). The serifs became the extension of the stroke, they help to solve the spacing problem of sans-serif types and they use the primary function of serifs – keeping the eye on the baseline and emphasize the horizontal rhythm of the lines of text. Preto Semi is intended for magazines and editorial design, as other members of Preto family. Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well.

Lancea is a fancy sharp serif font. Inspired by medieval roman writing combined with the sharpness of a lance, Lancea is packaged in a font that has sharpness in each letter with an elegant shape that has a strong appeal. Lancea also gives it a sophisticated feel with a sleek and clean serif shape. Lancea typography can help you complete various projects such as luxury brand logos, journals, business cards, headline, products, social media posts, web, etc. There is a decorative alternative style feature for uppercase letters. If you are involved in a project that requires fancy and professional writing, Lancea is perfect to assist you in completing it. Thank you!

A simple and elegant sans serif font inspired by the legendary Helvetica and Univers. Perfect for minimalist, modern typography. The font has a dense enough kerning that it's perfect for large and medium-sized headlines. The highlight of the font is the letters N and K, adding some spacey vibe to the design.

Font designed from that used by Gutenberg in Mayence to print the 42-line bible in 1456. The original font has too many characters for a true type font. Many of them have - in 2008 - no more utility. This font include "long s", naturally, as typicaly medieval, but also a lot of ligatures and abbreviations as "...us", "...rum" "...s" "...r...". A render sheet, added, help to identify them on keyboard. Uses include web-site titles, posters and flier designs, editing ancient texts or greeting cards as a very decorative font... This font support easily as enlargement as small size, remaining clear and easy to read.

Unnerving JNL is a distorted/distressed version of Adhesive Serif Letters JNL (of which the original design was modeled after some vintage gummed letters used for signage). This new variant evokes a feeling of apprehension, dread or fear and can be applied to any project with a spooky or sinister theme. Unnerving JNL is available in both regular and oblique versions.

Immerse yourself in the allure of a bygone era with the Bardon Vintage Retro Sans Serif Font Collection. This captivating font collection boasts 10 distinct styles, each meticulously crafted to capture the essence of vintage charm while maintaining a modern edge. From refined elegance to rugged authenticity, Bardon offers a versatile range of options to infuse your designs with a touch of nostalgia.

Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.