1,958 search results (0.023 seconds)
  1. Sure thing! Picture a font that captures the sweet and whimsical spirit of an all-American bakery, and you've got American Donuts by Kat Rakos. This font is like a delightful confection for your eyes...
  2. The SF Cartoonist Hand font by ShyFoundry is a vibrant and playful typeface that captures the essence of creativity and fun. Designed by ShyFoundry, a foundry known for its wide range of unique and h...
  3. Imagine a font that decided one day to sneak out of the digital world, spend a thrilling day at a waterpark, and then sneak back in, full of stories and a slightly warped perspective. That font is HO...
  4. FancyPants by Nick Curtis is an exquisite font that embodies a unique blend of whimsical grace and artistic flair, making it a perfect choice for projects that require a touch of elegance fused with ...
  5. Kingthings Whizzbang is a distinctive and whimsical font created by the talented font designer Kingthings. Known for its playful and eccentric design, this font captures the essence of spontaneity an...
  6. Ah, Kitsu XD, the font that decided it wasn't enough just to carry letters; it had to bring a dash of mischief and a bucketful of personality along for the ride too. Imagine a font that got up one mo...
  7. The Pea Marcie font, brought to life by Fonts For Peas, embodies a captivating charm that instantly warms the heart. It's a font that seems to have been crafted with love, bearing the marks of a tale...
  8. As of my knowledge cut-off in early 2023, there isn't a widely recognized font specifically named "Chilluns." However, allowing for the playful and laid-back connotation of the name—evocative of "chi...
  9. The font Chicago House_trial by The Original 19 evokes a sense of nostalgia while simultaneously embracing modern design sensibilities, making it uniquely versatile and appealing. This font, with its...
  10. Bric-a-Braque, a font designed by the talented Nick Curtis, embodies the spirit of playful creativity and intricate artistry, standing out as an exemplar of how type can both communicate and captivat...
  11. The KR Heartalicious font, designed by Kat Rakos, stands as an embodiment of playfulness and affection, masterfully woven into a font design. This distinctive typeface captures the whimsy and warmth ...
  12. Gothic Birthday Cake, a creation by the remarkably talented Bill Roach, encapsulates the essence of celebration intertwined with an intriguing gothic aesthetic. This font stands out due to its distin...
  13. Mariposa, as envisioned by its creator, Chloe, is a font that captures the essence of transformation and grace, much like its namesake - the butterfly (Mariposa in Spanish). This typeface is meticulo...
  14. The "Charlie" font, created by Kevin and Amanda, embodies a sense of playful creativity and warmth that is characteristic of much of their work in the type-design domain. Known for their eclectic ran...
  15. "Dot Your Eyes" by StimulEye Fonts is a creative and quirky font that plays heavily on the theme of dots, embodying a playful and somewhat whimsical character. This font sets itself apart through its...
  16. HVD Rowdy by HVD Fonts is a strikingly unique typeface that exudes energy and vibrancy. Designed with an infectious zest, it leaps off the page, making it an unforgettable choice for projects that ai...
  17. Imagine if a font went to the gym, skipped every workout except leg day, and then treated every day like a carb-loading day. Meet Fat Legs, the font that took "thick thighs save lives" as a personal ...
  18. TeamSpirit is a distinct and visually engaging font designed by the talented Nick Curtis, who is noted for his ability to inject a vibrant character into his typographic creations. TeamSpirit is no e...
  19. Gamegirl Classic is a charming and nostalgia-infused font that seems to teletransport its audience back to the bygone era of handheld gaming, reminiscent of the iconic Nintendo Game Boy that dominate...
  20. Bubbleboy is a charming, lively font that seems to burst with cheerful energy and playful charm, evoking the whimsy of childhood bubble letters yet refined enough for both personal and professional p...
  21. Domotika Pro by Zetafonts, $39.00
    Domotika was first designed for Zetafonts by Cosimo Lorenzo Pancini in 2018, trying to translate the modernist and humanist ideals into typographic form, looking for a conversation between the classical and the contemporary, the hand-made and the technological. Following the motto of Mies Van Der Roe and Gustave Flaubert ("God is in the details"), Domotika takes inspiration from architectural practice, with a pragmatic attention to functionality that doesn't forget aesthetics. Its design juxtaposes the open humanist letterforms to slight calligraphic curve endings that marries perfect readability to expressive design. The name itself of the typeface is an homage to the science of living comfortably, with its reference to "domotics", robotic technology for use in the home. In 2021 Andrea Tartarelli, who originally designed Domotika italics, completely reworked the original type family adding over five hundred glyphs to the original set and extending the language coverage to include over two hundred languages using latin, Cyrillic and greek alphabets. Open type features have been also expanded, including positional numbers, small caps, ligatures, contextual alternates and stylistic sets, as well as tabular, lining and old-style numerals. • Suggested uses: conceived as a great tool for editorial use, great for display usage too, where readability and personality must match design space needs; • 18 styles: 8 weights + 8 italics + 2 variable fonts; • 1075 glyphs in each weight; • Useful OpenType features: Access All Alternates, Small Capitals From Capitals, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Small Capitals, Stylistic Set 1, Subscript, Superscript, Tabular Figures, Slashed Zero; • 219 languages supported (extended Latin, Cyrillic, Greek alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük
  22. Milligram by Zetafonts, $35.00
    Grotesque sans typefaces: you know you won’t ever get tired of those. And any moment you decide that Vignelli was right and one Swiss font is enough, here comes a new specimen from the past inviting you to try new takes on the modernist letterforms. It's a tight and crowded design space, so design decisions are subtle and almost unnoticeable. Whoever you decide to be in the details - either God or the Devil - you surely need a taste for the infinitesimal to work with these shapes. Time design borders sandstoning shapes, in a delicate equilibrium between modernist precise ideals and the fascinating energy of old lead grotesques. The resulting typeface develops around an idiosyncratic relationship with negative space, inspired by the tight metrics modernist designers imposed on their layouts. Leaving a text optimised spacing to the text subfamily, Milligram plays with a feeling of attraction behind shapes, something brought to the extremes in the logo-oriented Milligram Macro Variant. Designed by Cosimo Lorenzo Pancini with Andrea Tartarelli, Milligram is a fine but bold homage to the Akzidenz Grotesk that never was. • Suggested uses: Milligram is a versatile type family: perfect for modern branding and logo design (Milligram Macro), for text and editorial design (Milligram Text), web design, packaging and countless other projects; • 36 styles: 7 weights + 7 italics x 3 different styles + 2 variable fonts; • 759 glyphs in each weight; • Useful OpenType features: Access All Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Scientific Inferiors, 5 Stylistic Sets, Subscript, Superscript, Tabular Figures, Slashed Zero; • 207 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Latvian, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), M?ori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Sami (Inari Sami), Yindjibarndi, Noongar, Hotc?k (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Slovio (Latin), Volapük.
  23. Chucara Next by Letritas, $25.00
    Chucara next is the newest font designed by Juan Pablo De Gregorio, a typeface aimed at high readability when set in paragraphs or large chunks of text. Its predecessor "Chúcara", born in 2003, sought after increasing readability by achieving big and simple counterforms. This time around Juan Pablo went further by increasing the X-height and trimming both ascenders and descenders, thus the font appears to be much larger than it is and can be readable at smaller sizes. The DNA of the whole font is marked by the terminal of the "a" character. Juan Pablo used a specially crafted cut to design this counterform, and this shape together with the graceful and winding forms of the letter resembles the form of a horse, hence the name Chúcara, or untamed. The italic version has a 10-degree angle and a 10% condensation, making it way more streamlined than a regular italic font. The Philosophy of a larger counterform is maintained through and through in the italic variant. This version looks different not only due to its inclination, but the sheer effort put into carefully taking care of the condensation and the gestures allow the italic to enrich the texts gracefully, for the highlighting of the words stands out without affecting the grey of the paragraph. Chucara next is a typeface optimal for being used in books, newspapers, magazines, texts, printing, headlines, editorial, quotes, corporate identity, and lo res printing. The typeface has 8 weights, ranging from “thin” to “black”, and two versions: "regular" and "italic". Its 16 files contain 635 characters with small caps, stylistic sets and different kind of numbers. It supports 219 Latin-based languages, spanning through 212 different countries. Chucara next supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotc?k (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, M?ori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.
  24. CMSquish, a font designed by Charly Masci, stands out as a distinctive, playful, and versatile typeface that brings a unique flair to any creative project. Imagine the letters as if they've been gent...
  25. The "CrazyZoo" font, imagined as a spirited creation by an artist named Chloe, is a vibrant and captivating typeface that instantly transports its viewer into a whimsical world of imagination and cre...
  26. Ah, the font "Dancing_DL1.0" – if this font could tango, it would probably outshine the most flamboyant of dance partners on the dance floor. This isn't your ordinary, sit-in-the-corner-and-mumble ki...
  27. Once upon a time in the not-so-distant realm of typography, a font with a personality as quirky as its creator's imagination came into the world. Its name? Evereverse, conjured from the creative caul...
  28. Neck Candy is not a specific font that exists as of my last update in April 2023, so let me conjure up a whimsical and creative description of what a font named "Neck Candy" could embody, leaning int...
  29. The Janda Scrapgirl Dots font, designed by Kimberly Geswein, is a delightfully whimsical and charming typeface that captures the essence of creativity and playfulness. Kimberly Geswein, known for her...
  30. The Bazar font by Olinda Martins is a strikingly unique typeface that embodies a blend of whimsical charm and artistic flair. At first glance, Bazar presents itself with a lively irregularity that im...
  31. The Janda Spring Doodles font, designed by Kimberly Geswein, is a charming and whimsical typeface that captures the essence of springtime through its playful and unique doodle illustrations. As part ...
  32. Neucha, a font crafted by the talented Jovanny Lemonad, embodies a spirit of casual creativity and uninhibited expression. Designed to capture the essence of handwritten text, Neucha offers a unique ...
  33. Temporarium, crafted by the talented Barry Schwartz, is a fascinating font that diverges from the conventional trajectory of type design. Unlike many of its counterparts, Temporarium does not solely ...
  34. Accent Watermelon is a font that seamlessly blends playful vivacity with artistic creativity, resulting in a typeface that is as refreshing and delightful as a slice of watermelon on a hot summer day...
  35. Ganz Egal, masterfully crafted by the enigmatic designer Nihilschiz, is not just a font; it's an adventure in typography that refuses to take itself too seriously. Picture this: if fonts were people,...
  36. As of my last update in April 2023, "Squizzlie" isn't a widely recognized or established typeface within mainstream font libraries or among well-known designers. However, envisioning a font with such...
  37. Corrodated J, a font by the creative minds at Immortalware, is what you might call the rebellious teenager of the typeface family. Imagine a font that decided it wasn’t going to follow the rules, swi...
  38. The "You Found Me" font by Kimberly Geswein is truly a charming and whimsical creation that captures the essence of personal touch and creativity. Designed by Kimberly Geswein herself, a designer kno...
  39. KR Hockey Dings by Kat Rakos is an interesting and unique font that taps into the spirit and enthusiasm of hockey culture. Crafted with creativity and a playful heart, this font isn't your typical te...
  40. The font "Gilgongo Kaps" by Apostrophic Labs is a unique and quirky display typeface that captures the essence of playfulness and innovation. Apostrophic Labs, known for their inventive approach to t...
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