9,528 search results (0.056 seconds)
  1. Ah, Flaemische Kanzleischrift! If fonts were a party, Flaemische Kanzleischrift would be the mysterious character in the corner, sipping a fancy cocktail and regaling tales of medieval adventures. Cr...
  2. Imagine stepping into a bibliophile's dream, a realm where ancient manuscripts and regal scripts of yore come alive. This is the world of Basileus, a font that hails from the illustrious archives of ...
  3. The Minster No 1 font, by Paul Lloyd Fonts, is a distinct and beautifully crafted typeface that exudes an aura of both historical gravitas and whimsical elegance. This font captures the essence of tr...
  4. Alright, let's dive into the enchanting world of the Dark Crystal Outline font, crafted by the talented folks over at Sharkshock Productions. Picture this: as you gaze upon the letters, it's as if yo...
  5. The font League of Ages, crafted by the talented Jonathan Harris of Tattoo Woo, is a distinctive typeface that embodies a dynamic blend of gothic charm and contemporary flair. It's a font that seems ...
  6. Gothic Birthday Cake, a creation by the remarkably talented Bill Roach, encapsulates the essence of celebration intertwined with an intriguing gothic aesthetic. This font stands out due to its distin...
  7. Ah, diving into the world of fonts, are we? Necros isn't just another name in the vast sea of typography; it holds its ground with a distinctive aura and personality. Picture this: The essence of got...
  8. DeLouisville - 100% free
  9. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  10. Altea, designed by Paul Lloyd Fonts, embodies a stylistic mix of elegance and creativity, making it a standout typeface in the realms of digital and print design. It is a testament to the innovative ...
  11. BPpong, conceived by Backpacker, stands as a testament to contemporary typography's dynamic and playful nature. This unique typeface demonstrates an inventive approach to design, capturing the essenc...
  12. PR Agamemnon is a captivating and distinctive font meticulously crafted by the acclaimed Castles & Crypts. This font stands out due to its unique blend of ancient inspiration and modern design elemen...
  13. InkaBod, a font created by Altsys Metamorphosis, presents a distinctive and memorable character set that exudes an aura of mystery and ancient allure. This unique typeface draws inspiration from the ...
  14. RussianQuality, a typeface crafted by Samuel Park, stands as a distinctive font imbued with a unique character that captures the essence of traditional Russian typographic design while injecting mode...
  15. The BreezedCaps font is a distinctive typeface crafted by the talented type designer, Manfred Klein. This font stands out for its creative flair and unique design characteristics that reflect Klein's...
  16. Holitter Circle by Holitter Studios is a captivating font that carries a contemporary vibe with its unique design and circular motifs. Crafted with a creative eye, this typeface stands out for its in...
  17. Kingthings Spikeless is a unique and intriguing font designed by the talented Kevin King of Kingthings. Unlike its counterpart, Kingthings Spike, which is known for its dramatic and pointed flair, Ki...
  18. The Nue font by Antipixel, a distinctive and contemporary typeface, embodies a seamless blend of elegance and innovation. This unique font stands out due to its creators' commitment to both functiona...
  19. Baltar, designed by the prolific typeface creator Ray Larabie, is a distinctive font that embodies a modern yet slightly retro aesthetic, making it a standout in various design projects. Larabie, kno...
  20. ADIstiLleRS Font, crafted by the talented typeface designer Canopus, strikes a unique balance between artistic flair and functional typography. This font effortlessly merges the aesthetic qualities o...
  21. Plastic No.20, crafted by Apostrophic Labs, embodies a unique place in the world of typography due to its playful and modern essence. This typeface stands out with its distinctively stylized forms, c...
  22. The AGRAR Unicase font is a distinctive and versatile typeface that captures attention through its unique approach to letter case. As suggested by its name, "unicase" refers to the blending of tradit...
  23. Pegyptienne by Cybapee Creations is a font that intriguingly combines the distinctive touches of ancient Egyptian aesthetic with the sleek, modern lines of the Peignot font, which is itself a notable...
  24. KiddoTR is a captivating typeface that breathes a delightful air of whimsy and fun into any design project it touches. This font stands out for its playful yet readable nature, making it an impeccabl...
  25. Meet John Henry is an enchanting typeface designed by the talented John Martz. This font embodies a blend of classic charm and contemporary flair, making it a versatile choice for a variety of design...
  26. The Sweden font, crafted by Vladimir Nikolic, is an exemplar of modern design ingenuity blended with an essence of Scandinavian minimalism. This typeface stands out for its clean lines and geometric ...
  27. The font Soda, crafted by the creative minds at Ministry of Candy, exudes a playful and bubbly atmosphere that is reminiscent of effervescent drinks and casual, fun-filled gatherings. Its design lean...
  28. The Pacifico font is a whimsical, yet elegant script typeface that harkens back to the surf culture of the mid-20th century. Designed by Vernon Adams, its flowing, hand-drawn appearance evokes a sens...
  29. Ivan Filipov, a renowned designer, has made a significant contribution to the typographic landscape with the creation of Arkitech Round. This particular font is a variant of the Arkitech family, char...
  30. Magnum, as envisioned by Alexander McCracken, is a font that immediately captures attention through its bold and commanding presence. This typeface is distinguished by its robust and vigorous charact...
  31. ArabDances is a distinctive font that encapsulates the artistic and cultural richness of Arabic calligraphy, yet it is designed in a manner that makes it appealing and accessible for a variety of app...
  32. The font "28 Days Later" crafted by Jens R. Ziehn is an evocative and emotionally resonant typeface that captures a poignant blend of chaos and beauty. It draws its inspiration from the gritty and ra...
  33. Covington Condensed, crafted by the talented team at Apostrophic Labs, is a distinctive font that possesses an elegant and refined aesthetic. It’s a variation of the larger Covington family, which is...
  34. BellySansCondensed by Manfred Klein embodies a unique blend of simplicity and expressiveness, crafted to deliver a modern, sleek aesthetic while retaining a sense of warmth and approachability. At it...
  35. Spike, a captivating font creation by Stephen Bird, eloquently juxtaposes the raw, energetic spirit of urban art with meticulous craftsmanship. This font embodies a dynamic interplay of aggression an...
  36. The font style known as "Metal," often associated with the heavy metal genre, embodies the raw energy, rebellious spirit, and distinctive intensity of the music it represents. This typographic style ...
  37. Baveuse, a distinctive font crafted by the talented Ray Larabie, encapsulates a unique charm that sets it apart in the diverse world of typography. Known for his prolific work and contribution to the...
  38. BoinkoMatic, designed by the creative team at Fontocide, is a font that exudes a playful and whimsical charm, infused with a spirited sense of fun and creativity. This typeface is distinguished by it...
  39. The Abscissa font is a true standout in the world of typefaces, offering a distinct and engaging aesthetic that blends modernity with a touch of classical elegance. Characterized by its sharp, clean ...
  40. Forelle, a distinctive typeface created by Dieter Steffmann, is a true testament to the art of vintage-inspired font design. This font exudes a nostalgic charm, deeply rooted in the stylings of early...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing