The font "KR Star Struck" is an enchanting and playful typeface created by Kat Rakos. Its design seems to capture the whimsical essence of staring up at a starry night sky, filled with wonder and pos...
"Simple Melody" by Pearlygates Fonts is a captivating font that lives up to its name through its unpretentious yet enchanting design. It embodies a blend of modernity and nostalgia, making it versati...
Media Gothic is a contemporary font that embodies a sleek and modern aesthetic, drawing inspiration from the principles of geometric design and minimalist styles. It falls within the category of sans...
The font "KG Flavor and Frames" by Kimberly Geswein stands as a vibrant and captivating collection, intertwining the whimsical charm of handwritten text with a dash of decorative panache. Crafted wit...
Ego Trip Fat Skew, conjured by the creative mind behind the PizzaDude moniker, embodies a buoyant and daring spirit, which makes it stand out in the vast landscape of typography. This font, with its ...
Sure thing! FloraDings isn't your typical font made up of letters and numbers; instead, it's a charming and whimsical collection of what one might call "floral dingbats." It's a creative ensemble of ...
Imagine a font that stepped out of a gothic noir film, one that would be right at home on the marquee of a mysterious underground club where the 1970s met the supernatural. That's BN Manson Nights fo...
Ah, the elusive font EMILKOZAK.COM | fartdeco, a typographical enigma that caters to the refined taste of those who appreciate a good giggle alongside their graphic design. Picture this: the roaring ...
Imagine stepping into a comic book universe where every corner hides unseen perils and unforeseen heroes – this is where the "Super Danger" font by Last Soundtrack takes its stand, bold and unflinchi...
Cantabile, a font crafted by the talented Harold Lohner, is a distinguished typeface that lives up to its musical name, evoking a smooth and lyrical quality akin to the way a Cantabile passage in mus...
Oomph, designed by David Kerkhoff, is a font that truly lives up to its name, delivering visual impact and dynamic energy to any piece it graces. One of the defining features of Oomph is its bold and...
Picture this: the font Chow Fun comes sauntering into the room, a masterpiece cooked up by the ingenious Harold Lohner. It's like that one friend who's been around the world, dabbles in everything co...
Sk8ordye, a font created by the talented designer known as PizzaDude, captures the raw energy and rebellious spirit of the skateboarding culture. It's a design that immediately transports you to the ...

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
PT Banana Split, though not a real font in widespread use as of my last update, conjures up whimsical and delightful imagery with its vivid name alone. Let's imagine it as a font that captures the es...
Imagine a font that strolled out of a whimsical art project, tip-toeing between creativity and readability with the grace of a ballet dancer. That, my dear reader, is CAC Lasko Even Weight, crafted b...
Ah, Gretoon Highlight! Imagine if a carnival and a quill pen had a love child that then decided to pursue a career in typography. This font, birthed from the imaginative loom of Måns Grebäck, is wher...
The SoulMission font is a captivating and expressive typeface that seems to resonate with a mission that goes beyond mere aesthetics. At the very heart of SoulMission lies a blend of artistic flair a...
Danube, crafted by the talented Levi Halmos, is a font that refuses to just sit quietly in the corner of your document, sipping tea and discussing the weather. No, Danube is the life of the party, th...
Imagine a font that wakes up in the morning, blasts motivational anthems, and high-fives itself in the mirror. Meet "YES!" — the typographical equivalent of a double espresso shot infused with pure o...
The Khan font is a contemporary typeface that captures the essence of modernity while paying homage to the rich history of calligraphy and typography. Drawing inspiration from traditional Mongolian s...
The font KG Like A Skyscraper, designed by Kimberly Geswein, is a testament to creativity and whimsy in typography. This font embodies a playful yet elegant spirit, making it exceptionally versatile ...
Adigiana 2, as a vibrant and versatile font, embodies the spirit of artistic creativity and flexibility. Its character stems from a unique blend of whimsical flare and functional elegance, making it ...
RoboKoz, a unique font crafted by the talented typeface designer Ray Larabie, stands out for its distinctive blend of retro-futurism and playful charm. Known for his wide range of fonts that often ev...
As if plucked from the whimsical mind of a doodling wizard, the font Szorakatenusz by Bumbayo Font Fabrik is nothing short of a typographic enchantment. Picture letters that decided to throw a costum...
Ah, "AddShade" – the mysterious, yet seemingly playful character in the grand narrative of typography. Picture this: Imagine you're walking down the street on a sunny afternoon. The sun is high, cast...
The Spacebeach font by Fontalicious is a unique typeface that conjures images of retro science fiction and laid-back beach vibes in a playful and inventive blend. This font stands out with its distin...
Once upon a playful page, there dwelt a font named Pupcat, crafted by the whimsical digital alchemist, Ray Larabie. Imagine, if you will, a bubbly concoction of letters leaping with joy across the sc...
The font "Effortless" by Tup Wanders is a beautifully crafted typeface that truly lives up to its name. It embodies a sense of simplicity and fluidity that makes text appear as if it's been effortles...
The Philosopher font, crafted by the talented type designer Jovanny Lemonad, stands as a distinct and thought-provoking typeface in the realm of typography. This font is not merely a collection of le...
The font "Independant" by Apostrophic Labs is an engaging typeface that stands out for its unique character and distinctive appeal. Created by the talented team at Apostrophic Labs, a foundry known f...
Entangled (BRK) is a distinctive font designed by AEnigma, showcasing a unique blend of stylistic elements that capture the imagination. This typeface, with its intricate design, lives up to its name...
Imagine a font that put on its Sunday best, but with a cheeky twist, and you've got yourself Belta Bold by Antipixel. This isn't your run-of-the-mill, stiff-upper-lip typeface. No, sir! Belta Bold is...
"Notice" is a font that truly lives up to its name, designed to capture attention while maintaining readability and clarity across various applications. It is conceived with a distinct purpose: to ma...
The font "Quirky" by Kelly Kates instantly lives up to its name through its playful and unconventional character design, embodying a sense of whimsy and creativity. This font stands out with its uniq...
Imagine a font that decided one morning to leap out of the digital ether, do a few stretches, and embody the audacity of an 80s arcade game crashing a cyberpunk party. That's Bandwidth BRK by AEnigma...
The font named ThunderCats-Ho!, created by SpideRaY, is a distinctly crafted typeface that captures the essence and nostalgic exuberance of the iconic 1980s ThunderCats franchise. This font embodies ...
Usuzi is a captivating typeface that captures the essence of sleek, dynamic motion and modern aesthetics. It's a font that effortlessly radiates a sense of speed and fluidity, making it uniquely suit...
Ah, The Mighty Avengers font by SpideRaY—now that's a typeface that packs more punch than Hulk on a caffeine buzz! This font isn't just a collection of characters; it's a heroic assembly of letters t...