6,263 search results (0.032 seconds)
  1. The TrixieExtra font, belongs to a category of typographic designs that resonate with a bygone era, imparting a distinctive vintage flair to the text it forms. This typeface is reminiscent of the man...
  2. The Yerbaluisa font is a captivating and distinct calligraphic typeface that stands out for its creative fluidity and personal expression. Crafted by the talented typographer and graphic designer deF...
  3. Once upon a time in the digital world, the font named TOY_SOLDIERS by Billy Argel decided it was time to march out of the ordinary and captivate designers with its playful charm and distinctive chara...
  4. Germania, a typeface designed by the talented Dieter Steffmann, is a testament to the rich historical and cultural essence of Germany's typographic tradition. Steffmann, known for his dedication to r...
  5. The Slant font by Altsys Metamorphosis is a unique typeface that embodies a dynamic and forward-moving aesthetic, embodying the essence of motion through its distinctive slanted characters. Altsys, a...
  6. The Janda Curlygirl Serif, designed by the talented Kimberly Geswein, is a captivating typeface that brings together the whimsical charm of handwritten scripts with the structured elegance of serif f...
  7. As of my last update in April 2023, if "ShakeiTup" is a relatively new or obscure font, there might not be widespread information on its specific characteristics or usage contexts. However, let's exp...
  8. The "Glitter Font" by OMEGA Font Labs is a captivating and expressive typeface that truly embodies its name. This font is designed to bring the sparkle and excitement of glitter to digital and print ...
  9. Imagine, if you will, a font that captures the whimsical essence of a sunny afternoon spent lying in the grass, musing about the mysteries of life with your best friend—a friend who just happens to b...
  10. Gommogravure, crafted by the talented type designer Keith Bates, is a distinctive font that stands out for its remarkable design and evocative aesthetics. This particular typeface embodies a blend of...
  11. As of my last update in April 2023, "Rub This!" is not listed among the widely recognized or standard fonts in typographic directories or collections. However, the name suggests a playful and possibl...
  12. As of my last update, there is no widely recognized or specific font known as "Can Control" within the standard typographic or design communities. However, the name itself evokes a particular style t...
  13. As of my last update in April 2023, SERIESB is not a widely recognized or standard typeface within the vast library of fonts available to designers and typographers. This suggests that SERIESB might ...
  14. As of my last update in April 2023, the font "Menace" by Ace Fonts is not a widely recognized or standard font in the vast landscape of typography. However, let me give you a general description of w...
  15. The font "Kallot" by Junkohanhero is a striking typeface that intriguingly blends contemporary design elements with a touch of vintage charm. Designed by the talented artist behind the moniker Junkoh...
  16. As an AI developed up to the point of 2023 and without access to real-time data or the ability to browse the internet, I don't have direct information about a specific font named "brunoBook" by JOEBO...
  17. LetterOMatic!, crafted by the renowned font foundry Blambot Fonts, is an epitome of creativity and functionality meshed into one captivating typeface. Blambot Fonts, known for its extensive collectio...
  18. The Oloron Tryout font by Match Software is a distinctive and eye-catching typeface designed to capture attention while maintaining readability. Created by the renowned Match Software, known for thei...
  19. "Teen Light," a creation by the prolific Canadian typeface designer Ray Larabie, encapsulates the spirit of youthful exuberance and casual charm. This font, part of Larabie's extensive catalogue, is ...
  20. Jurassic is not a specific font identified within standard typographic resources or widely known font libraries as of my last update. However, the concept of a "Jurassic" font would typically evoke t...
  21. "Dark11" isn't a recognized standard font at the time of my last update, so I'll take a creative approach to describe what I envision for a font with such a mysterious and intriguing name. Envision...
  22. As of my last update, Hitch is not a widely recognized or standardized font within major typographical databases or among commonly listed typefaces. However, let's imagine what a font named Hitch cou...
  23. The Smargana typeface is a distinctive font characterized by its unique blend of tradition and modernity. With its origin steeped in a rich typographic tradition, Smargana offers a contemporary twist...
  24. Gravicon, as a concept for a font, may not be a universally recognized or standardized font in the realm of typography as of my last update in 2023, so I'll approach this description with a creative ...
  25. As of my last update in April 2023, "Clawless" is not a widely recognized or standard font available in major font libraries or typographic resources. However, crafting a conceptual description for a...
  26. As of my last update in April 2023, there may not be a widely recognized or standardized font specifically named "Evil Cow" as it does not appear to be among the commonly referenced fonts in graphic ...
  27. Amazing Slab by Zetafonts, $39.00
    Amazing Slab is a typeface family designed by Francesco Canovaro and Andrea Tartarelli as a development of the Amazing Grotesk family designed by Cosimo Lorenzo Pancini. Mixing an egyptian serif, low contrast approach with the curved endings and open shapes of humanist sans grotesques, it was developed to embody the energetic and friendly nature of the startup scene: a feeling of innovation, information and energy, with a desire for simplicity and straightforward communication. The basic design shapes for the font come from the strong personality of the extrabold letterforms drawn by Francesco Canovaro for his StartupItalia logo, that informed the display design of the four darkest weights (from medium to black). Each of these weights, has been paired with an inline version, designed by Mario De Libero, to extend the range of uses for the typefaces, from bold signage to logo design, to editorial titling. The lighter range of the family features two weights (regular and light) that are designed for text use, complemented by the thin and extralight weights that are better suited to big point size, for editorial and signage use. All the weights of Amazing Slab, as well the matching true italics forms, feature an extended charset of over 900 glyphs, covering 211 languages using latin, cyrillic and greek alphabets, and sporting a complete set of Open type features including positional numbers, annotation and case-sensitive forms, standard ligatures and a wide array of stylistic sets to customize glyph shapes for logo and display usage. With its friendly, energetic mood and its versatile range of application use, Amazing Slab is born to make every design project look simply... amazing! Suggested uses: old signage, logo design, editorial titling, display 21 styles: 8 weights, 8 italics, 4 inline styles, 1 variable font 965 glyphs in each weight Useful OpenType features: Small Capitals; Standard Ligatures; Discretionary Ligatures; Stylistic Alternates; Stylistic sets 01, 02, 03, 04, 05, 06; Ordinals; Fractions; Tabular Figures; Old-style Figures; Slashed Zero; Circled Numbers; Case Sensitive Forms; Numerators; Denominators; Subscript; Superscript; Scientific Inferiors; 211 languages supported: extended Latin, Cyrillic, Greek English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Tuvaluan, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük
  28. As of my last update in April 2023, there is no widely recognized or commercially popular font specifically named "Milky" within the standard typographic circles or among major font foundries. Howeve...
  29. As of my last update in April 2023, the font "Dr.Enoksen" by Mike Larsson might not be widely recognized in the standard font catalogs or among widely distributed typefaces. However, the imaginative ...
  30. As of my last update in April 2023, "GarbageG" does not refer to a widely recognized or standard font within the typographic community or within mainstream font repositories. Nonetheless, the imagina...
  31. ChickClicks, as evoked by its whimsical and engaging name, suggests a typeface imbued with playful charisma and a contemporary vibe, though it’s important to note that as of my last update, ChickClic...
  32. As of my last update in 2023, "Chlorinov" is not a widely recognized or standard font within the graphic design or typography communities. However, the name suggests an imaginative and perhaps innova...
  33. Once upon a time in the not-so-distant realm of typography, a font with a personality as quirky as its creator's imagination came into the world. Its name? Evereverse, conjured from the creative caul...
  34. Ah, LT Chickenhawk! Such a name evokes images of brave, intrepid fowls, doesn't it? Crafted by the creative minds at Nymphont, this font strides into your design projects with the confidence of a chi...
  35. As of my last update in early 2023, there's no widely recognized or standard font specifically named "teaspoon" within major font libraries or amongst popular custom typeface designs. However, let me...
  36. As of my last update in early 2023, "Knives" is not a widely recognized or standardized font in the vast collection of typefaces used across design and digital platforms. However, let's explore a con...
  37. As of my last update in April 2023, there isn't a widely recognized or standard font specifically known as "79." Fonts typically have names that are either descriptive of their style, such as "Times ...
  38. As of my last update in April 2023, there isn’t a widely recognized font specifically named "Madonna" that is part of standard typographic resources or libraries. However, let's explore a hypothetica...
  39. Valium is an imaginatively crafted font that exudes an enigmatic yet eminently approachable vibe, reminiscent of the tranquil effects its namesake may suggest. Though not a standard font you'd find i...
  40. As of my last update, Futured doesn't appear to be a widely recognized or standardized font in the realms of typography or design that I can directly reference or describe. However, hypothesizing bas...
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