Beaujolais is an organic brush family of two scripts and an ornament set. It is both rustic and modern -fast, contemporary and handmade. Beaujolais is equipped with OpenType features such as Automatic Ligature, Stylistic Alternates and Swash to make the experience soft and silky. Noble tannins with a touches of minerality, persistent finish and a constant fruity reminiscence. Ready to be enjoyed.

The hand lettered words “Pere Noel” under a vintage French magazine’s photo of Santa with two bikini-clad beauties inspired the digital version of this quirky, condensed type style. Unusually Deco JNL is available in both regular and oblique versions From Wikipedia: “Père Noël “Papi Christmas”, sometimes called ‘Papa Noël’ (“Daddy Christmas”), is a legendary gift-bringer at Christmas in France and other French-speaking areas, identified with the Father Christmas and/or Santa Claus of English-speaking territories. Though they were traditionally different, all of them are now the same character, with different names, and the shared characteristics of a red outfit, workshop at the North Pole/Lapland, and a team of reindeer.”

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. You may not feel strange if you find PAG Etiketa in news papers, noble film posters, or fashion magazines. This font has both a retro and modern side, so it is an all-rounder font for your design project.

Based on the 36-point design of the Amsterdam Nobel Inline capitals (1931), Sans Serif Inline™ is designed specially to meet the requirements of today's technology.

The 52 characters assembled by this Gothic font, Prince of Darkness, were once interred in coffins onboard the Russian cargo ship Demeter, when it set sail for the sleepy shores of Whitby, Northern England ages ago. Hunted down by Vampire Hunters for century after century, this noble Transylvanian set has hidden for years in England and Eastern Europe. Now, Prince of Darkness is available as a font with more Layers than Dracula has Lairs.

OBL Gianis is a family of compact geometric sans-serif typefaces designed with a strong focus on headline utility while infusing a touch of subtle naivety. We drew inspiration from the rigid yet rhythmic construction principles found in late 20th-century geometric classics like Avant-Garde, Futura, and Kabel. OBL Gianis seeks to salvage and build upon the legacy of geometric typefaces as they continue to evolve in the 21st century. We've considered various real-world scenarios and use cases, adapting to the ever-changing visual culture. This evolution has given OBL Gianis its unique quirks, including a larger x-height to accommodate bold usage in tighter typesetting, a compact double contour to balance the larger x-height, and shorter descenders and ascenders in lowercase characters. With extensive Latin character support (over 1000 glyphs) and 18 different weights and accompanying italics, OBL Gianis is well-equipped to meet the ever-changing demands and trends in headline typesetting.

The Keandro is a bold script typeface with noble and vintage looks. The Keandro has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different widths to give the vintage logotype or sports look to your design. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Includes: Uppercase and Lowercase Swash Ligatures PUA Encode Support

Bedposka is an attractive signature font with an elegant style that gives it the best look. Bedposka is an elegant script combination. It is elegant, feminine and noble, while maintaining a friendly atmosphere. Bedposka is versatile and is perfect for fashion, branding, trending blogs, bridal boutiques or any business that wants to look luxurious, chic and elegant. Bedposka has a variety of stylistic features, making it ideal for creating original and functional designs. It has extensive language support and many ligatures, alternatives, and style sets to add visual interest to each letter.

Bembo is a script typeface with noble and vintage looks. It has serifs at the beginnings of the strokes, swash capitals and formal design. Bembo has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different shapes and widths to give the vintage logotype or sports look to your design. These alternates makes Bembo very versatile. You can design beautiful, elegant and diverse typographic elements with it. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few.

Modern antiqua (Victorian, Scotch Roman) «Dodo», 2008–2019. Named so as a portmanteau of Bodoni – Didot. XIX-th century fonts, especially Victorian antiquas, were almost excluded from the modern use by their XX-th century's descendants. And these new books had lost too much of their former beauty, elegance. Their old noble spirit. This project, «Dodo» was started in 2008 year as the first then modern revival for the Old Imperial Russian book scotch antiqua, used 120–170 years ago in almost every printed book. Still keeping the spirit of the Steam æra.

Love them or hate them Cats are one of the most successful animals on the planet. If they had thumbs we would all be in trouble. Fortunately for us these four legged sharks have managed to domesticate us and we are able to coexist peacefully. So this font is to share the joy of being blessed with the presence of such noble animals be it those of the Pantherinae Felidae or the not so humble Felis Catus (Domestic Cat). Why the Turkey? Well... you will have to buy the font to find out.

Buinton is a script typeface with noble and vintage looks. It has serifs at the beginnings of the strokes, swash capitals and formal design. Buinton has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different shapes and widths to give the vintage logotype or sports look to your design. These alternates makes Buinton very versatile. You can design beautiful, elegant and diverse typographic elements with it. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few. Buinton is also available in roughed up versions: Buinton Rough

Cardillac, named after E.T.A. Hoffmann’s literary figure, refers back to classical Didonesque, yet presents unique details which set it apart from historic models by adding a new flavour. Its clarity, noble appearance and cool elegance predestine it for magazines and newspapers. The Cardillac Family consists of 14 styles, provides many features which allow its application for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Rue is an organic, casually ornamental, narrow-faced sans serif. It is a display type structured with random traces of calligraphic tendencies. It does not begin with any noble ideals, other than to mediate between the muse of imagination and the act of realization. The spirited and exploratory design is the materialization of a feeling about fonts as a family of organisms taking on a life of its own, in work and play. Rue is the epitome of vanity and indulgence which seems to purpose itself well in aesthetics, wellness and botanicals. Its whimsical quality also suggests applications in the form of gifts and ornamentation. In retrospect, Rue was conceived as a typeface, used as an image and discovered as an ornament. It comes in 5 weights of light, regular, medium, semibold and bold, and their matching italics. Rue Display was published in 2010 by TypeTogether. http://www.behance.net/gallery/Rue/373854

Buinton Rough is roughed up version of Buinton. There are three versions with increasing distress level. Buinton Rough is a script typeface with noble and vintage looks. It has serifs at the beginnings of the strokes, swash capitals and formal design. Buinton Rough has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different shapes and widths to give the vintage logotype or sports look to your design. These alternates makes Buinton Rough very versatile. You can design beautiful, elegant and diverse typographic elements with it. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few.

NovaSans is a modern geometric sans-serif font which captures the spirit of Bossa Nova, a noble Brazilian music style. Music and typography presents several things in commom, so the idea behind the font is show some of bossa nova’s characteristics, like melody, cadence, softness, metric, simplicity, waves, subtleties. Some gaps in representing the source of irregular alignment scores. NovaSans also was selected for Tipos Latinos Bienal, in the Display faces category. NovaSans was built with a modular system. Its whole set offers almost 280 glyphs with alternates, dingbats and ornaments. Conceived to be used as a display typeface, NovaSans is recommended for use at large sizes.

Umpire Serif is a heavy sans-serif immersed in Victorian grandeur, exuding a kingly confidence that commands respect. Every letter carved is a testament to its solid and heavy foundation, echoing the decorative prowess of a bygone era. With its bold demeanor, the typeface effortlessly portrays nobility and pride. It's not merely decorative; it's regal.

30s inspired geometric inline display typeface Several titling typefaces made their appearance at the start of the 20th century, notably Acier and Bifur, both created by French poster artist Cassandre. Later, in the Netherlands, S.H. de Roos designed a version of Inline for its Nobel family called, naturally, Nobel Inline. AW Conqueror Inline pays homage to this beautiful version. AW Conqueror superfamily AW Conqueror Didot is part of a larger family, who include 4 others subfamilies with great potential: They’re but based on same structure, with some connection between them (width for example), to offer a great & easy titling toolbox to any designers, from skillful to beginner. Each of the members try their best to be different from the others because of their features. They should work harmoniously in contrast. Club des directeurs artistiques Prix 2010 European Design Awards 2011

Sultania is a harmonic synthesis of the old characters’ suppleness and the resolute, clean design of modern typography. The rich in contrast calligraphic approach with thick and thin strokes is still visible and you can almost feel traces of ink on paper while it’s shapes in general, without serifs and any embellishments, proclaim its up-to-dateness swinging between roundness and rigor. Elegant, noble, yet still affected by traces of the handwritten script, Sultania is reminiscent of power, wealth, mind and culture. Sultania’s historical roots and it’s originality remind of oriental colors. A close Orient, at the gates of Europe, in which Latin characters are mixed with distant sounds. The Byzantium of the Sultans.

MODAR means Modern and Artistic. A good font must be enduring and of high quality. This typeface is beautiful and noble, like an elegant sculpture, both historical and modern. This font is great for fashion, magazines, premium services, publishing, and also great for premium brands. MODAR is paired with a sans-serif typeface for a simple yet elegant visual effect. The font is very straight and has high-quality details, combining Eastern and Western aesthetics in one typeface. Designers borrowed classic fonts such as Didot and Canela in this font, combined with the elegant style of personal advocacy, to create 350 characters. I hope this font will help your brand be more visible.