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  1. As of my last update in April 2023, GAU_font_modern does not appear to be a widely recognized or established font within the typographic or graphic design communities. It's possible that GAU_font_mod...
  2. Imagine a font that stepped right out of a time machine, quill in hand, daring to bridge the gap between the grandeur of the Renaissance and the sleek screens of the digital age. That, dear reader, i...
  3. UglyQua, a font created by the prolific designer Manfred Klein, is an intriguing entry into the typographic world that defies conventional beauty in design to make a bold statement. This typeface, ro...
  4. Ah, Liturgisch! This font is to typography what a grand, echoing chorus is to a silent chapel: absolutely transformative. Crafted by the talented Dieter Steffmann, a wizard in the world of fonts, Lit...
  5. As of my last knowledge update in April 2023, there isn't a widely recognized font specifically named "Panther" that is acknowledged across the major font platforms or in design communities. However,...
  6. Ah, "Prodotto In Cina"! If fonts were cocktails, this one would be a mix of quirky charm with a bold, unapologetic twist, served in a glass that's slightly off-center but delightful to behold. Create...
  7. The "ShipsNBoats" typeface, a captivating creation by Manfred Klein, is an aesthetically distinct font that brings the essence of maritime wonders directly to the realm of typography. Klein, known fo...
  8. Mutter, a font conceived by the creative mind of Levi Halmos, stands as a unique testament to contemporary typography, merging artistic flair with practical functionality. At its core, Mutter embodie...
  9. The font "Ruban Dismoi Tryout" by Match Software is an intriguing typeface that captures the essence of artistic flair and sophistication. This font stands out for its unique blend of classic eleganc...
  10. Cubicle is an intriguing font style that exudes a blend of modernity and meticulous design, tailored for both digital and print mediums. It plays a pivotal role in delivering messages with a crisp an...
  11. Ah, the elusive and cheekily named "Liquidy Bulbous." If fonts were people, Liquidy Bulbous would be the life of the party, the one who shows up with a mischievous twinkle in their eye, ready to turn...
  12. Patient Paige, crafted by the talented Kimberly Geswein, is a font that embodies a relaxed yet engaging character, making it an irresistible choice for a wide array of design projects. This particula...
  13. As of my last update in early 2023, "Kiloton" isn't widely recognized as a standard or popular font within the vast landscape of typography. However, the art of font design is ever-evolving, with new...
  14. Librium is a distinctive and versatile font created by Apostrophic Labs, a collective known for their innovative and eclectic approach to typeface design. This particular font showcases the laborator...
  15. Gunplay by Ray Larabie is a font that grabs your attention as soon as you lay eyes on it. Designed with a robust and unapologetic style, it embodies a gritty, almost rebellious attitude that seems to...
  16. Orthotopes Oblique, a font designed by the innovative Megami Studios, is a true testament to the harmony between structure and fluidity. It's as if this typeface captures the dynamic motion of the fu...
  17. Puritan Alternate by Dieter Steffmann is a testament to the intricate beauty and timeless appeal found within the realm of typographic art. Dieter Steffmann, a revered figure in type design, crafted ...
  18. As of my last update in 2023, "Twenty Four" may not refer to a widely recognized or standardized font within typographic communities or font libraries. However, the playful and imaginative name sugge...
  19. As of my last update in April 2023, there isn't a widely recognized or specific font known as "Beautiful ES" by ES Typography directly searchable in mainstream font databases or typography circles. H...
  20. The font KG Payphone, designed by the talented Kimberly Geswein, is a captivating typeface that exudes both charm and nostalgia. This carefully crafted font takes inspiration from the vintage aesthet...
  21. The Wildcard font by Iconian Fonts, designed by Dan Zadorozny, is a remarkable addition to the dynamic world of typography, capturing the essence of versatility and creativity that seems to burst for...
  22. Bladeline, a unique font created by Designstation, is a striking example of creativity and innovation in typeface design. It encapsulates a perfect blend of elegance and edge, making it a versatile t...
  23. Disko, crafted by the creative minds at Blue Vinyl Fonts, is a typeface that perfectly captures the essence of fun, energy, and modernity. It is a font that not only speaks to the viewer but also dan...
  24. "Presa ANTIPIXEL.COM.AR" by Antipixel is a distinctive font that embodies a unique blend of contemporary aesthetics and functional versatility. Designed with a creative flair, this font showcases the...
  25. The Canadian font, much like the country it's named after, is characterized by its diverse and inclusive design elements, making it a versatile and welcoming choice for a wide range of applications. ...
  26. The !PaulMaul font, crafted by the distinctive type foundry !Exclamachine, is a bold statement in the world of typography, reflecting an adventurous spirit combined with a modern twist. At its core, ...
  27. Evanescent, as suggested by its name, embodies a characteristic often associated with things that are fleeting, ethereal, or gently fading into the invisible. This font manages to encapsulate the ess...
  28. As of my last update, Grandesign Roman is not a widely recognized or standard font in the extensive libraries of typefaces used across various design platforms and projects. However, the style sugges...
  29. As of my last knowledge update in 2023, there isn't a widely recognized font named "Complete" that has gained significant attention in the graphic design or typography communities. However, the conce...
  30. As of my last update in April 2023, Ozone by José Alberto Lobos S. is a font that may not be widely recognized in mainstream font databases or repositories. However, the creation of a font named Ozon...
  31. Code 128 is a high-density linear barcode symbology that is widely used in various industries for encoding alphanumeric or numeric-only data. Introduced in 1981, Code 128 has become a standard in man...
  32. As of my last update in April 2023, the font named "Nymph" does not correspond to a widely recognized typeface in the extensive catalogs of digital fonts. However, the concept of a font named "Nymph"...
  33. Fontasia V2.0: The Revenge, although a fictional creation, paints an exciting narrative in the world of typographic design. Imagine it as not just a font but an epic saga that unfolds on the canvas o...
  34. As of my last update in 2023, Lakmus by Fenotype emerges as an intriguing font offering versatile usability across a wide spectrum of design projects, showcasing a blend of classical sensibilities wi...
  35. The Kremlin Samovar font by Bolt Cutter Design is an intriguing typeface that draws heavily on the rich and ornate visual traditions associated with Russian culture and history. This font skillfully ...
  36. Ah, the font Oohlalalulucurvy. Imagine, if you will, a font so lively and flamboyant that each letter seems to be thrown into a dance party from the moment it hits the page. This is no ordinary colle...
  37. As of my last update in April 2023, "Paul6" does not appear to be a widely recognized or documented font within the typographic community or among the standard collections from major type foundries. ...
  38. As of my last update in April 2023, "FAXADA" is not a widely recognized or specifically documented font within major font libraries or typographic resources. However, discussing it hypothetically, le...
  39. As of my last knowledge update in early 2023, there isn't a widely recognized or specific font known as "Kijkwijzer" within the general libraries of typography that artists and designers commonly ref...
  40. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
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