An serif-sans mix offbeat comic font.

Blackletter typefaces follow certain fixed rules, both in respect to their forms and to the orthography. Possibly, they were a reaction to the half-developed Carolingian minuscule which was soon to end in the Latin script. Narrow, ordered script was to replace the round, hesitant and shattered shapes of letters in order to simplify writing, to unify the meaning of individual letters, and to save some parchment, too. Opposed to the practice common in monasterial scriptoriums where Uncial, Irish and Carolingian inspiration flew freely and as a result, the styles of writing differed in each monastery, the blackletter type was to define one, common standard. It was to express spiritual verticality, in perfect tune with the architecture of the Gothic era. Typography became an integral part of the overall style of the period. The pointed arch and the blackletter type were the vanguard of the spectacular transformation from the Middle Ages towards the modern era, they were a celebration of a time when works of art were not signed by their makers yet. Some unfortunate souls keep linking blackletter solely with Germany and the Third Reich, while the truth is that its direct predecessor, the Gothic minuscule, evolved mostly in France. Even Hitler himself indicated blackletter type obsolete in the age of steel, iron and concrete – thus making a significant contribution to the spreading of the Latin script in Germany. Once we leave our prejudice aside, we find that the shapes of blackletter type have exceptional potential, unheard of in sans-serif letterforms. The lower case letters fit into an imaginary rectangle which is easily extended both upwards and sideways. In its scope and in the name itself, the Moyenage type family project is to celebrate the diversity of the Middle Ages. I begun realizing the urge to design my own blackletter when visiting the beer gardens of Munich and while walking through the villages of rural Austria. The letters from the notice boards of inns are scented with spring air, with the flowers of cudweed, with white sausage and weissbier. The crooked calligraphic hooks and beaks seem to imitate the hearty yodeling of local drinkers and the rustle of the giant skirts of girls who distribute the giant wreaths of beer jugs. Moyenage is, however, a modern replica of blackletter, so it contains some otherwise unacceptable Latin script elements in upper case. I chose these keeping the modern reader in mind, striving for better legibility. The font is drawn as if written with a flat pen or brush, and with the ambition to, perhaps, serve as a calligraphic model. In medium width, the face is surprisingly well legible; it is perfect for menus as well as posters and CD covers for some of the heavier kinds of music. It has five types of numerals and also a set of Cyrillic script, symbolising the lovelorn union of Germans and Russians in the 20th century. Thus, it is well suited for the setting of bilingual texts of the German classic literature, which, according to the ancient rules, must not be set in Latin script.

Mogena is a modern and elegant serif. It has a unique and different style and will give your design a friendly and expressive look. Mogena is perfect for many different projects such as logos and branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. We hope you enjoy the font and have fun! Thank You.

Morena presents a calligraphy script font with captivating evolving characters, reminiscent of classic ornamental copper script infused with modern essence. It's meticulously crafted to emanate chic elegance. Morena entices with a smooth, clean, feminine, and glamorous allure, effortlessly readable due to its intricate letter connections. Multiple style options for letters further enhance its appeal.

Motena Golden is a elegant pair of script and sans serif font. It's suitable for any project purpose such as invitation, logotype, packaging, branding and more

Moena | Stylish Modern Serif Font Moena is a unique serif font that showcases distinctive characters in each letter, while maintaining a high level of readability. With its slight thinness, this font remains versatile for all design purposes, especially for logo designs. Moena's uniqueness lies in its meticulously crafted letterforms, where each character carries its own distinct personality. The font exudes an air of creativity and elegance, making it ideal for adding a touch of sophistication to your designs. Whether you're working on logos, branding, or other design projects, Moena's versatility shines through. Its delicate yet readable appearance adds a sense of refinement, allowing your designs to stand out effortlessly. Crafted with precision and a keen eye for detail, Moena ensures that every curve and stroke is thoughtfully designed to maintain legibility while showcasing its individualistic charm. With Moena, you have a powerful tool to create captivating and memorable designs that leave a lasting impression. Unleash your creativity and elevate your designs with the unique character of Moena!

Moyenage is a modern replica of blackletter. Whereas the calligraphic typeface family can be used in shorter texts and posters, the sans-serif variation is rather experimental project which may find its use on music cover design, occasional lettering and invitations.

GummiType is a wildly wobbly and clumsy gummy/jelly style letter font. This was a weird typeface that I originally designed back in 2000 but never finished it. Coming across it again recently, I thought it would be a fun font family to get out there. Perfect for a range of designs that require a spooky or gooey-gooey typestyle. Sometimes the inspiration for my typefaces comes from random everyday things, and this is the perfect example of that. My daughter is addicted to those little peach gummy rings and gummy worms, and gummy anything, but it was my own prior addiction to gummy peach rings that inspired this font. Pulling and distorting the ring sparked the inspiration for the droopy warped characters.

A graffiti inspired comic font.

Rinzler AOE is a revival of a LetterGraphics film type called Caren. A modular, mechanical, sans-serif stencil all rolled up into one retro typeface. It's not an all-purpose typeface, it's not an everyday typeface, but it is a cool typeface for the right design projects. Rinzler AOE carries itself with a bold weighted style, and stencil cutouts that don't follow standard stencil formatting. It might be considered more of a techno stencil (if there is such a thing). It reminded me in a vague way of TRON, hence the main poster graphic styling, although it looks NOTHING like the Tron titling typeface. Nevertheless, it's a fun typeface that needed to be preserved and used again. WHAT'S INCLUDED: Extensive language support. Rinzler has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh. One of my guilty pleasures is in taking the time to recreate historical typefaces as digital fonts, but a lot of incredible historical typestyles created as wood or metal or film type usually have bare bones character sets and have been lost or only exist as limited specimen proofs in old books. These typefaces may have more niché uses than modern typefaces, but I believe it is important nonetheless to preserve these typefaces for future generations. These typefaces, if nothing else, can often inspire new creations.

A plush and heavy unicase font.

HenHouse is an offbeat comic sans-serif typestyle full of wonky bounce. Inspired by the 1962 Merrie Melodies cartoon titled “Mother was a Rooster”, this typeface has all of the spunk of its source. The end result, a lively tribute to its origin, easy to read and fun to look at, a perfect typeface for childrens' books, advertisements, and playful designs!

Backwash AOE is a typeface I drew up back in 2000 inspired by various graffiti artists. Coming across all of my sketches recently and seeing a trend lately in graffiti inspired styles, I finally came around to finishing it up digitally for release. I love the break the rules, wildchild aspect, of graffiti lettering. And while this typeface is nothing like the wilder inspirations that I spawned this typeface from, it has a more legible direction to it, retaining just the flavor of the originals. I hope you enjoy it.

1970’s Techno-typography finds its rebirth in Berkmire AOE. From its beefy weight to its narrow and sometimes unusual counter cuts, Berkmire AOE started as a digitization of a film typeface called Belden by LetterGraphics. This bulky techno typeface was taken from its limited character set and fleshed out to include an expanded language glyph set. The Capital letterforms seem to push the edge of readability, while the lowercase falls more in line. The letterforms of Berkmire AOE are easy to convert to paths and extend various stems, making this revival something you can really let your imagination run wild with for your designs.

Penicillin is a psuedo thematic/destructive typestyle, looking more like a grunge/deteriorated or stencil typestyle, but actually a typestyle made to look as if formed of bacteria cells. From the fungus that breeds the bacteria that heals, comes a highly readable typestyle to add a little offbeat degeneration look to any design. The end result, a little funky fungus of a font, easy to read and fun to look at...let Penicillin cure your design ailments!

Gloversville is a casual marker handwritten style font. Originating from some turn of the century letters to a defunct blinds and shutters company in Gloversville, NY, what began as a limited reference of Capitals, lowercase, numbers and punctuation was expanded to a full typeface with an expanded language glyph set. It contains a unique mixing of capitals and lowercase in the lowercase glyph slots to create a unique typesetting feel. Perfect for a range of designs that require a heavy handed personal touch.

Inspired by lettering from a series of old detergent ads, Schnitzle is a stylish and playful typeface. Easy to read, fun to look at, a perfect typeface for childrens' books, advertisements, and playful designs!