Introducing Millesa: An elegant and modern serif typeface. With its modern and elegant appearance, Millesa brings a luxurious and clean style to your projects such as websites, modern logos, branding identities, social media quotes, wedding stationery and various other needs! Millesa displays capital letters A to Z which are unique and classy, ​​of course because they are made with great care so that they become beautiful fonts and can be adapted to various large projects that you want.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp. Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications media before finally developing the plan behind this type system. Generis’s design includes two individually designed styles; each of with is available with and without serifs, giving the type system four separate families. Each includes at least four basic weights: Light, Regular, Medium, and Bold. Further weights, small caps, old style figures, and true italics were added to each family where needed. The Generis type system is designed to meet both optical criteria and the highest possible measure of technical precision. Harmony, rhythm, legibility, and formal restraint make up the foreground. Generis combines aesthetic, technical, and economic advantages, which purposefully and efficiently cover the whole range of corporate communication needs. The unified basic form and the individual peculiarity of the styles lead to Generis’ systematic, total-package concept. The clear formal language of the Generis type system resides beneath the information, bringing appropriate typographic expression to high-level corporate identity systems, both in print and on screen. The condensed and aspiring nature of the letterforms allows for the efficient setting of body copy, and the economic use of the page. A range of accented characters allows text to be set in 48 Latin-based languages, offering maximal typographic free range. This previously unknown level of technical and design execution helps create higher quality typography in all areas of corporate communication. Optimal combinations within the type system: Generis Serif or Generis Slab with Generis Sans or Generis Simple.

Fimfarum is a word that the Czech actor and writer Jan Werich created for one of his magical fairy tales for children and adults. Fimfarum is also the name of this playful typeface equipped with various styles simulating the randomness of handwriting. You can choose to select and combine different styles either using an all-in-one pro font in an OpenType-savvy application, or with a 10 fonts family pack. Fimfarum Pro also offers an automatic random effect. The OpenType contextual alternates feature can randomly mix narrow, wide and bold characters. You can specify how through various stylistic sets. For more details, check the Fimfarum Typeface Manual. With this versatile tool your designing possibilities are immense. Well, this is Fimfarum. You can download the instruction PDF here.

Introducing Belladonna! A stylish hand-drawn script font. Carefully designed to display natural and flawless writing. Belladonna is also supported by the addition of 61 ligatures to display an authentic and elegant quality. With this font, you can beautify your various projects. Such as stylish branding & logos, packaging, handwritten quotes, merchandising, advertising, etc. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Despite what some might say, you can’t just always go for that most ubiquitous font in the world, can you? Avion font family channels those cool modernist vibes yet brings something new to the table. With a slightly more rectangular approach and some clever detailing, Avion has a distinct look of its own, yet provokes a calming familiarity of neutrality and objectiveness. As goes without saying, it’s also equipped with a sensible amount of features that make it a true, versatile workhorse. Get on board.

The first Clarendon was introduced in 1845 by R Besley & Co, The Fan Street Foundry, as a general purpose bold for use in conjunction with other faces in works such as dictionaries. In some respects, Clarendon can be regarded as a refined version of the Egyptian style and as such can be used for text settings, although headline and display work is more usual. Clarendon is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Say hello to Blistering, a cool and versatile brush typeface that can make any design stand out. With its scratchy texture and care free feel, this font can be used for any design style or project. Whether you need an energetic typeface for logos, a hipster font for a clothing line, or a retro brush font for branding. Blistering has the personality to fit any style. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Ligatures Multilingual Support Simple Installations Works on PC & Mac

Introducing Retrio. Original glyphs with echoed behind. As if the letters were moved, but the kinetic trail remained. Colored, gradient, with transparency or solid - many options in one family for any task and for every taste. The font will emphasize the style of the 20th century in illustration. Discos, electro music, records, nostalgia - these are the associations that this font family evokes, which is very important in design. At the same time, the Retrio font is not outdated, it was created taking into account modern trends in retro themes. A unique family in which there are both color and classic monochrome versions. Great versatility in use is provided by the many fonts in the set. Great for ad designs, posters, headlines and covers. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. P.s. Have suggestions for color combinations? Write me an email with the subject "Retrio Color" on: ld.luxfont@gmail.com Features: - Free Demo font to check it works. - Uppercase and lowercase the same size. - With transparency and without. - Mega high-quality gradients in letters. - Kerning. IMPORTANT: - Multicolor version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf -Don't worry about what you can't see the preview of the font in the tab "Individual Styles" - all fonts are working and have passed technical inspection, but not displayed, they just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com

Hey there, so you want to look like a walking throwback to the 1980s? Well, lucky for you, Teeshirt is here to help you achieve that coveted slovenly appearance. If you’re looking for a typeface that screams, “I don’t care” then Teeshirt is your new best friend. It’s designed to mimic vintage t-shirt lettering, so you can rock that “I just rolled out of bed and put on the first thing I found on my floor” look. And if you’re worried about being too uniform with your letters, fear not! Teeshirt has got you covered with letter pair ligatures. Because who wants to look like they put any effort into their appearance, right? And if you’re feeling adventurous and want to shake things up a bit, you can always disable the “standard ligatures” feature in your application. Teeshirt comes in two styles: Regular and Pressed. The bouncy Regular style will make it look like your letters are ready to jump right off your shirt, while the orderly Pressed style will give you that crisp, just-ironed look (although let’s be real, who has time for ironing?). So what are you waiting for? Embrace your inner sloth and give Teeshirt a try. Because who needs effort and a polished appearance when you can look like a hot mess instead? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Kota datoma an luxury and unique calligraphy font. Carefully designed to work together in harmony that makes it perfect for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires unique, formal or luxury. Try Kota datoma, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Included Multilingual Support And Special Ligatures Your download will include OTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

Andit is an unique calligraphy font. Carefully designed to work together in harmony that makes it perfect for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classics, formal or luxury. Try Andit, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. Included multiligual support and special ligatures Your download will include OTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

Introducing,Taman Signature This Taman Signature script typeface includes many different alternates for each lowercase letter. It's extremely fun to use as each word can be transformed to your liking. Taman Signature Inspired by contemporary fashion and streetwear and combination with Hand Lettering style. I'm made with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Features Basic Latin A-Z and a-z Numbers Symbols Stylistic Set Ligature PUA Encode Multilanguage Supportc Check my other fonts here : gilarstudio.com Thanks and happy designing :-)

Sicheli is a new modern modern, brush and calligraphy script, including decorative characters. It's so beautiful with invitations, perfect for logos, stationery, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, air signs, special events, greeting cards, branding materials, business cards, quotes, posters and much more. It includes with 329 glyphs. Alternative characters are divided into several OpenType features such as Stylistic Sets, Stylistic Alternates. The OpenType feature can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this font has already been given. So all alternative characters can be easily accessed by craftsmen or designers. Regards Aqeela

Introducing our newest font called Giroji, this font is designed with a bold, strong, and unique handwriting theme, so that when used it can create a relaxed, elegant and charming impression when applied to your design project so that it can give the viewer a distinctive impression. Start using this font to create an ideal and balanced design for each of your projects. In addition, this font is designed with a natural handwritten touch that is refined to create portions and compositions to suit your needs. So this font is perfect for crafts, children’s writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Hi, Everyone! Have you been looking for a graffiti font? Do you dream of creating headings that stand out and inspire creativity, imagination, and prominence style? Introducing Skater Squad- A Grafiti Font Skater Squad is a bold and angular with a distinct street vibe. This font can be used for a host of different content needs and projects. Create gorgeous printed quotes, standout packaging, or beautiful t-shirts! You can even use it to create amazing headings, logos, menus, and social media graphics. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Alternates Standart Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

The Prada - Modern Stylish Sans Serif Font The Prada is a Modern Stylish Sans Serif Font. This font pairs well with modern san serifs and stands strongly on its own beauty alternates characters and stylish ligatures that make your design more conceptual. The Prada Modern Stylish Sans Serif Font is flexible for many styles of graphic design perfect for logo, headline, magazine, body text, quotes, and more. Features; - Uppercase, Lowercase, Number, and Punctuation - Special alternates and ligatures - Special Stylish Set for Uppercase & Lowercase - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ etc. Hope you enjoy our font and this font is useful for your projects!

Hanleth family is a combination of script and all cap sans. This duo font was made and inspired by old vintage script and simple sans, polished with a little bit of modern style. This font family is a vintage, authentic and hand crafted piece of typeface. 1. Hanleth script : comes with clean and rough version. with some swash and alternates that make it looks unique and elegant. 2. Hanleth sans : comes with clean and vintage rustic version. a simple sans that generally good for tittle and body text. 3. Hanleth icon : comes with 52 vintage rustic icons is perfect to boost the vintage feel of this family. Hanleth family is perfect to make logotype, product packaging, tittle for poster or greeting card, promotional message, branding project and more.

Introducing our sleek and modern condensed sans-serif font - Meuga. Meuga is condensed sans-serif font offers a minimalist design with its narrow width and clean lines, perfect for any branding or design project. This condensed sans-serif font is perfect for anyone looking for a clean and modern look, with its narrow width and elegant lines. Add a contemporary touch to your designs with our condensed sans-serif font, perfect for headlines and titles in digital and print design. This font is perfect for Headlines and titles, digital advertisements, brochures and flyers, infographics and data visualizations, navigation menus and labels, web designs, logotypes, t-shirts, and many more. Meuga features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Condensed Style +235 Total Glyphs

Finador is a modern, soft geometric sans family. The functional style of a geometric sans has been soften by open apertures and rounded corners. This makes it functional and friendly. The default version has open, modern apertures. Stylistic Set 2 includes the whole set with closed, classic apertures. A slightly different look. It´s like having a second font in just one font. So it´s up to you to choose the right look for your projects. The Finador family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. As a versatile allrounder Finador supports almost every of your needs. It has the ability to become your next favorite workhorse family.

Tellumo, a new humanist geometric sans serif typeface, has all the attributes you need for a workhorse sans with a few surprising details. It has moderate proportions, a low stroke contrast, open apertures, and an x-height that makes it drive with ease in running text. A modest range of six weights, from Thin to ExtraBold, make it versatile without being overwhelming. The lightest and heaviest weights are best saved for headlines and subheads. It features a set of swash caps that can add magnitude and sparkle to short headlines, making it excel in packaging designs. Tellumo feels at home with Mid-century Modern and Art Deco aesthetics. It looks precise, tidy, and welcoming for architecture and home goods. It looks clean, fresh and modern for beauty and wellness, or elegant and approachable for fashion. It has a balance of clarity and personality, suitable for branding and advertising of all kinds, print & digital design alike. Tellumo radiates warmth, charm, and joyfulness from its geometric foundation.

The Neonica Toolbox - a complete collection to creating awesome neon designs! This is a complete collection which included the fonts, decorations, illustrations, Adobe Photoshop styles and HQ background textures as brick or rusty grunge walls. Create awesome graphics for few simple steps! VV Neonica contains mono lined sans, volumetric sans with inline font option and mono lined script. Also, you'll get the decoration and illustration fonts. Create your own neon signs or add the decoration to your neon graphic. The illustration font has one color or up to three color options. That mean you'll be able to create a full color neon illustration graphic for few seconds! Also, the Neonica Collection comes with Adobe Photoshop styles file (.ASL). Just add it into your Photoshop and get 19 neon colour realistic effects. This file works with any Photoshop versions. As a desert you'll get 6 HQ JPG (4000x4000 pix; 300 dpi) background textures. All the additional materials (Photoshop styles, PDF Guide and Textures) you'll can get here Enjoy!

Audrey is an elegant monolinear Script and Sans font family. Audrey is great for designing headlines, packaging or as a logotype online or offline. Audrey has three weights of Script and Sans and a set of Ornaments. The weights go following: Regular is twice and Bold is three times as wide as Thin so if you want to have an Ornament example with same stroke width as Script you can set the Script in 36pt Regular and Ornament 72pt Thin -and they’ll have exactly the same width. Audrey Script is packed with OpenTtype features: Keep Standard Ligatures on for smooth connections and try Swash, Stylistic or Titling Alternas for more showier letters or seek for even more alternates from the Glyph Palette. Script also has Lining numerals as default and Old Style numerals as an OpenType alternates. Audrey is a close relative to widely popular Cosmopolitan released earlier by Fenotype. Compared to Cosmopolitan Audrey has more geometric forms and bigger lowercase characters with larger x-height.

Hellena Font Duo with additional Ornament! If you are needing a touch of casual chic calligraphy for your designs, this font was created for you! Hellena script was built with OpenType features and includes beginning and ending swashes, alternate characters for both lowercase and uppercase letters, loads of different swash alternates for lowercase letters, numbers, punctuation, alternates, ligatures and it also supports other languages :) with many glyphs! Hellena Sans is beauty couple for Hellena Script Hellena Ornament available OpenType features with klick on All Capital and Lowercase also in Number and get the ornament character. Accessing the swashes / opentype features / glyphs: This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC. You can access the swashes and alternates from the 'Glyphs Panel' in these programs. More Questions? Here are some (potential) answers! Multilingual Support is included for Western European Languages Also, the sans-serif font used in the preview images is Gotham :)

Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate design as it emerged from its sans serif predecessor, the Slate typeface family. Slate is a great sans serif design, and the addition of his Egyptian Slate to your typeface library will make it even more versatile. Egyptian Slate is a solid and stylish slab serif design that will look superb in the spotlight of your choosing. Available in six weights – from a svelte light to a commanding black – each upright member of the Egyptian Slate family has a complementary italic. Egyptian Slate fonts are available as either OpenType Std or OpenType Pro fonts; the later options offers an extended character set that supports most Central European and many Eastern European languages. Egyptian Slate™ font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Logos, Best Fonts for Websites

Phrasa is a robust humanist sans-serif typeface family which will carry you through most of your design needs. Designed for legibility, she truly shines in running text. However her solid (yet elegant) construction allows for usage in such settings as branding or signage. Phrasa's most prominent features are: 13 weights, from hairline to black Moderate x-height Large apertures Modern capitals proportions Designed for readability… … without sacrificing good looks True Italics Small capitals Adobe Latin 3 language range Cyrillic alphabet Old-style and tabular figures The idea behind Phrasa was to create a stylish typeface but with legibility in mind. The inspiration came from history, namely from two of the most legible typefaces known: Garamond and Gill Sans. The new typeface boasts a smooth, easy-on-the-eyes texture which allows the reader to simply sink into the text. It also posses a set of true italics to compliment it. Phrasa has a broad linguistic range, spanning from extended latin alphabet to cyrillic.

Monocle is a clean and contemporary monospaced geometric sans that excels in titling, data and numerical settings due to its clear and systematic design. The capitals-only format increases the harmony between letter pairings, opposing the irregularity of mixed case fixed-width typefaces. Stylistically, Monocle has the feel of a neutral sans, yet its underlying structural finish exudes a strong sense of order and authority. Its geometric foundation is especially pronounced in the constructed round forms. With multiple stylistic sets, individual letters can be exchanged to fine-tune text settings for a unique custom type solution. Features include: -Basic Ligature set including ‘f’ ligatures (ae, oe, fi, fl, ff, fh, fj, ft, tt, th, ct, st) -Alternate characters (O, I, S, G, R, Q, _, $, ©, #, •, %) -Slashed zero -Full set of numerators/denominators -Automatic fraction feature (supports any fraction combination) -Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Summer has come! Boho girl is going on her beach vacation. Relaxed, spontaneous, feminine, irreverent, though. Like a girl with a Gipsy soul, she just grabs her Bikini and turns away! This is the new font duo by the couple Coto and Luciano. Bikini includes a sans version, based on the proportion and structure of Roman capitals, but with a contemporary flavor and a clean style that give the typeface a chic touch. The other version of this font duo is a modern calligraphy script of handmade style. The mix is just perfect: opposites attract creating a very interesting counterpoint. Can you guess who is the designer behind each style? This font duo is intended to be used for posters, labelling or branding. The sans and script styles add visual hierarchy when composing text. Feel the fresh free spirit of its OpenType features and ornaments! Please see User Guide Every season is Bikini season!

Tellumo, a new humanist geometric sans serif typeface, has all the attributes you need for a workhorse sans with a few surprising details. It has moderate proportions, a low stroke contrast, open apertures, and an x-height that makes it drive with ease in running text. A modest range of six weights, from Thin to ExtraBold, make it versatile without being overwhelming. The lightest and heaviest weights are best saved for headlines and subheads. It features a set of swash caps that can add magnitude and sparkle to short headlines, making it excel in packaging designs. Tellumo feels at home with Mid-century Modern and Art Deco aesthetics. It looks precise, tidy, and welcoming for architecture and home goods. It looks clean, fresh and modern for beauty and wellness, or elegant and approachable for fashion. It has a balance of clarity and personality, suitable for branding and advertising of all kinds, print & digital design alike. Tellumo radiates warmth, charm, and joyfulness from its geometric foundation.

Prepare yourself for a wild retro ride with Hot Rush – 80s nostalgia is about hit you harder than a DeLorean at 88 miles per hour. This Sans & Script font duo were simply meant to be together; the unmistakeable clean & condensed sans is complimented perfectly by the long, fast, textured strokes of the script. It’s the ideal font pairing for retro-inspired high impact display text, merchandise design, logos, packaging & more. The Hot Rush font family consists of; Hot Rush Script • A fast, textured script font hand-made with a marker pen. Hot Rush Script contains uppercase-only characters, however a full alternate set of uppercase letters is available when you switch to lowercase. Supports a full set of numerals & punctuation. Hot Rush Sans • A condensed sans-serif font with a big impact, containing uppercase-only characters. Supports a full set of numerals & punctuation. Hot Rush Sans Striped • A second version of Hot Rush Sans, with vertical stripes running through each letter for added retro style. Italic Versions • For Hot Rush Sans & Hot Rush Sans Striped are also included as separate fonts. Extra Stuff; End Forms For Hot Rush Script are available for the letters A, C, E, F, G, H, K, L, R & T. These have elongated horizontal strokes and look great as the last letter of a word. Simply turn on ‘Stylistic Alternates’ with any Opentype capable software to access these characters. 4 Swashes For Hot Rush Script are available, these are great for underlining your text for extra style. Simply type any of the square brackets [ ] { } in the Hot Rush Script font to access the swashes. Language Support; All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian

Geodec is a bold sans serif with classical ornament turning it in a Ornate Initial

A geometric san serif typeface influenced by Theo Van Doesburg and the De Stijl movement.

A simple sans-serif font made from straight line segments and true circles and arcs.

Mizar Grotesk is a sans-serif with a few quirks and a slight retro feel.