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  1. S&S Baldwins by Spencer & Sons Co. 15.00 USD
    Baldwins was inspired by the beauty lettering of ephemera prints. Ideal for product names, packages, labels, old fashioned signs and everything with specific characteristics of past times.

  2. S&S Amberosa by Spencer & Sons Co. 15.00 USD
    Distinctively Americana with a touch of Arts & Crafts, Amberosa is a typographic gem from the late nineteenth century, this undulating and organic typeface is a versatile and refreshing alternative to many of the font designs on the market today. Recapture the elegance of traditional flourished sign writing and make and provide ideal lettering for period inspired design work such as posters, signage, labels and book covers. You’ll find ligatures, 400+ stylistic alternates in keeping with the spirit of this pretty, old-fashioned typeface.





  3. Designer's page on Abstract Fonts.
  4. Neuzeit S by Adobe 35.00 USD
    The original designs were drawn by C.W. Pischiner for the Stempel foundry in 1928; this book version was added by the Linotype Corporation in 1959. Neuzeit S is a geometric-grotesque hybrid design, unusual in that round shapes are wide and circular, while other characters appear slightly condensed. Also note the unusual J: this particular letter’s design is versal in origin. The name translates from German as “new times.” Neuzeit S is useful for short texts, while its heavier weight supplies enough contrast for display work and headings.

  5. Neuzeit S by Linotype 35.00 USD
    Designed by Wilhelm C. Pischner, Neuzeit-Grotesk first appeared in 1928 with the font foundry D. Stempel AG. In 1966, Neuzeit S was introduced by Linotype-Hell AG, intended for large bodies of text and predecessor of Siemens corporate design. Neuzeit S is timeless, combining strength of form and objectivity and legible even on inferior papers.

  6. Owen S. by Samuelstype 2.00 USD
    Owen S. was designed by Hans Samuelson and published by Samuelstype. Owen S. contains 10 styles and family package options.

  7. Bradley S. by Samuelstype 18.00 USD
    Bradley S. was designed by Hans Samuelson and published by Samuelstype. Bradley S. contains 2 styles and family package options.

  8. Marker by Mix Fonts 29.00 USD
    Marker is a basic handwritten marker doodle font. It's rugged and raw. There's no question it's handwritten. It's perfect for DIY themed projects and designs. The glyphs were all handwritten using an everyday marker. It was then digitized and converted into a font.


  9. PR Mapping by PR Fonts 10.00 USD
    This font provides a variety of symbols for decorating maps simulating those of the sixteenth to nineteenth centuries.

  10. Jannson Map by RM&WD 10.00 USD
    For best results, use of OpenType features is strongly recommend.This font is inspired by Johannes Janssonius, well know as Jan Janszoon o Jan Janssonius (Arnhem, 1588 – Amsterdam, 1664), was a Dutch cartographer, publisher and engraver. Married to Hondius's daughter. He was the author of many masterpieces of cartography of the 1700s like Willem Blaeu and Hondius, famous maps with heavy use of decorations in the letterig to fill the spaces of oceans, seas, lakes and scrolls. Now you can easily recreate not just ancient maps without effort, but you can use this font creatively, to make unique, modern logos, product names, fresh packaging, hip fashion outfits, refined labels, signs, coordinated images ... Hundreds of alternatives to choose from and maybe to combine with other fonts in an original way.One extra font with 27 castles in Janszoon style are also usefull for map, of course, but also for many different creative artworks.Warning: Jannson Map having oversized swashes compared to the normal standards cannot be used with Windows Word because Word does not give the possibility to manage the line spacing professionally.Jannson Map works great with applications like Illustrator, In Design, quark Xpress, mac Text etc ...


  11. Murder Face by Subversive Type 13.00 USD
    Inspired by roman typography and extreme metal band logos. This is a vicious looking font that works great in large and small pt. sizes.

  12. Murderous Desire by PizzaDude.dk 20.00 USD
    Murderous desire for grunge!Grunge is timeless, and Murderous Desire is worn and torn, yet very legible. Great for massive text or headlines!







  13. Designer's page on Abstract Fonts.
  14. Designer's page on Abstract Fonts.
  15. Designer's page on Abstract Fonts.
  16. Corporate S Std by URW Type Foundry 35.00 USD
    The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990.

  17. Grotesk S SH by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  18. H-AND-S by AND 89.00 USD
    A common creation: (to pass from one hand to the other): For the first time, various hand-signs from diverse sources are unified into one single visual style. This compendium is the result of 15 years of incubation and 7 years of creation. In his travels throughout the world, graphic designer Jean-Benoit Levy, principal of the visual studio AND, has collected pictures of multiple hand signage. Uncertain what to do with those signs, he kept them year after year until the idea came to unify almost 200 handsigns into one single family. In accordance with this entire collection, the name of the typeface is a mix: "h-and-s".

  19. Grotesk S SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  20. S&L Gothic by BA Graphics 45.00 USD
    A new gothic; great for books and magazines.

  21. Corporate S Pro by URW Type Foundry 210.00 USD
    The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990.

  22. Mac Key Caps Pi by Linotype 35.00 USD
    Mac Key Caps Pi was published by Linotype. Mac Key Caps Pi contains 1 style.

  23. Mauer by Klaudia Krynicka 19.00 USD
    Mauer is a proportional, block, geometric font inspired by the advertisement in the polish weekly from 1937 "Tygodnik powszechny". This typeface family contains 3 styles: Regular, Black and Italics.






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