Ravensara Serif - elegant high contrast classic serif. Style of the typeface originates in a classic Didone but took a step to simplify some letter forms and make Didone feel more contemporary. Ravensara Serif is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Stencil. Ravensara Serif, despite its ancient roots and due to simplified and smoothed forms, can be used in a variety of different styles. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc. It is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold and Black. Ravensara Serif extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

We’re excited to share with you our newest typeface family, the Ahakin San Serif. This new set of fonts will give your designs luxury and uniqueness for all kinds of project needs. This pack comes in 18 different styles which makes it perfect for a wide variety of projects. Each style has been uniquely created to maximize beauty and character. This font is specially designed for a variety of display design and branding projects, but will also look great as headlines, text, banners, posters, or anything else. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

The February 2 font was developed on the experimental principle of constructing grotesques. The font combines the contrast between an oval and a rounded rectangle. The developed modular style adds a dynamic character to it. It is ideal for many projects where expressive text is required. Supports extended Latin and Cyrillic. The font was created in 2019. Type designer - Igor Kosinsky.

Firstly is a script font with a unique character. It was created by Måns Grebäck during 2019 and 2020. Its wavy shapes and soft flow gives any project or logotype a well-balanced personality. It has an extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

The first release of XLaserTrain, a toy train font, was constructed by taking bits from the four LetterTrain fonts. Version 2, released in late 2010, added a great many cars with holiday and party themes. The bold version has smoke over the cars and you may have to adjust line spacing (leading) to have it display properly.

Uncertainty 2010 Edition is an intensely textured typeface carefully rendered by hand. This font is faded with a chalk-like texture. Please be aware that working with this highly detailed font may slow some graphics software as it requires more memory. Uncertainty is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Boxed Round is a rounded version of the popular Boxed font, a typeface whit 18 weights, brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen’s pixels to deliver a crisp, fluid reading rate. The rounded version offers a more warm, sweet, edible appearance that will give more freshness to your texts. Due to its extensive range of weights and subtle difference in thickness, compensating for the stain of characters between different CSS styles is really easy. It offers an extensive set of Latin characters, even the Cyrillic.

Dillan is an 18 style sans family with an edge. It’s angled ascenders add movement and a unique appearance, whilst its flatter terminal angles gives a more fluid connection to partnering letters. The angles give the font a contemporary feel and the higher x-height give it great readability at smaller sizes. The font is made up of 9 weights and it’s matching italics and includes some nice features such as stylistic alternates, extensive European language support, case sensitive characters, ligatures and much more. Dillan is perfect for many applications including digital treatments such as apps, websites and motion design, as well as branding, logos, advertising and editorial, and much much more.

Based on informal pen handwriting. A set of Western and Central European characters was added in 2011 by Gennady Fridman. For use in advertising and display typography.

Contax Pro is a contemporary design based on generous proportions and clean, crisp lines. Forget about 'Helvetica'. Look out 'Univers'. Contax Pro is the new geometric sans typeface series for the 21st century. Contax Pro makes for easy reading and is ideal for long lines of copy. Contax Pro includes true drawn small capitals and old style figures. The family comes in 6 weights: ultra light, thin, light, regular, medium and bold.

Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is described as Clarendon Bold Expanded — however, this is not the case. Clarendon has square serifs, whereas the Watney’s font is rounder and friendlier. A fixture of the British high street landscape for decades, this digitisation adds a full international character set, numbers, punctuation and many other characters that did not exist in the original. A distressed version that evokes rough print on a wet beermat has also been developed.

Danish type designer Jan Maack created this display and sans FontFont in 2008. The family has 18 weights, ranging from Light to Bold in Condensed, Normal, Expanded, and Extra Expanded (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Cube provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular oldstyle and tabular lining figures.

Plasto is a complete grotesk sans serif family. The quirky letterforms and its slight width variation characterized the typeface as fun and playful as "plastic" in a graphic layout, fit for various design spaces, fit for both informal or functional purposes, fit for large display and also small text. Plasto complete family contains 54 styles with two axes; Weight and Width. The weight consists of 18 styles from Thin to Black, and the width consists of 3 styles, condensed, normal and expanded.

Contempo Gothic is a modern sans serif with a geometric approach. It comes in 18 weights, 9 uprights and its matching italics. Designed with opentype features including stylistic sets and tabular figures. Contempo Gothic includes extensive language support, fractions, arrows, ligatures and more. Perfectly suited for graphic design and any display use at any size. It could easily work for websites, blogs, signage, corporate identities, publishing and editorial design to name a few. Contempo Gothic is super versatile for everyday design use.

Introducing Ante Cf Fonts. A font that's modern, clean, and bold like the roman sans serif font. This font comes in many weights up to 18 weights. The contrasts between thick and thin make this font unique. This font is made with modern characteristics which can give a bold impression in each character, making this font suitable for corporate needs for larger business needs. For branding purposes? Sure. This font is also made for the needs of this field, so that your branding seems more modern. And this font is also useful for news editorial purposes. Coupled with serif types and scripts are also very suitable. You can see all the examples of using this font above. Ante cf also supports various languages, so that it can make it easier for all countries to use and language usage.

Originally released in 1987, Charter incorporates three important features: compact set width to give economical copyfit; generous x-height to give readability at small point sizes; and sturdy open letterforms to give reliable reproduction at both typesetter and laser printer resolutions. The design brings a clarity and freshness to everyday documents, such as newsletters, textbooks, directories and technical manuals, where the reader’s concentration must not be interrupted by unfamiliar letterforms but where typographic dullness can itself impair comprehension. The Italic has cursive letterforms - so is instantly distinguishable, while being readable enough in its own right for continuous text. The Charter BT Pro Pack features 6 fonts: roman, italic, bold, bold italic, black, and black italic. The fonts include characters originally developed for expert sets, such as ligatures, ornaments, old style figures, small caps, and superiors. The Pro Pack fonts support Western, Central European, and Eastern European languages. OpenType fonts are a cross-platform font format. The same OpenType font can be installed on Mac OS X, Windows, Linux, and Unix systems. Mac OS X and Windows 2000, XP, and Vista have built-in support for OpenType. OpenType fonts also work on Linux, Unix, and earlier versions of Windows, where they are recognized as TrueType fonts. OpenType includes many more features than the standard TrueType and PostScript formats, including the ability to install the same font on different platforms, crucial for document portability. OpenType fonts boost productivity because graphic designers and business professionals do not have to wrestle with many different fonts. With OpenType, customers have larger character sets to work with and fewer font files to deal with.

I arrived this concept as a means to fulfil a need for a simple yet radical semi-sans with rounded terminals. My concept called for a modular approach so a single weight font family resulted, the monoline stroke weights being one-eighth of the cap height and the x-height five-eights, the descent two units. Within these constraints I found it was simple to devise an alphabet which met my need for quirkiness whilst retaining its legibility. As for the outline, shadow and contour variants - well they just seem to work. If you are wondering - and you don't hail from the "Land Downunder" - Canberra is our nation's capital; Bondi - "water breaking over rocks" a beautiful beach in Sydney; Uluru is the name given to the world's largest pebble, (formerly known as Ayers Rock); Kakadu is a national park in the "Top End" and Koomerang means "hill of clouds" - all place names in their respective Australian indigenous languages. Come on down - the natives are friendly.

“My Dearest Friend” is how she began nearly all her letters to her husband, John. I refer, of course, to Abigail Smith Adams, first Second Lady and second First Lady of the United States. Her famous correspondence with John Adams produced nearly 1,200 letters over a span of some 40 years, leaving us with a priceless record of early American life — from household routines to war and politics to expressions of personal worry and devotion. Although Abigail’s was not the loveliest hand, I found it sure and expressive, as befitting her extraordinary sway and intelligence; it also carries a genuine flavor of the period. In making the font I focused chiefly on her handwriting from the 1780s and ’90s, when she’d taken to using a disconnected cursive, which struck me as distinctive and alluring. The OpenType release of Abigail Adams has scores of ligatures, standard and contextual alternates, lining and old-style figures, cross-outs, ink blots, and full Latin language support.

The typeface Open TECH Neue is designed from 2018—2021 for the font foundry Typo Graphic Design by Manuel Viergutz. 6 font-styles (Sans Serif, Invert, Outline, Slab Serif, Stretch, Box Puzzle) + 1 icon-style with 1097 glyphs (Adobe Latin 3) incl. 400+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (6 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Open TECH Neue ■ Font Styles: 6 (Sans Serif, Invert, Outline, Slab Serif, Stretch, Box Puzzle) + Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 1097 glyphs (Adobe Latin 3) incl. 400+ icons (decorative extras like arrows, catch words, dingbats, emojis, symbols) ■ Design Date: 2018—2021

Reclamo A simple design from the San Serif family with a few contrasting accents. Inspired by the dove beauty products brand, I think I can incorporate a simple, clean, and elegant print into the San Serif family. Reclamo is a Balinese word for advertising. It is transmitted orally and is anchored deep in people's minds. 386 Glyphs | 18 Font Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ ____ Image used : All photographs/pictures/logo/vector used in the preview are not included, they are intended for illustration purpose only. Thank you Hope you enjoy with our font!Font Variablevariable fonts