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  1. Casual Tossed is a font that embodies a sense of laid-back ease and playful spontaneity. Reflective of its name, this typeface appears as though it has been carelessly thrown onto the canvas, yet sti...
  2. SF Piezolectric is a distinctive font designed by ShyFoundry, a type foundry known for creating innovative typefaces with meticulous attention to detail. SF Piezolectric stands out because of its uni...
  3. The KR Hunnybee font, created by Kat Rakos, exudes a playful and charming aura that captures the essence of spontaneity and creativity. This font falls into the category of decorative or novelty type...
  4. "Rubaiyat Engraved" is an exquisite typeface designed by the talented illustrator and type designer Harold Lohner, who is renowned for his ability to craft fonts that are both evocative and richly de...
  5. Pegyptienne by Cybapee Creations is a font that intriguingly combines the distinctive touches of ancient Egyptian aesthetic with the sleek, modern lines of the Peignot font, which is itself a notable...
  6. The dearJoe series of fonts, created by the Dutch typeface designer Joe Bob, under his foundry JOEBOB graphics, is a charming collection that embodies a personal, handwritten aesthetic. This distinct...
  7. Vila Morena, as a font, conjures the rich and diverse essence of a picturesque village, where every detail tells a story of culture, legacy, and warmth. This typeface stands out with its harmonious b...
  8. Asenine Super Thin, crafted by Apostrophic Labs, is a distinct and refine typeface that epitomizes minimalism and lightness in font design. With its inception at the threshold of the 21st century, th...
  9. Willy 2, crafted by the talented Milos Kunst, is a typeface that captures the imagination with its playful yet refined attributes. At the heart of Willy 2's design lies a harmonious blend of whimsy a...
  10. Meet John Henry is an enchanting typeface designed by the talented John Martz. This font embodies a blend of classic charm and contemporary flair, making it a versatile choice for a variety of design...
  11. Manfred Klein, a prolific and versatile German type designer known for his wide range of font creations, crafted the Senats-Antiqua typeface, which embodies a blend of historical elegance and contemp...
  12. The KG Beautiful Ending font, crafted by the talented Kimberly Geswein, stands as a testament to the beauty of handwritten artistry in the digital age. This font captures the essence of personal touc...
  13. KR Katlings is an intriguing and whimsical font created by Kat Rakos. It embodies a playful and eccentric character, making it stand out in the world of typography. The unique design of KR Katlings s...
  14. The Sweden font, crafted by Vladimir Nikolic, is an exemplar of modern design ingenuity blended with an essence of Scandinavian minimalism. This typeface stands out for its clean lines and geometric ...
  15. Janda Manatee Solid, designed by Kimberly Geswein, stands as a distinct and whimsical font that captures the imagination at first glance. This typeface, characterized by its playful yet readable styl...
  16. The Pacifico font is a whimsical, yet elegant script typeface that harkens back to the surf culture of the mid-20th century. Designed by Vernon Adams, its flowing, hand-drawn appearance evokes a sens...
  17. Arialic Hollow is a distinctive typeface designed by GemFonts | Graham Meade, a creation that stands out for its unique approach to the visualization of letters and words. This font is part of the br...
  18. "Frank Knows" is a captivating and versatile font designed by Chris Hansen, which exudes both personality and practicality. At first glance, it is the kind of typeface that greets you like an old fri...
  19. The font "Soul Handwriting" free version, crafted by the creative minds at Fonts Cafe, exudes a deeply personal and authentic touch, reminiscent of a handwritten note from a cherished friend. In a di...
  20. Ivan Filipov, a renowned designer, has made a significant contribution to the typographic landscape with the creation of Arkitech Round. This particular font is a variant of the Arkitech family, char...
  21. "Dr. Eve L" by StimulEye Fonts is a distinctive font that stands out due to its creative and somewhat whimsical design. Crafted with a keen eye for detail, this typeface exhibits a lively character t...
  22. Equine, crafted by the creative minds at Apostrophic Labs, is a font that captivates attention through its unique design and versatile character. Distinguished by its elegance and the fluidity of its...
  23. The font "Missed Your Exit" encapsulates a sense of urgency intertwined with a whimsical nonchalance, creating a distinctive atmosphere that captures the attention. Picture this: each character is cr...
  24. Fh_Nicole is a distinctive font created by Fictionalhead, a name associated with thoughtful and stylish designs in the font world. This typeface is characterized by its clean, modern aesthetics, comb...
  25. Toppo Giggio, crafted by the talented Juan Casco, is a font that captures the essence of playfulness and creativity in its design. This typeface stands out for its unique blend of whimsical details a...
  26. Shifty Chica 2, crafted by the prolific Canadian type designer Ray Larabie, encapsulates a spirited and whimsical flair, positioning itself as an energetic continuation of its predecessor. Larabie, k...
  27. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  28. The Desyrel font, masterfully designed by Apostrophic Labs, emanates a unique charm that gracefully bridges the gap between whimsicality and legibility, making it a delightful choice for various desi...
  29. The Circoex font, created by Antipixel (ANTIPIXEL.com.ar), is a remarkable display typeface that embodies a playful yet sophisticated aesthetic. Imagine the whimsical charm of a vintage circus poster...
  30. Digital Dream Fat by PizzaDude is a font that expertly brings the future to your fingertips, encapsulating the essence of technology and innovation in its design. Created by the talented font designe...
  31. The JLR Simple Hearts font is a charming and delightful typeface that encapsulates love, affection, and warmth in its design. True to its name, it incorporates hearts into the characters, making it s...
  32. KometenMelodie1 by PizzaDude is a font that can only be described as dynamically playful, teeming with a vibe that's both retro and futuristically sleek. This typeface, crafted with a keen eye for de...
  33. BoinkoMatic, designed by the creative team at Fontocide, is a font that exudes a playful and whimsical charm, infused with a spirited sense of fun and creativity. This typeface is distinguished by it...
  34. Blok, a font designed by Tup Wanders, stands out in the typographic landscape with its distinctive and bold character. It belongs to a category of typefaces that draws inspiration from geometric form...
  35. As of my last update in early 2023, "Chalkie" seems to evoke images of a font that would capture the essence and whimsy of hand-drawn letters, as though crafted by a seasoned artist using nothing but...
  36. JBCursive stands as an exquisite exemplification of artistry harmonized with utility, a font that transcends mere text to become a visual melody. With its roots deeply entrenched in the tradition of ...
  37. The LEGO BRIX font, meticulously crafted by the talented designer known as SpideRaY, is a fascinating typeface that pays homage to the iconic LEGO brand, celebrated for its colorful interlocking plas...
  38. "Puddleduck" is a charming font that exudes warmth and playfulness, embodying the creative spirit of its designer, Graham H Freeman. This typeface stands out for its unique blend of whimsical flair a...
  39. Concielian Break, by Iconian Fonts, exudes modernity and futuristic charm, making it an exceptional choice for projects that aim to stand out with a touch of novelty and innovation. Created by the pr...
  40. The Abscissa font is a true standout in the world of typefaces, offering a distinct and engaging aesthetic that blends modernity with a touch of classical elegance. Characterized by its sharp, clean ...
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