After the success of our best-selling Mr Black, we decided to once more use my grandfather’s dry transfer lettering sheets. My grandfather was a Polish military cartographer and he left us some used-up sheets. The letters didn't transfer so well but we liked the way they were damaged. Mr Tiger has upper- and lowercase characters with up to four alternate glyphs. First three variations are only slightly damaged but the fourth one is usually more distorted. All of the glyphs have a very high resolution so they can be used in a large scale and they will still look great. One of the best things in Mr Tiger is the OpenType Contextual Alternates feature. It will automatically set alternate glyphs depending on frequency of appearance of the same character. The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.

Wozniak is a workhorse sanserif typeface in 16 styles that includes a 16 styles display font on itself. On its default shapes brings a modern, clear and bright personality to the text and a wide range of possibilities by supporting many OpenType features, such as oldstyle, lining & tabular numbers, small caps, inferiors & superiors, discretionary ligatures, numerators & denominators, extended fractions, case sensitivity forms and more, all carefully crafted and balanced for excellent legibility and optimum performance both on screen and on paper. But that's not all, every style also includes two complete uppercase sets of display alternates and more than 180 stylistic ligatures inspired by the digital revolution and the early 80s aesthetics. All this blend into a flexible and multifunctional set of over 1600 glyphs, support for more than 200 latin script languages and the potentiality of use in long text settings, headlines or branding, travelling from modern to vintage with absolute ease and naturality. Wozniak was named after Steve Wozniak as a tribute to the pioneers of the digital revolution.

Gotta tell ya: think out of the box and this font is addictingly fun to use! Introducing Historic Warehouse, a substantial, yet elegant family, invoking advertising fonts of the early 20th century. Why the name? When asked to design a banner for Tucson’s Historic Warehouse District, I couldn’t find the look I wanted from any known fonts. After drawing what I wanted in Illustrator, there were three (and in the process, four) fonts just waiting to be realized. Happy to oblige. Here’s Historic Warehouse Regular, setting the stage. It’s sturdy, bold, and plays curves against rounded angular shapes. To its left is Historic Warehouse Condensed, trim, elegant and at its best at very large sizes; to the right is Historic Warehouse Wide, with charming style and presence. Finally, there’s Historic Warehouse Extended, extravagant in its proportions, with a beautifully-crafted form like a fine carriage. As the song says, “Everything Old Is New Again,” and this family looks as fresh and clean at the beginning of this century as it might have at the beginning of the last.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Heydista Notes is a traditional hand-written monoline signature font with clean, geometric outlines. This makes it the perfect choice for high-end branding or marketing materials. The font is modeled after the calligraphy of ancient Rome and Greece. It has a classic and timeless feel, but the clean lines give it a modern edge. Heydista Notes has been designed with attention to detail and with very high quality standards in mind. It includes over 200 glyphs, stylistic alternates with beginning and ending swashes that you can use with your designs, and alternate letters for each letter of the alphabet so you can create unique-looking words and phrases with ease. Whether you're looking for a classic feel or something more modern, Heydista Notes will elevate your designs to the next level. A Million Thanks www.colllabstudio.com

Basic Commercial is a font based on historical designs from the hot metal typeface era. It first appeared around 1900, and was created by type designers whose names have not been recorded but whose skills cannot be overlooked. This typeface's design has been popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. It influenced for a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system's signage. The Basic Commercial's font family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial's design has been popular with graphic designers for decades. To read more about the history of typefaces like Basic Commercial, visit our font feature, The Sans Serif Typefaces. In addition several weights of this typefamily are available as soft rounded versions."

Rahere Informal is a slab semi-serif typeface that has a seriously charming personality and a little spring in its step. Serifs bend and flick, giving the characters a spirited, almost calligraphic feel. It's lively and friendly without being whimsical, great for messages that need a casual but credible tone with a bit of zing in the mix. Rahere Informal is suitable for a wide range of applications such as information signage, packaging, advertising, brochures, catalogues, screen text, visual identities and opera festivals. Want an annual report that pleases the board, shareholders and investors? Set it in Rahere Informal - that’ll put a smile on everyone’s face. The family comes in six weights from light to extra bold with corresponding italics. The lighter weights are more delicate, an evenly-spaced flamboyance of flamingos basking in the sun. As the weights get heavier, characters transform into a tight-knit group of line dancing rhinos. All styles contain a set of swash caps, a few ligatures and alternatives. Nice. The character set covers most European languages plus Vietnamese. Each weight contains lining & non-aligning numerals in both proportional & tabular spacing. The tabular numerals share the same width across all weights and styles (matching Rahere Sans and Rahere Slab). If a companion sans serif is needed, Rahere Sans is the ideal partner. They are both part of the extended Rahere typeface family and have been designed to complement each other. Seriously charming, charmingly serious. Seriously, what more do you want from a typeface? Rahere, founder of St Barts in London The typeface is named after Rahere, a 12th-century Anglo-Norman priest, who founded the Priory of the Hospital of St Bartholomew, London in 1123. In 2007 I was successfully treated at Barts for relapsed testicular cancer so I’m indebted to all the doctors, nurses and support staff who work there. A special shout out to Orchid Cancer – a UK charity that helps men affected by cancer – who funded the research for my treatment.

Reflecting the Indian traditional hand-lettering. Street typography is a chronicle of everyday life.

Hi! It took me almost a year to design Ecatherina script. Finally it is available to purchase! Ecatherina script is an opentype font-family (15 fonts: 5 styles for 3 line thickness) with a bonus (editable wedding invitations, menu, quotes, letters, and more) HOW TO GET ACCESS TO ALTERNATES? Absolutely easy, just type a number after any letter: a1, a2, a3 etc Capital letters have 3-4 options and more. So just type E1, E2, E3 etc and find your favourite one! I found this method the most useful when you need to experiment with design very fast. All characters are available through Glyph panel as well, even more each of the alternate letter has it’s own unicode (PUA) so you can copy/paste from Apple Font Book or Windows Character Map. Total amount of glyphs 1436. Compatible with SILHOUETTE & CRICUT DESIGN SPACE WHAT IS INCLUDED BP-Ecatherina OTF & TTF It goes with 5 weights: Thin, Medium, Regular, Bold, UltraBold BP-Ecatherina-Ex1 The only difference between previous font is that thin line is a bit thicker. BP-Ecatherina-Ex2 Even more thicker line. Help.pdf Help file with most common questions. Bonus - Ecatherina.fig with editable wedding invitations (10+ designs 5x7 inches), menu, quotes, letters. Important! You need to install Figma application (it is free) to access files. With Figma application you can import bonus files and edit the text, export as png, pdf, svg and print it. Bonus - help.pdf file with general information how to work with Figma if you are new. It is very easy application and I recommend it to you! It works with MS Word, I included example.docx file so you can understand how to work.

FangsALot is a bizarre typeface family that was designed to alternate two character sets. These sets are alternated automatically in applications that support the OpenType feature Contextual Alternatives (calt). The template used to design characters is a distorted triangle that resembles a curved tooth or a fang. This shape can be flipped horizontally, vertically, and both horizontally and vertically to give four orientations. Two of these orientations are used in the regular style and two in what is called the italic style. I thought the fang motif did not come through clearly in the regular and italic styles. Rather the impression they give is more like graffiti lettering. To emphasize the fang motif I added two more members to the family by filling fang outlines with unadorned sans-serif characters. Then to allow more color in lettering, I added two more styles with letters on black. I then had six styles based on triangles skewed left and right. Why not fill the family out with three more styles based on an isosceles triangle? The end result is a family of nine. All members of the family are monospaced and are hard to read. The three graffiti-like styles have some alternative letters that can be accessed with the OpenType feature Stylistic Sets. Also, for each style it is possible to use only one set of characters by adding a space after each letter and then adjusting the character spacing. The graffiti-like styles can be useful in situations where the hard-to-read property is not important but where a menacing and vicious touch is needed, such as topics of sharks, teeth, biting, and vampires.

In 2015, Amsi Pro was released with the intention of easy usage and headings. After more than 5 years, Amsi has developed itself into the direction of Grotesk, which can be use comfortably as Graphic, both text and headlines, keeping its friendliness trait with Semi-Rounded and Humanist approach looking pleasing to the eye, succeeding the DNA of Amsi. The font has been set to equipped with 3 widths (Normal / Narrow / Condensed) for flexibilities in various demands. We are truly proud to present Amsi Grotesk.

Square Diamond Monogram is a perfect rectangular rhombus shaped monogram font consisting of 78 letters and 1 frame. With just a single font file and detailed printable key guide instructions, you will be able to create beautiful monograms in just a matter of minutes after the purchase! Square Diamond Monogram Font comes with font files in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Douglass Pen was inspired by the handwriting of Frederick Douglass, who was born an American slave but died a distinguished 19th century statesman, orator, and abolitionist leader. He also had fine penmanship. Douglass Pen is modeled chiefly after Douglass's handwritten account of John Brown's famous 1859 raid on Harpers Ferry, Virginia. It simulates his somewhat condensed cursive, dashed off in a swift, bold style. The OpenType release has more than 800 glyphs, including scores of ligatures, alternative upper cases, inkblots, crossouts, and Eastern European characters.

I named this font after one of my favorite songs by Soundgarden: "Rusty Cage". The font is a mishmash of letters, which were hand-drawn and given a photoshop overhaul to make them look grungy and grotesque. I mixed upper and lower case letters, added a whole bunch of alternate letters, spooned in some Salt and Calt and added a pinch of Liga as well. The result is a weird concoction, which looks good on posters, in ads and possibly even tattoos. I dare you!

Aaaaand here it comes! New sans serif typeface NORTH STAR. Pure geometric forms – this is what makes these fonts look so special. Ad materials, logos, posters and so on so on. The font comes in Regular and Bold, both are Latin multilingual and have uppercase letters, lowercase letters, numbers and basic punctuations. Thanks to its geometric shape you can also make an additional effect with combining different colors in the one letter and adding shades. Its easily done in AI after you convert your text to outlines.

Ardina was designed for the Portuguese newspaper Jornal de Notícias. Right after the exclusivity period, we decided it was a wonderful addition to our type library, therefore we redesigned it and included an extended set of characters. Ardina is a soft and warm news typeface, with five weights and matching italics, three grades (Display, Title, and Text), and slightly narrow proportions but with a very nice x-height. It’s the right typeface for a serious newspaper that intends to achieve a very contemporary feeling.

Narevik consists of 7 styles -- 4 uprights (including black) and 3 italics. It’s a type of dynamic low contrast design with slightly rounded triangle serifs and drops which conveys to it a certain peculiarity. The vertical strokes have gentle intasis that brings additional softness to the shapes. The family was created by Armenian designer Manvel Shmavonyan and got its name after his daughters Nare and Arevik. It can be used in text composition as well as in display matters. Released by ParaType in 2011.

The "Architect's Font" for Everyone! Having taught Mechanical Drawing - BC (before computers), I have always wanted to digitize my every day lettering as I have previously done with my calligraphic lettering. Based on my own daily lettering style, which in turn is modeled after the hand lettering of draftsmen and architects, Fran Hand comes with Regular and Italic versions each for the same low price. Use "Fran Hand" for writing letters, fax cover sheets, invoices, spec drawings, or for enjoying a change from the prosaic and commonplace.

Clover is a modern retro font with a light, bubbly feel! This font is perfect if you are after a fun script font that has a lot of edge! The versatility of this font reaches wide. Use this one for branding, logos, advertisements, shirts, stickers, social media, invitations and more! The complete package includes a complimentary shadow version for easy and perfect layering every time! Clover will take you right back to the 70's but still provide a fresh look to your designs!

Ardina was designed for the Portuguese newspaper Jornal de Notícias. Right after the exclusivity period, we decided it was a wonderful addition to our type library, therefore we redesigned it and included an extended set of characters. Ardina is a soft and warm news typeface, with five weights and matching italics, three grades (Display, Title, and Text), and slightly narrow proportions but with a very nice x-height. It’s the right typeface for a serious newspaper that intends to achieve a very contemporary feeling.

Sink your teeth into the heavy-hitter Sistine Family consisting of Regular to Extra Black weights along with an extra black stencil style. They are a tough and industrious set of typefaces suited perfectly for headlines and poster design, and so much more. The Opentype ligatures feature swaps in special THE & AND (by typing a space before and after THE or AND in all capitals), as well as a double cap L option. Stylistic Alternates include a variant Q and R for all styles.

introducing AESTHETIC VIOLET - natural handbrush script - AESTHETIC VIOLET is natural handbrush font with ending swash. It is great for quotes, card, banner, book, social media content, and anything about your project. The ending swash makes this font look so natural. Very easy to access it. You only need to add an underscore twice after the lowercase. This product came in 2 styles, regular and slant. Features: - Uppercase - Lowercase - Ending swash - Number & punctuation - Multilingual - PUA encoded I hope you love it. regards, Abo Daniel Studio

The hand lettered title on the cover for the (ca. 1917) sheet music for “After the War is Over” provided the design inspiration for National Nouveau JNL, which is available in both regular and oblique versions. A precursor to the Art Deco movement which would arrive within the next decade, this bold thick-and-thin design embraces the elements of both Art Nouveau and Art Deco in one type design and gets its name from the patriotic spirit of America during “The Great War”.

HANNAH & CLAY | handwritten serif font After the love that MILK & CLAY received, I thought I would make a serif version for all you serif typeface lovers out there. It is the handwritten version of one of my favourite fonts 'hannah hannah'. I absolutely love how this turned out and the unpolished warm feeling this font has. It feels very high-end, but still approachable, inviting and grounded because of its soft edges and human feel. I hope you love it as much as I do xx

Franklin Gothic was designed between 1903 and 1912 by Morris Fuller Benton for the American Type Founders Company. The font serves as the American Grotesk prototype. It was named after Benjamin Franklin. Even today, Franklin Gothic remains one of the most widely used sans serif typefaces. The robust character of the font gives text a modern feel. It is widely used in newspapers and advertising and is frequently seen in posters, placards and other material where space is restricted. Featured in: Best Fonts for Tattoos

After the Second World War, the Ionic style replaced Modern Face as the favored typeface for newsprint. A couple decades later, it was in turn replaced by the next generation of newspaper fonts, a mix of Old Face, Transitional and Modern Face forms. Rotation was designed by Arthur Ritzel and presented by Stempel/Linotype in 1971 and named for the rotation newsprint machine for which is was particularly suited. The font displays the influence of Old Face design and gives newsprint a feeling of lightness and elegance.