Oh, if fonts could talk, Growing Script by Nuryanto Dwi would be the charming, smooth-talking poet at the party, captivating everyone with its elegant flourishes and oh-so-expressive curves. Released...
"Platinum Sign Over" by Imagex is a font that dives into the realm of creativity and elegance, capturing the essence of artistic flourish and sophisticated design. This particular typeface stands out...
"Give Me The Scoop" is a font that conjures images of playful narratives and lighthearted moments, reminiscent of whimsical tales and sun-drenched afternoons spent in nostalgic reverie. At its core, ...
Kick Start SSi is a font that seems to pulse with creative energy and dynamism, much like the very essence of a creative kickstart it aims to embody. Designed by Southern Software, this font is imbue...
"Today I Feel" is a distinctive and expressive font created by Kimberly Geswein, a prolific font designer known for her wide range of typefaces that capture everything from whimsical charm to elegant...
Sure, diving into the essence of a font named "Oneworldonefuture" designed by Dieter Schumacher is like embarking on a journey through artistry and vision. This is not just a mere collection of lette...
The Anja Eliane font is a delightful embodiment of elegance and grace, intertwining classic charm with contemporary flair. This typeface has a distinctive character, resonating with the personality o...
Sure thing! FloraDings isn't your typical font made up of letters and numbers; instead, it's a charming and whimsical collection of what one might call "floral dingbats." It's a creative ensemble of ...
The "Cookies" font embodies the warmth and charm of home-baked goodness, encapsulating an essence that is both whimsical and inviting. Picture walking into a cozy, sunlit kitchen, the air filled with...
Mobile Sans is a compelling font that brings to the world of typography a clean, readable, and modern aesthetic highly suited for digital screens and mobile interfaces. Its design is a nod to the req...
Fette Trump-Deutsch, designed by Dieter Steffmann, is a typeface that captures the essence of traditional German craftsmanship in typography. This font stands out for its bold and robust character, r...
KR Keltic One is a distinctive typeface designed by Kat Rakos, encapsulating the essence of ancient Celtic culture with a modern twist. This font showcases an intricate design that mimics the traditi...
Imagine stepping into a comic book universe where every corner hides unseen perils and unforeseen heroes – this is where the "Super Danger" font by Last Soundtrack takes its stand, bold and unflinchi...
Ah, Espresso, the font that sounds like it was brewed in the dimly lit corner of a quaint Italian café, its letters wafting towards you with the intoxicating aroma of freshly ground coffee beans. Thi...
The font "Throw My Hands Up in the Air" is a playful, whimsical creation by the talented font designer Kimberly Geswein. True to its name, this font carries a sense of carefree joy and exuberance, as...
Sure thing! Picture this: Headache is not just a font; it's a statement piece for your visual designs. Imagine crafting a message that refuses to whisper but instead, roars off the canvas - that's He...
The historical source to Bad Situation comes from "EXAMPLES OF MODERN ALPHABETS, PLAIN and ORNAMENTAL; including German, Old English, Saxon, Italic, Perspective, Greek, Hebrew, Court Hand, Engrossing, Tuscan, Riband, Gothic, Rustic, and Arabesque, etc." Collected and engraved by F. Delamotte, and first published in 1864. The original alphabet was called "Example Alphabet" (plate 48), by Delamotte.
Here’s a typeface with a stance as big as Texas. It’s based on Vincent Pacella’s 1960s oeuvre for Photo-Lettering, Inc. called Pacella Vega Extended 10, and named for a county in Central Texas, home of Possum Kingdom Lake. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.
I really like peanuts! My family and I often eat an Indonesian snack called Rempeyek, which is a deep fried, battered peanut cracker and I was probably craving one when I made this font. Peanut Crunch is a hand painted display font. It comes with some alternates and a bunch of ligatures for you to play around with.
This is our newest product called Elliana Samantha. Elliana Samantha is a stunning signature font with a cool twist. Get inspired by its modern simplicity! This font is suitable for use on business cards, wedding invitations, t-shirt designs, logos, magazines, quotes, fashion, watermarks, invitations, signatures. Thank you, and don't forget to check out our other products.
Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold weight is added into the font family. The character set support is similar to Palatino nova, but Greek and Cyrillic are not available in book weight fonts.
This idea of "wrong way weights" was originally called French Clarendon by the Americans, Italienne by the French, and American by the Italians. Sounds like nobody wanted to own up to it. When it was revived by ATF in 1933, it was given the name P. T. Barnum. Many variations have appeared. Dime Museum is an old wood type.
Handmade Dropshadow JNL was modeled from lettering found on a vintage silk screened metal sign used for point-of-sale marketing. Before the advent of computers and modern techniques, silk screens were hand cut using material called frisket and knife tools, and the lettering reflected the human inconsistencies of cutting these lettering into the template surface for transfer.
The pattern for this classic typeface was originally called "Viking Oldstyle", from the 1909 H.C. Hansen Type Foundry catalog. To enhance its weathered look, the inside corners have been rounded to simulate ink buildup on metal typeforms. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.
Kino font was designed in 1930 by Martin Dovey for the Monotype Corporation. Heavy in weight with the letters clipped at the top and bottom, Kino is unique among display types. Display typefaces with triangular serifs are sometimes called Latins and Kino is referred to as a serifless Latin. Use Kino font sparingly in informal display situations."
In 1913, Leipzig-based foundry C. F. Ruehl released a hot-metal font called Caesar-Schrift which was cut by the engraver and medalist Georg Schiller (1858-1937). This humanist sans combines successfully traditional classic forms with the flowing lines of the Art Nouveau period. Now revived as Caesar Pro, this font was carefully extended and made multilingual.
Correntino Railway is a product of argentine typographic archeology project called “Tipografía Histórica Ferroviaria” (Fabio Ares & Octavio Osores, since 2012). Is about the signboards of the stations of the line of the Argentine Correntino Economic Railway (1892-1969). The letter of this signboards can be described as display type, with elementary geometric shapes, vertical line modulation and slight contrast.
Hello guys! Introducing our newest product, we call this product the Thibero font Thibero font is a regular font with a retro style With a unique and firm touch Thibero fonts are great to use on: fashion magazines, logos, and photography, landing pages, flyers, What's included - multilingual support - ligatures -alternate Thank you, best regards Ali Sifak Muftari
Thannhaeuser’s mid-1930s display blacklettr font as a fresh and extended redesign called Staufer Gotisch. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. To reach the numero sign, type the combination N-o-period und activate the OT feature Ordinals. The # key is occupied by the round s.
One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Gullywasher is distinguished by its unusual letterforms and “pineapple” serifs. The font takes its name from a Texas term for a heavy rain. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.
Vincent Pacella designed the inspiration for this typeface, which was called Carousel and was issued by Photolettering in the 70s. Fresh and bouncy, its retro charm will perk up any project it graces. The PC PostScript, TrueType and OpenType versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.
Hello guys! Introducing our newest product, we call this product the Colonse font Colonse font is a font family consisting of regular, bold and hollow colons With a unique and firm touch Colonse font is great to use on: fashion magazines, logos, and photography, landing pages, flyers, What's included - multilingual support Thank you, best regards Ali Sifak Muftari
Klubovka is a modern typeface with a vintage style. The font is made in a combined style, so you can't call it a serif or sans-serif typeface. Latin and cyrillic alphabets are available with a modern letter design, as well as support for other languages. The font looks good in both headings and body copy.
Here's another gem from Samuel Welo's perennial classic, The Studio Handbook, originally called Goddard Classic. Welo's inimitable penwork manages to be both worldly and whimsical, and remains as fresh today as when it was first introduced in the 1920s. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.
Introducing the new script font called Volkschaft. High quality script font with swashes inspired by retro propaganda poster and graphics. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set that allows you to mix and match pairs of letters to fit your design. This font is good for vintage design, t-shirt, logo, labels, badges, posters and etc.
I love creating fairytale fonts, but for some reason I haven’t made one for quite a while. So, without further ado, I present Griezelig! Griezelig in Dutch means ‘scary’ or ‘creepy’. The word itself even looks kind of creepy! Griezelig was loosely based on two of my favourite (but unfortunately rather inconspicuous) fonts called Hexenhammer and Bronwen.
A 1920 art magazine from Great Britain entitled “Pan” had its three letter name hand lettered on the cover in a style that had elements of Art Nouveau, Art Deco and what would eventually be called Techno in the 1980s. This inspired the typeface Art Magazine JNL, which is available in both regular and oblique versions.