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  1. Yiggivoo Unicode - 100% free
  2. SlabFace 2010 - 100% free
  3. Bitume - 100% free
  4. Astral Groove - Personal use only
  5. Featured Item - Personal use only
  6. Toonish - Personal use only
  7. Cartoonist - Personal use only
  8. Drummon - Unknown license
  9. Valium - Unknown license
  10. Rabanera - Personal use only
  11. Cube - Unknown license
  12. FatBoy - Personal use only
  13. Octin College Free - 100% free
  14. Walkway Black - Unknown license
  15. Europe Underground Worn - Personal use only
  16. HL2MP - Unknown license
  17. Trumania EEN - 100% free
  18. POLLUX9200 - Personal use only
  19. Earthbound - 100% free
  20. Weaponeer - Personal use only
  21. Postmaster - Unknown license
  22. Rammstein - Unknown license
  23. Facet Black - 100% free
  24. ParaAminobenzoic - Unknown license
  25. Rolling No One - Personal use only
  26. WC Wunderbach Bta - Unknown license
  27. Jumbo Outline - 100% free
  28. Robotaur - Unknown license
  29. Notice - Unknown license
  30. Brothers of Metal - Unknown license
  31. HIPTRONIC - 100% free
  32. Kovacs - Unknown license
  33. Prussian Brew - Unknown license
  34. NeverSayDie - Unknown license
  35. Heavy Rotation - Unknown license
  36. Lumio - Unknown license
  37. Ut Sa Ha Gumm Thai by Linotype, $187.99
  38. Quercus 10 by Storm Type Foundry, $69.00
    Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.
  39. Quercus Whiteline by Storm Type Foundry, $69.00
    Quercus is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.
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