Vivala bl has a high black ratio that supports a compact typographic style. It is particularly suitable for decorative typesetting, for example, for posters, logos, and book illustrations. Complementing the ornamental style, Black Letter has a narrow style that works well for smaller type sizes. And it is equipped with various contextual alternates and ligatures.

Micolesther is well-balanced modern rounded font with beautiful ligatures. Included upercase, lowercase, numeral punctuation, mutlilingual support, alternates and ligatures. With moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility.

This is a blocky typeface with thick lines and no serifs. It's a modern design with a hint of vintage lettering with a thicker vertical line on one side of each letter. Most letters are square shaped. The two styles are regualar and hollow, with the hollow style having the thicker areas hollowed out.

Karara Shadow, a complete font set and additional font style of Karara. The word Karara means patience & steady. The style is achieved by practicing and studying the modern techniques to deliver high-end professional font. This specific font had a tint of wall chalking & texture. Carefully engraved and stenciled to delivery clean cuts and design.

Jhaneponto is a display font with a hint of a modern blackletter style. Jhaneponto font is suitable to use for logos, titles, landing pages, leaflets, and others. With its shape and uniqueness, you will definitely like this font! This font is PUA encoded which means you can access the available glyphs and swashes with ease!

This special Office version of Brandon Grotesque is especially for all Microsoft Office applications (Word, Excel, Powerpoint …). It contains just the 4 basic styles which are stlye-linked and can be easily accessed by the "I" or "B" button in Office. The fonts are manually hinted so their appearance is also optimized for these applications.

Pringle - Display Variable Font is a versatile, bold and unique font. Combination between high contrast and Brutalism style, Pringle has a unique style with stylistic, alternates,and supports multilingual languages. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. OTF and Variable Font (TTF)

Halloween is coming. Get prepared earlier with our Suspiria Vampira. A bold and bouncy fonts with 2 styles, Clean and rough. Very good for a halloween concept, but the versatility level are high in this font. It can be placed into any fun and cheerful branding or event concept. So many possibilities coming up!

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web. The original Malabar was designed by Dan Reynolds.

Ramban is a high quality blackletter typeface for your designs, with metal and gothic accents to make your designs even more exclusive. Can be use for various designs such as band logos, cloting, even film covers or tour posters. Includes Uppercase Letters and unique Roman Numbers with some extra bonus Ligature Characters. No Punctuation !

P22 Music Pro is a unique font system that allows the user to compose music with text editing and page layout programs capable of OpenType features and contextual substitutions. The OpenType features speed up the composing process by adding chords, contextual accidentals (sharps and flats), contextual key signatures and time signatures. P22 Music Pro covers a wide range of symbols and notation used in traditional western music composition. P22 Music Pro requires an application that uses OpenType features and is capable of contextual substitutions, such as Adobe InDesign or Illustrator. P22 Music is the companion, non-pro font included with P22 Music Pro and also sold separately. P22 Music also contains music symbols and notation and is suited for layout and text edit applications such as Microsoft Word that do not support Pro OpenType features. Unlike the P22 Music Pro font, the music symbols in the non-pro font are not tied to the staff lines, making them more useful for general design purposes. Staff lines are included as a separate character.

PHOENICA is a contemporary humanistic typeface family suitable for traditional high-resolution print purposes, office application and multi-media use. Of the creation formed the basis an idea which was developed for the first time by Lucian Bernhard approx in 1930 with the Berhard Gotic and was taken up in the last time by different written creators repeatedly: the repeated elimination anyway (in comparison to a Antiqua, e.g. Garamond) already very much diminished form Grotesque (as for example Helvetica) by systematic leaving out of the serifs. The horizontal direction of the writing is thereby stressed remarkably by which so-called »Rail effect« originates. The eyes can grasp the line to be read very well what is ordinarily left to a Serif-stressed font. By this desired effect is suited PHOENICA also for big text amounts. In numerous test runs Stems and tracking was compared to experienced fonts and was adapted. The experienced was taken over without renouncing, nevertheless, the modern and independent character PHOENICA. PHOENICA offers to you as a welcome alternative to the contemporary humanistic Sansserif. It is a very adaptable family for text and Corporate design uses. Several companies have discovered PHOENICA meanwhile as a Corporate font for themselves and use them very successfully. She provides a respectable typeface combined with refinement and elegance. Every PHOENICA family has at least six weights in each case in regular and italic. In addition more than three fine Haarline weights (Hairline 15, 25, 35). These are a total of 27 possibilities. Phoenica as well as Phoenica Condensed are excellently readable fonts, because they were optimised especially for amount sentence. Both basic styles (Regular and Condensed) are tuned on each other and follow the same form principle. The family is neither exclusively geometrical nor is constructed humanistically, the forms were sketched on quick and light Recognition effect of every single letter. The PHOENICA family design and logo is suited for all only conceivable uses like newspapers and magazines, for the book typography and Corporate Design.

"Berganza" is a typeface designed as a tribute to the spanish century called "Siglo de Oro". Embellished with several ornaments and swashes, it quickly reminds an age in which castilian arts & letters were flourished, as well as the fantasy knighty fables adventures of heroes, loved ladies and evil villains. Although the Siglo de Oro cannot be set in specific dates, it is generally considered to have lasted more than a century; between 1492, the year of the discovery of America and 1681, the year in which the writer Pedro Calderón dela Barca died. Lope de Vega, Francisco de Quevedo, or even William Shakespeare (in England) are also famous figures of this time. Berganza typeface takes its name from the main character of the picaresque novel "The Conversation of the Dogs" (Cervantes, 1613). Berganza is able to speak with the other dog Scipio on a big number of social & philosophical topics. Talking about technics, Berganza is a modern typeface but with a humanist flavour. Thanks to its various styles and flourishes, it immediately refers to the culteranism aesthetic of that time, whose aim was to elevate the noble over the vulgar. But also, Berganza takes advantage of the contemporary technology, highlighting in his drawing the contrasted forms and certain broken and unusual strokes in order to give it a brave and different style touch. Berganza includes four weights to be used for continuous reading with great visual richness. However, it is more recommended for large sizes, since its unusual and particular details appear when the letter grows. Finally, the hundreds of glyphs and Opentype features that it has incorporated, allow us to change the aesthetics of the type according to our needs. OPENTYPE FONT 518 CHARACTERS 1113 GLYPHS 4 INSTANCES (Regular, Bold, Italic & Bold Italic) 38 LANGUAGES 28 LAYOUT FEATURES (stylistic sets, ligatures, historical ligatures, swashes, contextual alternates, numerals, etc) DESIGNED BY CARLOS CAMPOS IN 2021 www.cuchiquetipo.com Dummy text from wikisource.org («Rinconete y Cortadillo», by Miguel de Cervantes).

Brutal Type — is a new sans serif typeface with a distinct manly character. It’s based on the shapes of DIN font, however radically reconsidered. Despite the apparent simplicity and obviousness of forms, the Brutal Type design is original and fresh. This font is universal and familiar to all, emotional and catchy at the same time.

Bufon is a font that holds many ligatures (815); a characteristic that intervenes in the rhythm of words. For this aim, a study of the combination of signs in the text was made. The interest was to detect the most frequent duets and trios of letters. Three languages were studied; English, French and Spanish.

Our font of the original was only ten point, so we had to use our imagination to a great extent. As specialists in Victorian typography, we have found that many people do not like the "center alignment" idea, used on several old time faces, but we have been faithful to the original. So there!

Thrills! It's urgent, it's compelling, it's immediate gratification and so much more than a Thrill-a-minute because it's now available in five weights! So Jump, Twist, Flip and Split for this adrenalin-packed family of fonts that will give you a rush of excitement every time you punch in as much as a hyphen!

An old ad for Cointreau Triple Sec Liquor featured a bolder variant of the lettering style found in a set of vintage tin stencils that were the model for French Stencil JNL. This is now available as Belle Epoque Stencil JNL, in both regular and oblique versions. “Belle Epoque” means “beautiful era” in French.

This bitmap font is made of 97 icons to use to express this time of the year... You will find christmas tree, Santa, cake, stars, gobelin, and a lot more. They work well for background tiling, just as symbols, or for anything else. We hope you like them ! Best size in bitmap is 20pt.

Armont is a Vintage typeface font, it will add an old-time charm to any design project. This collection of font is perfect for everything your project with vintage, retro, wild or organic style. Features : Uppercase & Lowercase ( in All Caps ) Numbers & Punctuation Multilingual Alternate character & ornament How to access alternate / ornament ? : https://hanscostudio.com/tutorial/ Enjoy!

Fox was originally designed by W. Rebhuhn for the former German Genzsch & Heyse foundry. In reminiscence of the good old times, Ralph M. Unger redrew and digitally remastered this font in 2007. His work is based on artwork taken from old font catalogues. Fox is a very lively script, quite typical for the 50s

I have no particular affection for ducks, nor do I keep them, but I thought it was about time someone named a font after them! Sitting Duck is a jolly comic/kids font. Handmade (of course), cute and useful. Comes with extensive language support and a cool alternative asterisk in the shape of a duck.

Another of the “must have” wood types for those doing poster work with an old-time flavor. Very readable, therefore very useful. We did ads for an old western tourist railroad, and used this often. William Page was a prolific designer of wood types, and his fonts were at every poster print shop we visited.

Bellerin is one of my fonts based on a hand lettering project in 2020. I was very inspired by the famous retro typography designs form the late 60's till the 70's. So you won't need extra efforts for create an extrude effect for this font. This mean it will saves your time.

Letters in circles are certainly nothing new typographically, but nonetheless they were a favorite tool for sign makers in past decades for emphasizing names or key words in a message. Inspired by an image of an old-time hardware store sign in New York City with Franklinesque lettering, it has been reproduced as Circuletter JNL.

Thalia is a wonderful Artdeco typeface design reminiscent of 1900. Very likely, it was originally designed at that time. Unger redesigned the typeface based on old prints, completed the character set and expanded the typeface to cover the full Latin glyph set. Thalia is perfect for anything about theater, such as posters, programs, etc.

March may be a good time to use this typeface. PattyDay is a caps-only typeface in which the letters are decorated with shamrocks or clovers. Some but not all of the lower-case letters are different from the upper-case letters. If you want a version of this face without the shamrocks, try Ingone.

A down-to-earth font from the hand of a mother from a time when writing was something still done with accuracy and poise. This font evokes motherly memories that you cannot let die, memories of a woman who didn't have it easy, who never gave up, and who made sacrifices for her children.

My beautiful mom was diagnosed with breast cancer in August 2011. Our family's resolution was to love my mom through this time- to stay by her side and remind her each day that she is not alone and that she is loved as she walks this difficult road. This font was made in her honor.

Salud is hand-drawn typeface based on light and bold slab serif. It has 8 font styles and supports extended latin. It may be used in presentation for a big company or in flyers for a birthday party. Other words it plays at both sides: can be formal and at the same time funny.