Ah, Olympus by Levi Halmos, the typeface that climbed out of the typography pantheon to grace us mere mortals with its divine presence! This font, much like the mythical abode it's named after, stand...
"Club Dia" is a unique and vibrant font designed by dibujado | dabnotu, an artist known for their distinctive and imaginative approach to creation. This particular typeface stands out with its bold a...
Danube, crafted by the talented Levi Halmos, is a font that refuses to just sit quietly in the corner of your document, sipping tea and discussing the weather. No, Danube is the life of the party, th...
The font KR Butterfly Two, created by the talented designer Kat Rakos, is a beautifully whimsical and distinctly decorative typeface. This font is part of a broader collection that showcases Rakos's ...
Imagine a font that strolled out of a whimsical art project, tip-toeing between creativity and readability with the grace of a ballet dancer. That, my dear reader, is CAC Lasko Even Weight, crafted b...
Cheese Fontdue, designed by the talented Ray Meadows, is a delightful and whimsical typeface that seems to capture the playful essence of its namesake. As the name might suggest, it evokes the gooey,...
As of my last update in April 2023, there isn't a widely recognized or specific font named "Paramount" that has established itself within the typography community or the broader design world. However...
Angel Light by Rémi Godefroid is a font that seems to capture the essence of delicacy and grace, almost as if each letter has been crafted from a whisper of light. The typeface, ethereal in its appea...
Designed to be set in big, large and huge sizes in classic TNT (tight-not-touching) style, Benguiat Caslon is dynamite for a wide range of display demands. We also included outline and drop-shadow versions as well as numerous swash caps, ligatures, contextual alternates and automatically-shifting punctuation. Ed Benguiat originally designed this alphabet for the Photo-Lettering library during his tenure as the legendary type house’s art director. When we purchased Photo-Lettering in 2003, one of the first things we did was start picking some of our favorite films to digitize as fonts. Photo-Lettering partner Christian Schwartz chose this expressive serif specimen for its high contrast strokes that stand up to the most vigorous display typography demands without withering against pesky design limitations like screen resolution, ink spread and dot gain. FEATURES: Alternate characters, ligatures and contextual substitutions add an unexpected flair to words and phrases. We also provided a drop shadow to add depth and dimension. Shifting punctuation marks take care of those optical tricks so you don't have to. A delicately expressive outline version adds color even in black and white. BENGUIAT CASLON CREDITS: Typeface Design: Ed Benguiat Typeface Digitization: Christian Schwartz, Bas Smidt Typeface Production: Ben Kiel, Jason Campbell Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.
"Lady Ice - Extra Light" by Apostrophic Labs is a font that effortlessly captures a blend of sophistication and minimalism. This typeface, with its extra light weight, exudes elegance and delicacy, m...
If you create a lot of designs for display, then you know how invaluable a good, solid, geometric face is. Wodehouse is here to deliver. It has both a vintage, between-the-wars look and feel and a geometry with superelliptical rounds that embrace later, more modular designs. It's a little Deco, a little Moderne, a little Industrial and a lotta personality. Wodehouse has style. Wodehouse stands out. Right ho, Woodhouse!
Arto is a unique super-condensed typeface, ideal for branding projects and editorials headlines. The super tight kerning give this family a distinctive retro feel. The full family is a go to font for making projects distinctive, allowing projects to stand out. Arto Condensed has an extended character set to support Central and Eastern European as well as Western European language. Also available a variable version of the font.
NATRON by Posterizer KG, $25.00 NATRON is rounded and condensed sans serif typeface, designed for tight-fitting text. Supports Latin and Cyrillic codepages for Western, East and Central European, and Baltic countries. The NATRON family has two weights, medium and bold, and a collection of thematic adapted pictograms (for food product packaging and textile industry). This typeface has been designed for all type of visual communication projects and especially for labels and packaging and accompanying declarations.
A 1918 poster issued during World War I from the YWCA encouraged women to pitch in to the war effort by joining the “United War Work Campaign”. The Art Nouveau hand lettering of that poster was a slight throwback to the “Western” or “Victorian” style of typography because of the characters having split serifs. This is now available as Village Hall JNL, in both regular and oblique versions
Bold and angular. SbB Powertrain's glyphs are constructed from simple shapes. All straight edges and lots of right angles, but surprisingly friendly. A wide range of weights and widths make Powertrain perfect for branding projects, posters, logos or any project where you need maximum flexibility. Ten weights and five widths Small caps Stylistic alternatives Opentype figure styles Complete version includes a variable typeface with three axes: weight, width and slant.
It is a neat and friendly handwriting typeface with unadorned innocence. The tight handwriting gives off a cute atmosphere as if it were written by a young person. In the existing KINDERLAND, only Regular and Bold were introduced, but the Korean version of the font introduces two white weights. White weight can give a unique feel by saving only the border and not filling the typeface. This font contains Korean.
