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  1. Mr Palker by Letterhead Studio-YG, $35.00
    A slab serif Mr Palker and grotesque Mr Palkerson build one superfamily together.  These are blank types. In a way even the display ones. Typefaces for newspapers, announcements, cheap advertising and police posters.  Mr Palker and Mr Palkerson will turn every language into a fence. And due to six types of faces one can choose what material should the fence be made from — from Thin steel rods to   the Black stone blocks. In their simplest appearance Mrs P&P are  intended for the solid blank composition in victorian or industrial style. They are quite decent, a bit old-fashioned slab serif and grotesque with closed aperture. All my types have layers. Walker and Palkerson also do. Besides the standard set of symbols, they have 4 add-ons. 1. Alternate glyphs, including unicase ones. 2. Ligatures with A letter. 3. Extra tall small caps. 4. Two-storey ligatures. All this options are intended for the complex composition. The additional letters are rather eccentric as their main function here is to imitate the victorian oddities. Imitate, parody, just not repeat. There are lower-case As and Es in the set in height of small caps and uppercases. They can turn every writing into the unicase.    The lower-case A (as well as uppercase and small caps version of it) has deliberately by my taste grown a ludicrous tail. To compensate it I’ve built all the possible ligatures - ад, ал, ая. There are 35 of this ligatures all together. Take a closer look at the Russian letters D, L, K, Ya from the main set as well as their alternates. The additional glyphs are one more comic than the other — on purpose to imitate (not to repeat!) the victorian set. This sets have lowercase numbers. And small caps numbers as well. What a modern typeface without them. They also have an У-letter with a generously curvy tail. As if before the WWI. The Latin of course has alternates as well. It has letters to make the perfect French sound more like the russian provincial version of it. The tails of Js and Ts can be made a little bit more open — or a little bit closed. My favorite feature here, an invention of a kind - extra tall small caps. It allows to compose logos with the small caped uppercases directly from the keyboard. The small caps of this typefaces are usually much taller than the customary ones. This is the kind of small caps that Palker and Palkerson have. More to that, the strokes’ weight and the letters width are corresponded to the uppercases. Just a ready set for making a logo a la 1913 style. With a unicase, one has to mind! One more trick with the tall small caps is a possibility to make them work like lower uppercases. Their height is just in between of lower- and uppercases. Isn’t it great to have an additional set of uppercase working ponies in stock for the case of emergency. And finally — the trademark of Palkers family, two-storey ligatures. They are made in the height of uppercases and turn every writing into an ornament or a puzzle of a kind, while at the same time making them much shorter. Each face has 90 of them. Mainly those are twins: CC, BB, DD and so on. ll this things are for the unhasty compositing, even for lettering. Which means that for the things which are not there you always should have Command+Option+O and some patience. Also — among the two storey ligatures one also can find some belvedere villas. All my types are glasses from the one kaleidoscope. The P&Ps family was preliminary part of the victorian set, which already has 1 Cents and Clarendorf - optionally one can add Costro, Gordoni, Handy, Guardy, Surplus, Red Ring, Red Square, Babaev to the list. And also Sklad, Odessa, Dreamland, Romb, Platinum - here, at Letterhead’s, every second one is victorian. All together our typefaces can allow one to set advertisement of any kind, even the trickiest one, and compose everything, from the coffee place’s menu to the antiquarian magazine.
  2. Mr Palkerson by Letterhead Studio-YG, $35.00
    A grotesque Mr Palkerson and slab serif Mr Palker build one superfamily together. These are blank types. In a way even the display ones. Typefaces for newspapers, announcements, cheap advertising and police posters.  Mr Palker and Mr Palkerson will turn every language into a fence. And due to six types of faces one can choose what material should the fence be made from — from Thin steel rods to   the Black stone blocks. In their simplest appearance Mrs P&P are intended for the solid blank composition in victorian or industrial style. They are quite decent, a bit old-fashioned slab serif and grotesque with closed aperture. All my types have layers. Walker and Palkerson also do. Besides the standard set of symbols, they have 4 add-ons. 1. Alternate glyphs, including unicase ones. 2. Ligatures with A letter. 3. Extra tall small caps. 4. Two-storey ligatures. All this options are intended for the complex composition. The additional letters are rather eccentric as their main function here is to imitate the victorian oddities. Imitate, parody, just not repeat. There are lower-case As and Es in the set in height of small caps and uppercases. They can turn every writing into the unicase.    The lower-case A (as well as uppercase and small caps version of it) has deliberately by my taste grown a ludicrous tail. To compensate it I’ve built all the possible ligatures - ад, ал, ая. There are 35 of this ligatures all together. Take a closer look at the Russian letters D, L, K, Ya from the main set as well as their alternates. The additional glyphs are one more comic than the other — on purpose to imitate (not to repeat!) the victorian set. This sets have lowercase numbers. And small caps numbers as well. What a modern typeface without them. They also have an У-letter with a generously curvy tail. As if before the WWI. The Latin of course has alternates as well. It has letters to make the perfect French sound more like the russian provincial version of it. The tails of Js and Ts can be made a little bit more open — or a little bit closed. My favorite feature here, an invention of a kind - extra tall small caps. It allows to compose logos with the small caped uppercases directly from the keyboard. The small caps of this typefaces are usually much taller than the customary ones. This is the kind of small caps that Palker and Palkerson have. More to that, the strokes’ weight and the letters width are corresponded to the uppercases. Just a ready set for making a logo a la 1913 style. With a unicase, one has to mind! One more trick with the tall small caps is a possibility to make them work like lower uppercases. Their height is just in between of lower- and uppercases. Isn’t it great to have an additional set of uppercase working ponies in stock for the case of emergency. And finally — the trademark of Palkerson family, two-storey ligatures. They are made in the height of uppercases and turn every writing into an ornament or a puzzle of a kind, while at the same time making them much shorter. Each face has 90 of them. Mainly those are twins: CC, BB, DD and so on. ll this things are for the unhasty compositing, even for lettering. Which means that for the things which are not there you always should have Command+Option+O and some patience. Also — among the two storey ligatures one also can find some belvedere villas. All my types are glasses from the one kaleidoscope. The P&Ps family was preliminary part of the victorian set, which already has 21 Cents and Clarendorf - optionally one can add Costro, Gordoni, Handy, Guardy, Surplus, Red Ring, Red Square, Babaev to the list. And also Sklad, Odessa, Dreamland, Romb, Platinum - here, at Letterhead’s, every second one is victorian. All together our typefaces can allow one to set advertisement of any kind, even the trickiest one, and compose everything, from the coffee place’s menu to the antiquarian magazine.
  3. Coming Together by Font Aid, $20.00
    Coming Together contains over 400 glyphs and is supplied as a single, cross-platform OpenType font. All glyphs are accessible using OpenType-savvy applications, Unicode-savvy utilities, the Character Map utility on Windows, and FontBook on Mac OS X. Nearly 400 designers contributed to “Coming Together”: Adam Humphries, Aditi Dilip, Adrien Midzic, Afraa Gutub, Al Insan Lashley, Alan Lima Coutinho, Alaric Garnier, Alejandro Cabrera Avila, Alejandro Lo Celso, Alejandro Paul, Alessandro Segalini, Alex Cameron, Alex Coblentz, Alexander Trubin, Alexandre Freitas, Alexey Murashko, Alicia Jabin, Aline Horta, Allison Dominguez, Amanda Postle, Amy Brown, Amy Papaelias, Anderson Maschio, Andrea Emery, Andres Perez, Andrew Boardman, Andrew Jesernig, Andrey Furlan, Andrij Shevchenko, Ann Tripepi, Antonio Gutierrez, Antony Kitson, Anushree Kapoor, Anya Cam, AP303 Estudio Design, Becky Krohe, Beejay, Ben Mitchell, Benjamin K. Shown, Benjamin Varin, Brad McNally, Brad Nelson, Bradley Trinnaman, Brady Baltezore, Brandon Horne, Breck Campbell, Brian J. Bonislawsky, Brian Jaramillo, Brian Jongseong Park, Brian Mueller, Brock French, Bruce Rodgers, Bruno Pugens, Bryan Angelo Lim, Buro Reng, Caitlin Martin-Frost, Calou, Carlos Fabián Camargo Guerrero, Carlos Vidal, Cayo Navarro, Cesar Puertas, Chank Diesel, Charles Williams, Chris Lozos, Chris Trude, Christophe Badani, Christy Lai, Claes Källarsson, Claire Coullon, Claudio Piccinini, Colby Cook, Craig Eliason, Cristina Pegnataro, Curve Doctor, Dan DiSorbo, Dan Liggins, Dan Rubin, Daniel Justi, Daniele Capo, Dav(id Hubner), Dave Bailey, Dave Cohen, David Jonathan Ross, David Sudweeks, David Thometz, Dawn Mercurio, Delve Withrington, Diana van de Blaak, Didier Mazellier, Diederik Corvers, Dino Santos, Dmytro Pobiedash, Donald Beekman, Dries Wiewauters, Duncan Bancroft, Ed Hoskin, Eddy Ymeri, Edineide Oliveira, Eduardo Manso, Eduardo Rodríguez Tunni, Eero Antturi, Eli Castellanos, Elias Bitencourt, Elias Stenalt Werner, Elman Padilla, Emery Miller, Emily Leong, Emily Maher, Enrico Limcaco, Eric Frisino, Eric Stine, Erik Brandt, Espen, Evan Moss, Evangeline Rupert, Fabiane Lima, Fabio Foncati, Fabrizio Schiavi, Farbod Kokabi, Felipe Lekich, Francisco Martin, Frank Riccio, Frans van Bellen, Gary Holmes, Gautam Rao, Gayle Hendricks, Gene Buban, Georg Herold-Wildfellner, George Aytoun, Gerd Wiescher, Giles Edwards, Gist Studio, Glen Barry, Glenn Parsons, Goro Mihok, Grace Engels, Grant Alexander, Grant Hutchinson, Greg Smith, Gunnar Swanson, Gustavo Machado, Hans Nieuwstraten, Harold Lohner, Hilary Salmon, Hillary Fayle, Hrant H Papazian, Hugo Gallipoli, Ian Drolet, Ian Lynam, Ilona Kincses, Isac Corrêa Rodrigues, Ivette Chacon, Ivo Federspiel, Jacques Le Bailly, Jae-hyoung Choi, Jaime Vasquez, James Edmondson, James Grieshaber, James L. Stirling, James Lukens-Gable, James Martin, James Ockelford, James Puckett, Jarbas Gomes, Jarett Knuth, Jason Adam, Jason Robinson, Javier Suzuki, Jay Chu, Jayson Zaleski, Jean Francois Porchez, Jeff Fisher, Jeff Jarvis, Jeffrey Vanlerberghe, Jelmar Geertsma, Jennifer Clarke, Jennifer Rutherford, Jens Kutilek, Jerry Allen Rose, Jess Latham, Jesse Ragan, Jessica Page, Jesvin Yeo Puay Hwa, Jim Ford, Jim Lyles, Jim Rimmer, Jin Ping, Jo De Baerdemaeker, Joachim Muller-Lance, Joanna Abbott Moss, Joe Francis, Joe VanDerBos, Joel Vilas Boas (J85), John Downer, John Flanagan, John Foley, John Langdon, John Lopez, John Lyttle, John Skelton, Johnny Dib, Jonathan Hughes, Jonathan Pierini, Jos Buivenga, Jose Luis Coyotl Mixcoatl, Juan Acosta, Judd Crush, Judith Lee, Julie Johnson, Julie Oakley, Julie Thomas, Juliet Shen, Jumin Lee, Jurgen Weltin, Justin Callahan, Justin Chodzko, Karel Piska, Karen MacKay, Karin Eberhardt, Karin van Soest, Karla Perez, Katie Parry, Katie Snape, Katri Haycock, Katy Brooks, Kelley Garrard, Kelly Redling, Kent Lew, Kevin D’Souza, Kevin J. Boynton, Kevin McDermott, Kim Arispe, Kokin, Kristen Caston, Kristen Hartman, Kristian Möller, Kristians Šics, Kyle Jones, L Bollinger, Lan Huang, Larry Van Dyke, Laura Ricker, Laura Worthington, Laurel Wilson, LeAndrea James, Lijklema Design, Linda McNeil, Lise Barreto, Louie Crumbley, Louis Duchesne, Luke Dorny, Luke Stouffer, Madison Cramer, Måns Björkman, Marc Salinas Claret, Marcus Leis Allion, Marcus Parker, Marcus Sterz, Marie-Anne Verougstraete, Mark Simonson, Martin Majoor, Matheus Barbosa, Mathias Forslund, Matt Desmond, Matt McInerney, Matt Millette, Matthew Jerauld, Max Kisman, Michael Browers, Michael Bundscherer, Michael Cina, Michael Doret, Michael G. Adkins, Michael Hernan, Michael Paul Young, Michael Wallner, Miguel Catopodis, Mikael Engblom, Mike Jarboe, Mike Petschek, Miriam Martincic, Moira Sheehan, Monica Pedrique, Nacho Gallego, Naomi Atkinson, Natanael Gama, Nathanael Ng, Neil Fox, Neil Patel, Neil Summerour, Neil Woodyatt, Ngoc Ngo, Nguyen Pham, Nicholas Curtis, Nicole Hudson, Nicole Sowinski, Nicolien van der Keur, Nina Stössinger, Noah Scalin, Ojasvi Mohanty, Oleg Macujev, Olivia Choi, Ong Fang Zheng, Pata Macedo, Patrick Gallagher, Patrycja Zywert, Paul Hunt, Paul Langman, Pedro Moura, Pedro Paz, Per Ohlsson, PJ Onori, Premm Design Ltd, Rae Kaiser, Rafael Carozzi, Rafael Cordeiro, Rafael Neder, Randy Jones, Ray Larabie, Raymond Forbes, Ressa McCray, Ricardo Esteves, Ricardo Martins, Riccardo Sartori, Richard Kegler, Richard Miller, Rob Keller, Roballo, Rose Coplon, Roy Rub, Rudo van der Velden, Russell McGorman, Ryan Rushing, Ryan Thorpe, Sander Neijnens, Sara Cross, Scott Boms, Scott Fisk, Sergio Jimenez, Shi-Min Chin, Sílvio Gabriel Spannenberg, Soohyen Park, Sorin Bechira, Stanley Friesesk, Stefan Hattenbach, Stefan Kjartansson, Stephen Lay, Steve Harrison, Steve Marsh, Steve Matteson, Steve Mehallo, Steve Zelle, Steven Bonner, Steven Wulf, Stuart Brown, Stuart Ford, Stuart Sandler, Sue Zafarana, Sulekha Rajkumar, Susan Surface, Tanya T Stroh, Taylor Loman, Ted Ullrich, Teja Ideja, Tena Letica, Terrance Weinzierl, Theo França, Thiago Martins, Tiffany Wardle, Tim Whalen, Titus Nemeth, Tom Plate, Tom Rickner, Tomato Košir, Tomi Haaparanta, Travis Kochel, Troy Leinster, Tyler Heron, Type Mafia, Vanessa Robertson, Veronika Burian, Victor Esteves, Victor Zuniga, Viktor Nübel, Viviana G, Wellinton Reis, Wilson Thomas, Wolfgang Homola, Xavier Dupre, Xerxes Irani, Zvika Rosenberg These designers represented the following countries: Argentina, Australia, Austria, Belgium, Brazil, Canada, Columbia, Croatia, Czech Republic, El Salvador, England, Finland, France, Germany, India, Ireland, Italy, Japan, Latvia, Lebanon, Mexico, New Zealand, Peru, Poland, Portugal, Scotland, Siberia, Singapore, Slovenia, Spain, Sweden, Switzerland, The Netherlands, Ukraine, United States, Venezuela, Vietnam
  4. Ah, the font named "Immoral," a typographical riddle wrapped in an enigma, dressed scandalously in serifs and swashes. This is not your grandmother's font, oh no. It's the font that sneaks out at nig...
  5. Oh, HandPrinting! If fonts were people, HandPrinting would be that fun, quirky friend who shows up to a digital party dressed in a tie-dye T-shirt, holding a handmade sign that says, “I'm here to mak...
  6. The AndironOutline font by Nick Curtis is a distinctive typeface that draws its inspiration from vintage styles, blending them with contemporary flair to produce a fresh and engaging aesthetic. Its d...
  7. Idolwild by PizzaDude is an intriguing and distinct font that immediately catches your eye due to its unique characteristics and playful energy. Created by Jakob Fischer, the Denmark-based designer b...
  8. Ah, Bou College, the font that decided it was time to put its varsity jacket on and strut through the halls of typographical academia with a sporty swagger. Picture this: the letters, muscular and fi...
  9. The "Manics - The Holy Bible" font, capturing the essence of the Manic Street Preachers' influential album "The Holy Bible," is not a conventional typeface in the traditional sense but rather a conce...
  10. Indulta SemiSerif, conceived by the talented Spanish designer Fernando Haro (deFharo), is a font that strikes an elegant balance between functionality and aesthetics, making it an excellent choice fo...
  11. The HenryMorganHand font by Manfred Klein is a distinctive typeface that carries the essence of personality and flair, drawing its inspiration from the handwriting of historical and possibly mythical...
  12. Once upon a time in the whimsical world of typography, where letters dance and serifs flirt with space, there was a font named Slicker. Crafted lovingly by the artisan wizards at WSI-Fonts, Slicker w...
  13. Imagine if a font decided to put on its best suit, strut down the design runway, and throw a party where every letter is a VIP guest with its own quirky dance move. That's Giro for you—a font that's ...
  14. The font named "Set Fire to the Rain" by Kimberly Geswein is an embodiment of expressive creativity and a palpable emotional resonance. Designed by Kimberly Geswein, a designer known for her diverse ...
  15. Disoluta, crafted by the talented Spanish type designer Fernando Haro (known as deFharo), is a compelling and versatile font that straddles the fine line between tradition and innovation. This typefa...
  16. The Bubblegum Superstar font is a vibrant and playful typeface that captures the essence of fun, youthfulness, and enthusiasm. Characterized by its rounded edges and exaggerated forms, the font exude...
  17. The Kremlin Emperor font designed by Bolt Cutter Design is an evocative and regal typeface that seamlessly bridges the gap between historical richness and contemporary flair. This font is not just a ...
  18. As of my last update, there is no widely recognized or specific font known as "Can Control" within the standard typographic or design communities. However, the name itself evokes a particular style t...
  19. Ah, Café Pop! Imagine strolling through a bustling city street where the aroma of freshly brewed coffee fills the air, jazz music dances around your ears, and the promise of intriguing conversations ...
  20. Racer, created by the visionary designer onezero, is a font that embodies dynamism, speed, and elegance. Its design is inspired by the high-speed world of racing, capturing the essence of motion and ...
  21. Imagine if your high school chemistry teacher decided to become a typographer, and their first project was to somehow capture the essence of every "Eureka!" moment they ever had in a font. The result...
  22. Once upon a time, in the mystical land of AEnigma, there was a font that decided it didn't want to play by the rules. Its name? Bandwidth Bandless BRK. This font was the digital equivalent of that qu...
  23. The "Astron Boy Wonder" font, a creation by the prolific font designer Ray Larabie, captures the retro-futuristic spirit of the mid-20th-century era, while infusing it with a dose of contemporary fla...
  24. HVD Rowdy by HVD Fonts is a strikingly unique typeface that exudes energy and vibrancy. Designed with an infectious zest, it leaps off the page, making it an unforgettable choice for projects that ai...
  25. Arbuckle is a font that dances between the worlds of playfulness and respectability, masterfully designed by Nick Curtis. Picture a font that could easily headline a whimsical party invitation one mo...
  26. Ah, Monster Paparazzi! Imagine for a moment, deep in the wild underbrush of creativity, lurks a font so captivating that it could only be dubbed Monster Paparazzi. Crafted by the illustrious duo, Kev...
  27. The Jellyka King's Hat font, crafted by the talented designer Jellyka Nerevan, is a testament to creativity and artistic flair in the realm of typography. At its core, Jellyka King's Hat is a script ...
  28. The font "Funny Icon" by Rodrigo German stands as a dynamic and playful tribute to the essence of creativity and fun embedded in graphic design. This font isn't your traditional typeface focused on l...
  29. Unfortunately, I can't give a detailed, current description of the "Motorcade" font by Ray Larabie, as my latest update was in April 2023 and I might not have the latest details on this specific font...
  30. The Janda Hide And Seek font, crafted by the talented Kimberly Geswein, is a playful and charismatic typeface that exudes a sense of whimsy and warmth. True to its name, it seems to play a delightful...
  31. The "Haunt AOE" font, developed by the creative minds at Astigmatic One Eye Typographic Institute, is a unique typeface that truly captures the essence of its namesake. Designed to evoke feelings of ...
  32. "Fluted Germanica" is a striking typeface developed by Paul Lloyd Fonts that revives the robust spirit and historic essence of Germanic type designs, updating it for contemporary use. This font seaml...
  33. The Eh_cyr font is a distinctive typeface designed by Ray Larabie, a renowned Canadian font designer known for his prolific output and wide variety of type styles. Ray Larabie has been a significant ...
  34. The typeface "Insecurity" by Keith Bates is a fascinating creation that embodies a unique conceptual approach to typography. At its core, "Insecurity" reflects the vulnerabilities and uncertainties t...
  35. Subito, a font designed by the creative minds at Imagex, stands as a unique testament to the world of typographic artistry. This font, elegantly crafted, blurs the lines between traditional readabili...
  36. The font "Stop" is a distinctive display typeface that first captured the attention of designers and typographers in the 1970s. Created by Aldo Novarese in 1971 for the Italian type foundry Nebiolo, ...
  37. Oh, the tale of Weaver! Picture it: in the vast, swirling cosmos that is the font universe, where Serif rubs elbows with Sans Serif at the swankiest of typographical parties, and Script flows gracefu...
  38. The IM FELL FLOWERS 1 font, created by the talented Igino Marini, is a unique and charming typeface that transports its audience to an era of handwritten letters and ancient manuscripts. This enchant...
  39. The Peninsula font, crafted by the talented type designer Vladimir Nikolic, is a distinctive typeface that stands out for its unique characteristics and versatile application. This font can be catego...
  40. The BLOODSTAIN PERSONAL USE font by Billy Argel is a strikingly unique typeface that stands out due to its dramatic and evocative design. This font encapsulates the essence of horror and suspense, ma...
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