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  1. Mutlu - Unknown license
  2. Fairy Strange - Personal use only
  3. Cartoonist - Personal use only
  4. Nadejda - Unknown license
  5. Nyctophobia - Personal use only
  6. Cookies - Unknown license
  7. KG Be Still & Know - Personal use only
  8. Radio 187.5 - Personal use only
  9. Shortbrush - Personal use only
  10. Insecurity - Unknown license
  11. Jack Fancy - Unknown license
  12. Holtzschue - Unknown license
  13. Roughhewn - Unknown license
  14. Komika Text - Unknown license
  15. Shower Flower - Unknown license
  16. Bionic Comic - Personal use only
  17. Tom-Bombadill - Personal use only
  18. Crosspatchers delight - Unknown license
  19. Chantelli Antiqua - Unknown license
  20. Sappy Mugs - Unknown license
  21. Tin Doghouse - Unknown license
  22. bobTag - Unknown license
  23. Meet John Henry - Unknown license
  24. Kitsu XD - Unknown license
  25. Toppo Giggio - Personal use only
  26. Florimel™ - Unknown license
  27. Maassslicer3D - 100% free
  28. Pawmor by Jipatype, $27.00
    ขอแนะนำ Pawmor ฟอนต์ sans-serif ใหม่ที่น่ารักและขี้เล่น ซึ่งจะเพิ่มความน่ารักให้กับงานออกแบบของคุณ! แบบอักษรนี้เหมาะสำหรับโปรเจ็คที่เกี่ยวข้องกับสัตว์เลี้ยงหรือสัตว์ต่างๆ ด้วยขอบที่โค้งมนและส่วนโค้งที่นุ่มนวล ให้ความรู้สึกอบอุ่นและเป็นกันเองจนยากจะต้านทาน Pawmor มีให้เลือกถึง 18 แบบ ให้คุณได้เลือกใช้ตามความต้องการของคุณ ด้วย Pawmor คุณสามารถสร้างงานออกแบบที่สะดุดตาสำหรับธุรกิจเกี่ยวกับสัตว์เลี้ยง งานกิจกรรมต่างๆ เกี่ยวกับสัตว์ โดยรวมแล้ว Pawmor เป็นตัวเลือกที่สมบูรณ์แบบสำหรับทุกคนที่ต้องการเพิ่มความแปลกใหม่และความสนุกสนานให้กับงานออกแบบของคุณ Introducing Pawmor, the adorable and playful new sans-serif font that will add a touch of cuteness to your designs! This font is perfect for any project that revolves around pets or animals. With its rounded edges and soft curves, it exudes a warm and friendly vibe that's hard to resist. Pawmor comes in 18 different styles, giving you plenty of options to choose from. With Pawmor, you can create eye-catching designs for pet-related businesses, animal-themed events. Overall, Pawmor is the perfect choice for anyone looking to add a touch of whimsy and playfulness to their designs
  29. Johabu by Monotype, $29.99
    Johabu is based on Gebrochene Fraktur, a lighter softer sort of type, compared to the German forms of the same period. Johabu was drawn by Johannes Bureus, around 1620, cut and cast by Peter van Selow in Stockholm. Johannes Bureus, archaeologist and linguist, designed and let Selow cast runes in 1598, and he became the first Swedish keeper, archivist, of the National Record Office State Archives.
  30. Lacuna Regular - Unknown license
  31. CarawayBold - Unknown license
  32. Neverland by Mirror Types, $30.00
    Neverland is my attemp of a lettering font. I was inspired by the letters in displays of retaurants. It will work great in posters, shirts, magazines and displays because it has a charming feel. I received a lot of help from my good friend Maximiliano Sproviero (Lián Types). The name is based on the tale of Peter Pan from James Matthew Barrie.
  33. Vivaldi by ITC, $29.99
    Vivaldi was designed by Friedrich Peter. Generous, intricate initial caps combine with a more reserved lowercase to create a beautiful script font. Vivaldi's letterforms incorporate an elegant mixture of calligraphic and copperplate elements. It is ideal for invitations, announcements, certificates, or other work requiring a distinctive, formal appearance.
  34. LiquidCrystal - Unknown license
  35. elektrogothik - Unknown license
  36. Maceo - Unknown license
  37. Grimm by The Type Fetish, $25.00
    The origin of Grimm was to create a typeface in the spirit of Elliott Peter Earls' Subluxation, but somewhere in the process things shifted to a blackletter influenced uppercase while the lowercase became more roman. The end result is a quirky little blackletter display typeface.
  38. PR Agamemnon - Unknown license
  39. Goudy Old Style by Bitstream, $29.99
    Inspired by the Froben capitals believed to have been cut by Peter Schoeffer the Younger, son of Gutenberg’s apprentice, this design is neither strictly a Venetian nor an Aldine. The archaic approach and lack of the Aldine model lead us to place the face in the Venetian group. The design owes more to Goudy than to Schoeffer.
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