Introducing Ice Valley Hand-drawn Fonts The Ice Valley hand-drawn font is perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. This font includes: Ice Valley OTF font file, Ligatures, and Multilingual support.

Hi this is Junlyne our new handwritten font, maybe this playful font theme can suits your upcoming event, party, or your personal project. This font is free for personal use, If you need an extended license or corporate license you can contact me at gasforberas@gmail.com.

Bondie – Condensed Sans Serif is an Elegant Condensed sans serif with solid font files. it is based on the compact solid font, by combining a variety of styles. Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography

Wirey is an uppercase hand drawn font inspired by bent copper wires. It is designed for headers, titles and posters where fonts need to be big and unique. Wirey is styled in a way that looks hand drawn but also keeps a simple, professional element within it.

Belton is a unique handwritten font. It includes elegant swashes which can be used to give a luxurious look to your designs. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more.

Death Stinger - Horror Font is a horror fantasy hand lettered font. Work great for any design needs : logo, branding, modern advertising design, logos, poster quote, movie, game, novel, book / cover Title, editorial design, website / blog, card, custom mug, pillow, t-shirts, and any fantasy hand-lettered needs.

Dolce Caffe is a pretty hand-written font, designed in 2011, that is very legible and high in style and carefully constructed all-uppercase letters. It was totally inspired by hand-written chalkboards in Berlin, a city that I love. Take also a look at Merendina

It is monospaced and organic. Two words that often not goes hand in hand, but in this case it does. You have 6 different versions of each letter to choose from, or just let the Contextual Alternates do the job by automatically cycles as you type.

Delicatta is a beautiful and expressive script font by dooType. You can use it in many areas such as packaging, invitations, magazines and posters. This version contains Opentype Features including alternates and ligatures that you can use as needed. Check in gallery for some images. Enjoy!

Nowie Vremena is a sequel to a previously released Vremena Grotesk, a sans serif typeface, inspired by Arial’s apalling combination of grubby tidiness. The sequel travels back in time and explores Arial’s elder brothers and some 19th century sans serifs, through initial concept of hectic neutrality.

Have Heart is a set of 2 hand-made marker pen fonts, designed to combine perfectly and allow you to create stunning hand-lettering quickly and easily. Also included is a set of 12 bonus swashes, ideal for giving your text that final touch of finesse!

Angelicy is a script font with textured hand brush style. The Angelicy font made with digital hand brush pen strokes that making this font look authentic and unique concept. This font is perfect for fashion brand, wedding invitation, business card, logo brand, and then calligraphy project.

Hi this is Brotusse our new handwritten font, maybe this playful font theme can suits your upcoming event, party, or your personal project. This font is free for personal use, If you need an extended license or corporate license you can contact me at gasforberas@gmail.com.

Qubicles Sans is a modern sans serif font designed with calligraphy style for a wide range of need. The font is suitable for any branding project like logo, t-shirt printing, sporting design, and many more. It will look assertive in a wide range of contexts.

Trade Journal JNL and its oblique counterpart are derived from a classic grotesk sans face from the 1800s. Despite the 'Grotesk' style name, the font design is actually quite pleasing to the eye and a nice alternative to many of the sterile sans serif faces of today.

Kurye, is an extremely elegant and emotional font. You can choose its large family for your magazine, brochure, catalog designs, furniture and architectural presentations. In this way, you can add a more aesthetic and unique atmosphere to your designs. Kurye, ligatures, alternative glpyhs and multilingual support.

Aryaduta is a romantic and gorgeous looking typeface. It can be used for various purposes, such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges and more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

After four long months of work, Arcano Type has finally been released. It was completely designed by hand, letter by letter, using Chinese ink on Japanese calligraphy paper. Arcano is inspired by nature, symbols, icons, jewels, hand-drawn designs and much more... Modern Love Slanted-Turquoise-Nautica

This is "Thinker," a new font designed by Peachcreme. It has a rough look, giving the impression that it was scrawled down in a hasty and disorganised manner by hand with a pencil. Plus, it comes with a bonus set of hand-drawn graphics and alternate letters.

PILLS is a modular font based on overlayed circular and square forms, the characters have been spaced mathematically. 'PILLS' can have interesting side effects, when the leading is set very close. Feelings of anxiety, loneliness and depression can be avoided by 'PILLS'. Do not exceed daily dose.

The name of this font brings back memories of an old fried chicken restaurant in Willow Springs Illinois circa 1960’s and 1970’s, my family would all get in the car and take a long drive down to an old country road Illionis Rt 171 through a forest preserve where we’d come upon the old Willowbrook motel with a bar and restaurant next door. The restaurant was called Kegal’s, when you entered the building you had to walk through the smoky bar first to get to the restaurant, I can still see the hard wood floors with all the finish worn off from decades of foot traffic. Up until the mid 1960’s Kegal’s used to raise their own chickens behind the restaurant, back then fried chicken in the Midwest was either coated in flour or bread crumbs, Kegal’s was covered in a beautiful layer of golden bread crumbs. Before your meal arrived they’d bring a basket of dinner rolls along with crackers, bread sticks and country butter, on the side they’d serve coleslaw with a vinegar sauce, which is very common in the Midwest, the first time you try it your face puckers up like you just sucked on a lemon but you get used it over time. After waiting for what seemed like forever to a child the waitress comes out of the kitchen with a huge tray of that golden deliciousness and your mouth begins to water, in her other hand was another tray filled to overflowing with crinkle cut french fries all made by hand, I’d eat a hole handful of those french fries first then take a bite of that tender juicy farm raised chicken. Today a fine Italian restaurant occupies the old Kegal’s building and the motel is long gone, only my fond memories remain. Fast forward to 2020 and FontMesa has just made some Fried Chicken as an eight weight type font family with alternates. With the Fried Chicken slab serif font family we’ve broken some rules by removing a few of the slabs on certain letters for a unique homemade look. Fried Chicken is perfect for your next product label, t-shirt design, logo, headline or cookbook cover. Treat yourself to some good ol’ Fried Chicken today.

Bunyan Pro is the synthesis of Bunyan, the last face Eric Gill designed for hand setting in 1934 and Pilgrim, the machine face based on it, issued by British Linotype in the early 1950s — the most popular Gill text face in Britain from its release until well into the 1980s. Gill’s last face doesn't date itself anywhere near as obviously as Gill’s other serif faces, which were all really products of their time, heavily influenced by the richly ornamental and constantly changing aesthetic trends of the interwar period. When compared to Gill’s previous work, Bunyan seems like a revolution in the way he thought and drew. It’s as if he was shrugging off all heavy burden of what was popular, and going back to the basics of older standards. Bunyan had no bells and whistles, doesn't risk functionality with contrasts that are too high or too low, and didn't venture far outside the comfortable oldstyle rhythm Gill grew up with. By interbellum standards, this was utter austerity, a veritable denial of deco excess. Surprisingly, even without all the cloying trivialities, Bunyan still stood indisputably as an aesthetically pleasing, space saving design that could have been made only by Eric Gill. Bunyan Pro comes in three weights and their italics. The main font is intended for use between 8 and 14 points. The medium and the bold are great for emphasis but also have good merit in larger sizes, so can make effective display types as well. All six fonts include small caps, ligatures, alternates, six sets of figures, and three original Gill manicules. We tried to keep the best features of the handset (Bunyan) and machine (Pilgrim) versions while building a text face that can function in today’s immersive reading media. Deciding on which useful letterpress features to preserve for aesthetic importance was hell on our eyeballs — which lead to complex and painstaking ways of ironing out irregularities and inconsistencies related to metal technologies, in order to provide something with authenticity. The result is a unique typeface based on a Gill design that, to a much greater extent than any of his other faces, works well as a text face that can be used for entire books and magazines. For more information on Bunyan Pro’s character set, features, development process and some print tests, please consult the PDF in the gallery section of this page.

IMPORTANT – Please consider the superior Carrig Pro before making a purchase decision. Carrig started its life in 1998. I was working for a design agency in Cork, Ireland and was given a new brand identity project for a lakeside hotel in County Kerry. While visiting the hotel I made various sketches of the surroundings and upon returning to the studio, it was clear that my strongest ideas for the identity would be based on these freehand drawings. I wanted a classic, rough, hand-drawn typeface to complement this style but at that time, the studio didn’t have anything suitable, so I decided to draw my own. I found a Trajan-esque typeface that I really liked the look of in an old calligraphy workbook. I set about drawing my own version and then digitised it. Once the client had seen and approved my design, I began working on creating a complete all caps typeface to use for the hotel’s stationery. With ‘carrig’ being the Gaelic word for ‘rock’, my new typeface was all the more appropriate as it had the appearance of letterforms that had been carved into stone and weathered by time. With the project completed and the client happy, Carrig then sat in my unused fonts folder for several years... but there was always a nagging feeling at the back of my mind that I should do something more with it. So, in the autumn of 2014, I finally set about doing just that and created the font family you now find at MyFonts. Carrig’s form and structure was influenced by a hybrid of Classic Roman and Garalde typeface designs. The original calligraphic elements from the 1998 version of Carrig have been retained to add personality—as can be seen in the serifs, strokes, spurs, terminals and open bowls. Perhaps its most distinctive trait is a high x-height combined with relatively short ascenders. I wanted Carrig to immediately resonate with the reader and have designed it to be familiar and friendly. I imagine designers might choose Carrig as an alternative to such typefaces as Trajan, Garamond and Baskerville. I see Carrig as primarily a display typeface for titles/headlines in printed materials. I would also love to see it being used for branding, packaging and promotional material and am keen to hear from designers who use it in their own work.

ATTENTION CUSTOMERS :) There's a new Selfie available, have a look here; Selfie Neue is better done and more complete in every aspect. However, you can stay here if you still prefer the classic version. -But first, let me take a Selfie!- said that girl of the song and almost all of you at least once this year. While some terms and actions get trendy, some font styles do it too. It wouldn't be crazy to combine these worlds, in fact it happens often. Selfie is a connected sans serif based in vintage signage scripts seen in Galerías of Buenos Aires. These places are, in general, very small shopping centres which pedestrians sometimes use as shortcuts to get to other parts of the city. Their dark corridors take you back in time, and all of a sudden you are surrounded by cassettes, piercings, and old fashioned cloth. For some reason, all these shops use monolined geometric scripts. Surely, neon strings are easier to manipulate when letterforms have simple shapes. My very first aim with Selfie was to make a font that would serve as a company to those self-shot pictures that have become so popular nowadays. However, the font turned into something more interesting: I realised it had enough potential to stand-alone. Selfie proves that geometry itself can be really attractive. In this font, elegance is not achieved with the already-known contrast between thicks and thins of calligraphy, but with the purity of form. Its curves were based in perfectly shaped circles which made the font easy to be used at different angles (some posters show it at a 24.7º angle) without having problems/deformities. In addition to its nice performance when used over photographs, the font can be a good option for packaging and wedding invitations. TIPS Adding some lights/shadows between letters will for sure catch the eye of the viewer: Words will look as if they were made with tape/strings; so trendy nowadays. Try using Selfie at a 24.7º angle so that the slanted strokes become perfectly vertical. Having the decorative ligatures feature (dlig) activated is a good option to see letters dance. TECHNICAL It is absolutely recommended to use this font with the standard ligatures feature (liga) activated. It makes letters ligate perfectly and also improves the space between words.

Originally conceived while sketching outline typefaces for a client, Minotte Pro has blossomed into a font one thousand glyphs strong and is chock full of alternates and contextual swashes! By enabling swashes, style sets, and contextual alternates in your OpenType savvy application, headlines and text set with Minotte Pro will transform into unique combinations of initial, middle and final swash forms! There’s also an alternate Cap set with a partial fill for even greater variety! Perfect for travel ad headlines, Minotte Pro adds a light, carefree touch. If your app doesn't support OpenType, then check out the split out versions, Minotte, Minotte Swash, Minotte Fil and Minotte Swash Fil. Minotte Pro Minotte Solid Pro contain these OpenType features: Contextual Swashes, Stylistic Alternates, Standard & Discretionary Ligatures, 6 Style Sets, Superiors & Inferiors, Fractions and Ornaments. The Minotte Extras Pro Pak includes three chromatic effects fonts, Minotte Center, Minotte Gradient and Minotte Shadow. These Extras fonts are intended to be used with Minotte Pro and Minotte Solid Pro, allowing colorizing and 3-D shadow effects. There are numerous combinations when using all three together! The three Extras fonts support the entire Pro character set and all OpenType features! Intended for users that do not own or use OpenType savvy apps, the four alternative fonts capture the best of the Pro version and will provide you with the glyphs needed to duplicate some of Minotte Pro’s typographic richness. Minotte and Minotte Fil are fully usable, whereas the Minotte Swash and Minotte Swash Fil are intended to work in tandem with the basic Minotte fonts. Set your headlines and text in Minotte, then switch to Minotte Swash and manually select the appropriate swash glyphs. Switch to either of the Fil fonts for full sets of Cap alternates sporting a partial fill. Minotte Pro, Minotte, Minotte Fil, Minotte Swash and Minotte Swash Fil support an extended European character set.

A freely hand-drawn display face evoking aggression, speed and raw energy.

Great ultra bold sans serif font and demi bold wonderful for display.

A collection of 174 corner deco, geometric, fan, palm and arc designs.

Whimsical, hand-drawn connected cursive handwriting in both striped and solid versions.

A sans serif with rounded features that softens its strong geometric outline.

The killer way font basically form script with hand lettering brush style.

An elegant san serif type for headlines to your next formal invitation.

An all new rounded type family with Sans, Serif, Geometric and Blackletter!