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  1. Equilibrium is a font that masterfully balances beauty and functionality, embodying the essence of stability and harmony in its design. Imagine each letter crafted with a meticulous eye for detail, w...
  2. Zebramatic by Harald Geisler, $14.99
    Zebramatic - A Lettering Safari Zebramatic is a font for editorial design use, to create headlines and titles in eye-catching stripes. Constructed to offer flexible and a variety of graphical possibilities, Zebramatic type is easy to use. The font is offered in three styles: POW, SLAM and WHAM. These styles work both as ready-made fonts and as patterns to create unique, individualized type. The font design’s full potential is unleashed by layering glyphs from two or all three styles in different colors or shades. Working with the different styles I was reminded of the late Jackson Pollock poured paintings—in particular the documentation of his painting process by Hanz Namuth and Paul Falkernburg in the film Jackson Pollock 51. In Pollock’s pictures the complex allure arises from how he layered the poured and dripped paint onto the canvas. Similar joyful experience and exciting results emerge by layering the different styles of Zebramatic type. Texture In the heart of the Design is Zebramatics unique texture. It is based on an analog distorted stripe pattern. The distortion is applied to a grade that makes the pattern complex but still consistent and legible. You can view some of the initial stripe patterns in the background of examples in the Gallery. Zebramatic POW, SLAM and WHAM each offer a distinct pallet of stripes—a unique zebra hide. POW and WHAM use different distortions of the same line width. SLAM is cut from a wider pattern with thicker stripes. The letter cut and kerning is consistent throughout styles. Design Concept Attention-grabbing textured or weathered fonts are ideal for headlines, ads, magazines and posters. In these situations rugged individuality, letter flow, and outline features are magnified and exposed. Textured fonts also immediately raise the design questions of how to create alignment across a word and deal with repeated letters. Zebramatic was conceived as an especially flexible font, one that could be used conveniently in a single style or by superimposing, interchanging and layering styles to create a unique type. The different styles are completely interchangeable (identical metrics and kerning). This architecture gives the typographer the freedom to decide which form or forms fit best to the specific project. Alignment and repetition were special concerns in the design process. The striped patterns in Zebramatic are carefully conceived to align horizontally but not to match. Matching patterns would create strong letter-pairs that would “stick out” of the word. For example, take the problematic word “stuff”. If Zebramatic aligned alphabetically, the texture of S T and U would align perfectly. The repeated F is also a problem. Imagine a headline that says »LOOK HERE«. If the letters OO and EE have copied »unique« glyphs - the headline suggests mass production, perhaps even that the designer does not care. Some OpenType features can work automatically around such disenchanting situations by accessing different glyphs from the extended glyph-table. However these automations are also repeated; the generated solutions become patterns themselves. Flip and stack To master the situation described above, Zebramatic offers a different programmatic practice. To eliminate alphabetic alignment, the letters in Zebramatic are developed individually. To avoid repetition, the designer can flip between the three styles (POW, SLAM, WHAM) providing three choices per glyph. Stacking layers in different sequences provides theoretical 27 (3*3*3) unique letterforms. A last variable to play with is color (i.e. red, blue, black). Images illustrating the layering potential of Zebramatic are provided in the Gallery. The design is robust and convenient. The font is easily operated through the main font panel (vs. the hidden sub-sub-menu for OpenType related features). The process of accessing different glyphs is also applicable in programs that do not support OpenType extensively (i.e. Word or older Versions of Illustrator). International Specs Zebramatic is ready for your international typographic safari. The font contains an international character set and additional symbols – useful in editorial and graphic design. The font comes in OpenType PostScript flavored and TrueType Format.
  3. As of my last update in April 2023, HeadlineNEWS by Reference Type Foundry has not been specifically documented in my training data. However, I can provide you with a general description based on wha...
  4. Nu School Munitions isn't a font that I can specifically reference as of my last knowledge update in early 2023, suggesting it might either be a very new, specific, custom, or possibly not widely rec...
  5. As of my last update in early 2023, "Knives" is not a widely recognized or standardized font in the vast collection of typefaces used across design and digital platforms. However, let's explore a con...
  6. Ah, the Riparo font! It's like diving into the world of quirky and eye-catching typography, a playground where creativity meets functionality. Crafted by the talented Vladimir Nikolic, Riparo doesn't...
  7. As of my last update in April 2023, there isn’t a widely recognized font specifically named "Madonna" that is part of standard typographic resources or libraries. However, let's explore a hypothetica...
  8. "Porn Star Academy" is a font that, as provocative as its name might imply, embodies a blend of playfulness, audacity, and a touch of rebellion. Designed with an intention to stand out and capture at...
  9. The font "Stop" is a distinctive display typeface that first captured the attention of designers and typographers in the 1970s. Created by Aldo Novarese in 1971 for the Italian type foundry Nebiolo, ...
  10. As of my last update in April 2023, the specific font named 914-SOLID by E. V. Norat II doesn't have a widely recognized description or set of characteristics that are commonly known in the type desi...
  11. The HVD Poster font crafted by HVD Fonts represents a captivating fusion of aesthetic elegance and bold statement-making capability. It is a design that doesn't just convey words but does so with an ...
  12. The font Komika Title, created by Apostrophic Labs, is a distinctive and vibrant typeface that falls within the display category due to its unique characteristics and visual appeal. This font is part...
  13. The VINTAGE COLLEGE DEPT_DEMO_worn font by Fontsandfashion is a distinctive typeface that embodies the spirit of classic collegiate and varsity aesthetics, with a distinctly retro feel that harks bac...
  14. Signerica Fat is an exquisite font designed by the talented Swedish typeface designer Måns Grebäck, known for his mastery in crafting script and calligraphy fonts. This particular font falls beautifu...
  15. Stylo, created by the talented Russian type designer Nikolay Dubina, is a distinctive and versatile font that beautifully marries the aesthetics of classic typography with modern design elements. Dub...
  16. The font "Face Your Fears" by David Kerkhoff is a compelling and evocative typeface that delves into the darker, edgier side of typography. Its design is characterized by an unsettling juxtaposition ...
  17. The Ransom font by Altsys Metamorphosis stands out as a distinctive and visually captivating typeface, reminiscent of letters cut out from magazines and newspapers, a method often associated with ran...
  18. As of my last knowledge update in April 2023, there's no widespread recognition or specific information about a font named "COnsume." However, given the intricate nature of font design and typography...
  19. As of my last update in April 2023, FarHat-Acordes by FarHat is a font that takes inspiration from musical elements, embedding the aesthetic appeal of musical notation into the typography design. The...
  20. The "Year 3000 Bold Italic" font by Iconian Fonts is not just a typeface; it's a journey into the future of typography. Crafted by the talented hands at Iconian Fonts, a foundry known for its wide ar...
  21. Gunplay by Ray Larabie is a font that grabs your attention as soon as you lay eyes on it. Designed with a robust and unapologetic style, it embodies a gritty, almost rebellious attitude that seems to...
  22. Orthotopes Oblique, a font designed by the innovative Megami Studios, is a true testament to the harmony between structure and fluidity. It's as if this typeface captures the dynamic motion of the fu...
  23. Subatomic Tsoonami is not merely a font; it's a vivid journey into the realms of creativity and innovation, embodying a blend of whimsy and sophistication that's rare in the typography world. At firs...
  24. Bladeline, a unique font created by Designstation, is a striking example of creativity and innovation in typeface design. It encapsulates a perfect blend of elegance and edge, making it a versatile t...
  25. As of my last update, Rammstein isn't widely recognized as a standard or commercially available typeface in the traditional sense, such as Helvetica or Times New Roman. Instead, Rammstein's associati...
  26. Ah, the 20th Century Font by Ray Larabie, a typeface that's as ambitious and forward-looking as its name suggests, yet marinated in the nostalgic vibes of the past century. Imagine a font that decide...
  27. Alrighty, imagine you're diving into a world where comic books aren't just stories; they're experiences that leap off the page. That's where ShockTherapy BB by Blambot Fonts punches its way in, decki...
  28. As of my last update, the font named Stage by Buddha Graphix is not amongst the widely recognized or documented typefaces in graphic design or typography references that I have access to. However, ex...
  29. As of my last update, there is no widely recognized or specifically detailed font by the name of "Kefka." However, in the spirit of artistry and creativity, let's imagine what a font named Kefka migh...
  30. Ahoy, typography aficionados and design deckhands! Hoist the main sail and set course for the adventurous seas of fontography with the Captain Kidd Demo by The Scriptorium — a font so dashing and dar...
  31. As of my last update in April 2023, "Snag Mag" by The Logo Factory isn't a widely recognized or documented font in the most accessible font libraries or in the common resources graphic designers turn...
  32. As of my last update, the "SF Chrome Fenders Condensed" font from ShyFoundry Fonts (formerly known as ShyFonts) stands as a distinctive, attention-grabbing typeface that captures the essence of retro...
  33. Ah, the Action Man font by Iconian Fonts, you say? Let's dive into its charismatic and spirited design that seems to leap off the page! Created with a nod to adventurous spirits and dynamic energy,...
  34. Gather around, typography enthusiasts and history buffs, for a tale of a font that summons the spirit of centuries past with a modern twist. Plakat-Fraktur, created by the talented Dieter Steffmann, ...
  35. The font ETIAW v3 is an intriguing and dynamic typeface that stands out for its unique style and character. It is a font that seems to transcend traditional typographic boundaries, offering a fresh p...
  36. Quake & Shake, a vibrant and dynamic font created by the renowned type foundry Iconian Fonts, embodies an incredible blend of creative quirks and a noticeable energy that is as captivating as it is f...
  37. ZirkleOne is not a specific font that's widely known or recognized within the realms of typography as of my last update. However, let's create an imaginative description of a font that would suit the...
  38. As of my last update, I don't have specific access to a font named "Cheaptype" by Fenotype, and details about such a font may not be readily available in the public domain or might be a newer release...
  39. Oh, the tale of Weaver! Picture it: in the vast, swirling cosmos that is the font universe, where Serif rubs elbows with Sans Serif at the swankiest of typographical parties, and Script flows gracefu...
  40. Coming Together by Font Aid, $20.00
    Coming Together contains over 400 glyphs and is supplied as a single, cross-platform OpenType font. All glyphs are accessible using OpenType-savvy applications, Unicode-savvy utilities, the Character Map utility on Windows, and FontBook on Mac OS X. Nearly 400 designers contributed to “Coming Together”: Adam Humphries, Aditi Dilip, Adrien Midzic, Afraa Gutub, Al Insan Lashley, Alan Lima Coutinho, Alaric Garnier, Alejandro Cabrera Avila, Alejandro Lo Celso, Alejandro Paul, Alessandro Segalini, Alex Cameron, Alex Coblentz, Alexander Trubin, Alexandre Freitas, Alexey Murashko, Alicia Jabin, Aline Horta, Allison Dominguez, Amanda Postle, Amy Brown, Amy Papaelias, Anderson Maschio, Andrea Emery, Andres Perez, Andrew Boardman, Andrew Jesernig, Andrey Furlan, Andrij Shevchenko, Ann Tripepi, Antonio Gutierrez, Antony Kitson, Anushree Kapoor, Anya Cam, AP303 Estudio Design, Becky Krohe, Beejay, Ben Mitchell, Benjamin K. Shown, Benjamin Varin, Brad McNally, Brad Nelson, Bradley Trinnaman, Brady Baltezore, Brandon Horne, Breck Campbell, Brian J. Bonislawsky, Brian Jaramillo, Brian Jongseong Park, Brian Mueller, Brock French, Bruce Rodgers, Bruno Pugens, Bryan Angelo Lim, Buro Reng, Caitlin Martin-Frost, Calou, Carlos Fabián Camargo Guerrero, Carlos Vidal, Cayo Navarro, Cesar Puertas, Chank Diesel, Charles Williams, Chris Lozos, Chris Trude, Christophe Badani, Christy Lai, Claes Källarsson, Claire Coullon, Claudio Piccinini, Colby Cook, Craig Eliason, Cristina Pegnataro, Curve Doctor, Dan DiSorbo, Dan Liggins, Dan Rubin, Daniel Justi, Daniele Capo, Dav(id Hubner), Dave Bailey, Dave Cohen, David Jonathan Ross, David Sudweeks, David Thometz, Dawn Mercurio, Delve Withrington, Diana van de Blaak, Didier Mazellier, Diederik Corvers, Dino Santos, Dmytro Pobiedash, Donald Beekman, Dries Wiewauters, Duncan Bancroft, Ed Hoskin, Eddy Ymeri, Edineide Oliveira, Eduardo Manso, Eduardo Rodríguez Tunni, Eero Antturi, Eli Castellanos, Elias Bitencourt, Elias Stenalt Werner, Elman Padilla, Emery Miller, Emily Leong, Emily Maher, Enrico Limcaco, Eric Frisino, Eric Stine, Erik Brandt, Espen, Evan Moss, Evangeline Rupert, Fabiane Lima, Fabio Foncati, Fabrizio Schiavi, Farbod Kokabi, Felipe Lekich, Francisco Martin, Frank Riccio, Frans van Bellen, Gary Holmes, Gautam Rao, Gayle Hendricks, Gene Buban, Georg Herold-Wildfellner, George Aytoun, Gerd Wiescher, Giles Edwards, Gist Studio, Glen Barry, Glenn Parsons, Goro Mihok, Grace Engels, Grant Alexander, Grant Hutchinson, Greg Smith, Gunnar Swanson, Gustavo Machado, Hans Nieuwstraten, Harold Lohner, Hilary Salmon, Hillary Fayle, Hrant H Papazian, Hugo Gallipoli, Ian Drolet, Ian Lynam, Ilona Kincses, Isac Corrêa Rodrigues, Ivette Chacon, Ivo Federspiel, Jacques Le Bailly, Jae-hyoung Choi, Jaime Vasquez, James Edmondson, James Grieshaber, James L. Stirling, James Lukens-Gable, James Martin, James Ockelford, James Puckett, Jarbas Gomes, Jarett Knuth, Jason Adam, Jason Robinson, Javier Suzuki, Jay Chu, Jayson Zaleski, Jean Francois Porchez, Jeff Fisher, Jeff Jarvis, Jeffrey Vanlerberghe, Jelmar Geertsma, Jennifer Clarke, Jennifer Rutherford, Jens Kutilek, Jerry Allen Rose, Jess Latham, Jesse Ragan, Jessica Page, Jesvin Yeo Puay Hwa, Jim Ford, Jim Lyles, Jim Rimmer, Jin Ping, Jo De Baerdemaeker, Joachim Muller-Lance, Joanna Abbott Moss, Joe Francis, Joe VanDerBos, Joel Vilas Boas (J85), John Downer, John Flanagan, John Foley, John Langdon, John Lopez, John Lyttle, John Skelton, Johnny Dib, Jonathan Hughes, Jonathan Pierini, Jos Buivenga, Jose Luis Coyotl Mixcoatl, Juan Acosta, Judd Crush, Judith Lee, Julie Johnson, Julie Oakley, Julie Thomas, Juliet Shen, Jumin Lee, Jurgen Weltin, Justin Callahan, Justin Chodzko, Karel Piska, Karen MacKay, Karin Eberhardt, Karin van Soest, Karla Perez, Katie Parry, Katie Snape, Katri Haycock, Katy Brooks, Kelley Garrard, Kelly Redling, Kent Lew, Kevin D’Souza, Kevin J. Boynton, Kevin McDermott, Kim Arispe, Kokin, Kristen Caston, Kristen Hartman, Kristian Möller, Kristians Šics, Kyle Jones, L Bollinger, Lan Huang, Larry Van Dyke, Laura Ricker, Laura Worthington, Laurel Wilson, LeAndrea James, Lijklema Design, Linda McNeil, Lise Barreto, Louie Crumbley, Louis Duchesne, Luke Dorny, Luke Stouffer, Madison Cramer, Måns Björkman, Marc Salinas Claret, Marcus Leis Allion, Marcus Parker, Marcus Sterz, Marie-Anne Verougstraete, Mark Simonson, Martin Majoor, Matheus Barbosa, Mathias Forslund, Matt Desmond, Matt McInerney, Matt Millette, Matthew Jerauld, Max Kisman, Michael Browers, Michael Bundscherer, Michael Cina, Michael Doret, Michael G. Adkins, Michael Hernan, Michael Paul Young, Michael Wallner, Miguel Catopodis, Mikael Engblom, Mike Jarboe, Mike Petschek, Miriam Martincic, Moira Sheehan, Monica Pedrique, Nacho Gallego, Naomi Atkinson, Natanael Gama, Nathanael Ng, Neil Fox, Neil Patel, Neil Summerour, Neil Woodyatt, Ngoc Ngo, Nguyen Pham, Nicholas Curtis, Nicole Hudson, Nicole Sowinski, Nicolien van der Keur, Nina Stössinger, Noah Scalin, Ojasvi Mohanty, Oleg Macujev, Olivia Choi, Ong Fang Zheng, Pata Macedo, Patrick Gallagher, Patrycja Zywert, Paul Hunt, Paul Langman, Pedro Moura, Pedro Paz, Per Ohlsson, PJ Onori, Premm Design Ltd, Rae Kaiser, Rafael Carozzi, Rafael Cordeiro, Rafael Neder, Randy Jones, Ray Larabie, Raymond Forbes, Ressa McCray, Ricardo Esteves, Ricardo Martins, Riccardo Sartori, Richard Kegler, Richard Miller, Rob Keller, Roballo, Rose Coplon, Roy Rub, Rudo van der Velden, Russell McGorman, Ryan Rushing, Ryan Thorpe, Sander Neijnens, Sara Cross, Scott Boms, Scott Fisk, Sergio Jimenez, Shi-Min Chin, Sílvio Gabriel Spannenberg, Soohyen Park, Sorin Bechira, Stanley Friesesk, Stefan Hattenbach, Stefan Kjartansson, Stephen Lay, Steve Harrison, Steve Marsh, Steve Matteson, Steve Mehallo, Steve Zelle, Steven Bonner, Steven Wulf, Stuart Brown, Stuart Ford, Stuart Sandler, Sue Zafarana, Sulekha Rajkumar, Susan Surface, Tanya T Stroh, Taylor Loman, Ted Ullrich, Teja Ideja, Tena Letica, Terrance Weinzierl, Theo França, Thiago Martins, Tiffany Wardle, Tim Whalen, Titus Nemeth, Tom Plate, Tom Rickner, Tomato Košir, Tomi Haaparanta, Travis Kochel, Troy Leinster, Tyler Heron, Type Mafia, Vanessa Robertson, Veronika Burian, Victor Esteves, Victor Zuniga, Viktor Nübel, Viviana G, Wellinton Reis, Wilson Thomas, Wolfgang Homola, Xavier Dupre, Xerxes Irani, Zvika Rosenberg These designers represented the following countries: Argentina, Australia, Austria, Belgium, Brazil, Canada, Columbia, Croatia, Czech Republic, El Salvador, England, Finland, France, Germany, India, Ireland, Italy, Japan, Latvia, Lebanon, Mexico, New Zealand, Peru, Poland, Portugal, Scotland, Siberia, Singapore, Slovenia, Spain, Sweden, Switzerland, The Netherlands, Ukraine, United States, Venezuela, Vietnam
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